1. Artistic Design Review of the Elements & Principles

2. Elements of Art The basic visual symbols that artists use to create works of visual art.

3. Line Vincent van Gogh Street in Saintes-Maries-de-la-Mer, 1888

4. Shape Henri Matisse La Musique 1939

5. Form Barbara Hepworth ~ Hieroglyph, 1953 Raphaelle Peale, A Dessert, 1814

6. Color Paul Cezanne ~ Mont Sainte- Victoire Seen from Les Lauves 1904-06 Paul Cezanne ~ Le Mont Sainte-Victoire 1897-98

7. Value Pablo Picasso, Fernande with Black Mantilla, 1905-06

8. Space Jacob Lawrence Pool Parlor, 1942 Shallow space

9. Deep space Casper David Friedrich ~ Riesengebirge, 1835

10. Texture Janet Fish ~ Lamp and Book, 2004 Visual Texture

11. Tactile Texture Ann Goldman Draped Rock

12. Principles of Design Guidelines for using the elements of art to produce certain visual effects in a work of art.

13. Balance The principle of design concerned with the equal distribution of visual weight 2 types of balance ~ formal and informal

14. Formal Balance When equal, or very similar objects are placed on opposite sides of a central axis 3 types of formal balance ~ symmetrical, approximate symmetry and radial

15. Symmetrical Balance Two halves of a composition are identical, mirror images of each other

16. Symmetry is often found in architectural design

17. Tlingit “Chilikat” Robe

18. Approximate Symmetry Slight differences on either side of the axis add interest. Diego Rivera Día de las flores 1925

19. Radial Balance Elements of a design radiate from a central point

20. Radial balance is often found in decorative designs Rose Window Notre Dame Cathedral

21. Informal Balance Asymmetrical balance – unlike objects are balanced by giving them equal visual weight Appears more natural and unplanned but is more intricate and complex

22. Jan Vermeer ~ The Concert, 1665-66 Asymmetry in a two-dimensional painting

23. Henry Moore ~ Reclining Figure, Angles, 1979 Asymmetry in a three-dimensional sculpture

24. Contrast The principle of design concerned with the juxtaposition of opposing elements A dark value contrasts with a light value.

25. Contrast creates clarity

26. The smooth texture at the top of the vessel contrasts with the rough texture at the bottom Contrast adds interest and variety

27. Contrasting colors create a pattern African Kente cloth

28. Rhythm & Repetition Visual rhythm indicates movement by the repetition of elements Moves the viewer’s eye around and/or through a work of art Creates a pattern

29. Bridget Riley ~ Descending, 1965 Pattern and movement are established by the repetition of line

30. Vincent Van Gogh ~ Starry Night, 1889

31. Proportion & Scale Proportion: the relationship of one part to another Scale: size as measured against a standard reference

32. James Abbott McNeill Whistler ~ Symphony in White, No. 1: The White Girl, 1862 Accurate proportionsDistorted proportions Amedeo Modigliani The Servant Girl 1918

33. Claes Oldenburg & Coosje van Bruggen ~ Spoonbridge & Cherry, 1988 The size of the trees and the people indicate the scale of the sculpture.

34. Renee Magritte ~ Personal Values, 1952 Magritte intentionally distorted scale and proportion to give the piece a surreal quality.

35. Figure/Ground Relationship The figure refers to the shape or shapes in a work of art. The ground refers to the background or space around the shape(s). The figure is the positive space The ground is the negative space Figures and grounds have their own characteristics, and play different, but equally important, roles in a composition.

36. Figures (shapes) seem to float aimlessly within the picture plane. The design is rather uninteresting. The figures and ground are integrated and makes for a more interesting design.

37. The figures and ground are well integrated in Edgar Degas’, Portraits in a New Orleans Cotton Office, 1873.

38. Mary Cassatt ~ Mother & Child, 1888 Where shapes/objects are placed within the picture plane also effects the figure/ground relationship.

39. Barbara Hepworth ~ Square with Two Circles, 1963 Three-dimensional design must also consider the figure/ground relationship (negative & positive space).

40. Emphasis (Focal Point) One part of a design or composition dominant over another Focal point is the part of a design or composition that attracts the viewer’s attention The techniques that artists use to create a focal point include: contrast, isolation, placement

41. John Singer Sargent ~ Paul Helleu Sketching with His Wife, 1889 Contrast

42. Edgar Degas, Ballet Rehearsal, 1873-78 Isolation

43. Jan Vermeer The Music Lesson, 1662-65 Placement

44. Jasper Johns Grey Alphabets, 1956 Some artists design their compositions without a focal point.

45. Unity/Variety Work together Unity refers to agreement/harmony among the visual elements of a design ~ Variety adds interest Helps the viewer concentrate on visual images. Brings order to variety Both are planned & controlled by the artist

46. Techniques for creating unity Simplicity ~ limited figures, color Repetition ~ of an element or form (repetition can be varied to add interest) Proximity ~ placing figures/forms closer together Continuation ~ shapes, forms share edges, direction

47. Gustave Caillebotte ~ Paris, A Rainy Day, 1877

48. Bibliography St. Ignatius High School Graphics Lab. 23 June 2006 http://ignatius.edu/flash_pages/figure_ground.sh tml Nicolas Pioch. The Web Museum, Paris. 4 August 2006 http://www.ibiblio.org/wm/paint/ David A. Lauer & Stephen Pentak. Design Basics, Multimedia Edition, Sixth Edition. Belmont, CA: Wadsworth/Thomson, 2007 Rosalind Ragans. ArtTalk. Mission Hills, CA: Glencoe, Macmillan/McGraw-Hill, 1988 Daily Epiphany. www.dailyepiphany.net/2004/may/6.htm