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Published bySabina Sutton Modified over 8 years ago
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Photojournalism is about capturing the human experience and making your own art; not just capturing the creations of others Look at the good, the bad and the ugly “If it doesn’t communicate anything, it might be great on someone’s wall, but it has to tell a story.” Bob Lynn
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Photographs are the first elements that viewers see and the reason students buy yearbooks. Most important element in photography is the person holding the camera - the most important piece of equipment in a car is the nut behind the wheel. Tim Harrower -- “A good photo is like a well- written story. It’s easy to read. It presents information that’s free of clutter and distractions.”
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the arrangement of the elements in the photograph (subject, foreground, background and so forth)
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Fill the Frame Photographs are competing with other items for the reader’s attention Photographs must be bold and simple (some details get lost in printing when the picture is condensed for printing purposes) Subject should fill the frame Don’t leave empty space in or around the center of interest Move closer to the subject until it fills the frame
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Watch the Background The background can be used to place the person being photographed in context (football player on field). The background should be eliminated when it is distracting (trees, poles, etc). Instead of moving people around and staging your photo, move yourself to minimize the background.
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Observe the Rule of Thirds A perfectly symmetrical picture is monotonous and boring Moving the subject away from the center creates visual tension and a sense of motion Studies have shown that when viewing images that people’s eyes usually go to one of the intersection points most naturally rather than the center of the shot – using the rule of thirds works with this natural way of viewing an image rather than working against it. Read more: http://digital-photography-school.com/rule-of- thirds#ixzz2JZ0WN3wu http://digital-photography-school.com/rule-of- thirds#ixzz2JZ0WN3wu Draw a tic-tac-toe grid over your viewfinder and position the subject at the intersection of any two of those lines
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Use Leading Lines Human eye tends to follow a line wherever it leads Experienced photographers use lines to help compose a photo Lines might be streets, fences or any kind of diagonal line These lines draw the viewer’s eye into the photograph.
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Frame the Photograph Give your photo a three-dimensional feel by framing the photograph with a branch, a tree or any other object in the foreground. Place one of these objects in the corner of the photo.
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Depth of Field: the area in front of and behind the subject that appears acceptably sharp - one object in the picture is in focus while either the background or the foreground is out of focus
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Inanimate objects tend to be boring; always try to include people No pictures of buildings, cars, etc. Don’t just photograph a sculpture; photograph someone looking at the sculpture with an expressive look on his/her face
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Try to avoid posed pictures Try to capture emotion Get faces; not backs Identify the star of the picture Get up close! Let your picture tell a story Use different angles Avoid inanimate objects; focus on people Don’t crowd the picture Action, good; blurry, bad! Use the “Rule of Thirds”
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“If it makes you laugh, if it makes you cry, if it rips out your heart, that’s a good picture.” Eddie Adams
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