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Also named: The Dante Club, “ 但丁俱乐部 ” Schoolroom Poets, “ 课堂 / 教室诗人 ” Household Poets, “ 家庭诗人 ”
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The Dante Club is a mystery novel by Matthew Pearl. Set amidst a series of murders in the American Civil War era.
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It also concerns a club of poets, including such historical figures as Longfellow, Holmes, and Lowell, who are translating Dante’s The Divine Comedy ( 《神曲》 ) from Italian into English.
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What are the Fireside Poets? First group of American poets to rival British poets in popularity in either country. ------------------------------- resilience [ri‘ziliəns] n. 跳回, 弹力
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Preferred conventional forms over experimentation. Often used American legends and scenes of American life as their subject matter.
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Who were the Fireside Poets? Bryant William Cullen Bryant, 布莱恩特,1794-1878 Whittier John Greenleaf Whittier, 惠蒂埃,1807-1892 Longfellow Henry Wadsworth Longfellow, 朗费罗, 1809-1882 Holmes Oliver Wendell Holmes, 霍尔姆斯,1809-1894 Lowell James Russell Lowell, 洛威尔, 1819-1891
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The name “Fireside Poets” is derived from that popularity: (1) The Fireside Poets’ general adherence ( 固 守 ) to poetic convention. (2) Their poems particularly suitable for memorization and recitation in school a source of entertainment for families gathered around the fire at home
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Characteriza tions: traditional a. standard forms b. regular meter c. rhymed stanzas
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William Cullen Bryant I. I. Quotations II. Life III. III. Poetic Theories IV. IV. Major Themes V. V. Major Works
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I. I. Quotations God: All things that are on earth shall wholly pass away, except the love of God, which shall live and last for aye( 永久 地 ).
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Poet: All great poets have been men of great knowledge.
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Death: Approach thy grave like one that wraps the drapery ( 布 ) of his couch ( 卧榻 ) about him, and lies down to pleasant dreams.
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II. Life born Nov. 3, 1794, Cummington, Mass. died June 12, 1878 New York City
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born among the beautiful highlands of western Mass. a region of enjoyment and wonder to the boy, full of nature’s creatures deep forests tiny brooks
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developed an interest in poetry early in life. Under his father’s tutelage, he emulated ( 效仿 ) Alexander Pope & other Neo-Classic British poets. --------------------------------------------- tutelage ['tju:tilid ʒ ] n. 监护, 指导
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considered a child-prodigy ( 神童 ) published his first poem at 10 published his first book Embargo ( 禁运、禁令 ) when he was 13
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Embargo was a political satire, which began as a small poem and then expanded to 420 lines. In this work, young Bryant addressed President Jefferson with disparaging ( 贬损 ) words.
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With the popularity and success of Embargo came his father’s decision that Bryant should attend college. → William Cullen Bryant Homestead, Cummington, MA -----→
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studied both Latin and Greek had access to a library full of the classics, which explains many of the classical allusions ( 典故 ) in his poetry.
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September of 1810, Bryant entered the sophomore class at Williams College. He found the curriculum and instruction to be intellectually dreary.
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His father pressured him into studying law and he subsequently moved to Worthington to be guided under an attorney ( 律师 ).
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Abraham Lincoln after delivering a lecture in New York, invited Bryant to join him in conversation and remarked that “It was worth a journey to the East merely to see such a man.”
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In 1866 his wife, Fannie, passed away after a long period of invalidism ( 疾病缠身 ). Her death was a heavy blow for Bryant whom had been particularly devoted to her.
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On June 12, 1878, Bryant died, the result of a fall 14 days before.
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III. III. Poetic Theories He stressed, “The most beautiful poetry is that which takes the strongest hold of the feelings…. the great spring ( 投 射, 喷涌 ) of poetry is emotion.”
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“[P]oetry is the spontaneous overlow of powerful feelings...recollected in tranquility” ----William Wordsworth
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He came under the influence of the romantic British poets William Wordsworth Samuel Taylor Coleridge Bryant conveyed ( 表达 ) a love of nature that he retained throughout his career.
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IV. IV. Major Themes death nature New Englanders American literary voice
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A. A. Thanatopsis 1. Introduction 2. Meter 3. 3. Themes 4. 4. Main Ideas 5. 5. Main points 6. 6. Analysis
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Written by Bryant at 17 a masterpiece of American poetry remains a significant milestone in American literary history
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associate editor at the Review, initially doubted its authenticity, saying to another editor, “No one, on this side of the Atlantic, is capable of writing such verses”.
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reflecting the influence of English “graveyard” poets such as Thomas Gray The title is from the Greek thanatos (“death”) and the suffix -opsis (literally, “sight”) often translated as “Meditation upon Death”.
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Thine individual being, shalt thou go To mix forever with the elements, To be a brother to the insensible rock And to the sluggish clod…. thine [ðain] pron. 你的东西, 你的 thou [θau] pron. 你 sluggish [ l sl ʌɡ i ʃ ] adj. 行动迟缓的, 不活泼的, 无精打采的 clod [kl ɔ d] n. 土块, 泥块
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2. 2. Meter Iambic pentameter--- a line of poetry with 5 iambic feet each containing one unstressed syllable followed by one stressed syllable. 1 2 3 4 5 ∨ ∕ ∨ ∕ ∨ ∕ ∨ ∕ ∨ ∕ To him| who in| the love | of Na | ture holds
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3. 3. Themes Nature of death Power of nature
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4. 4. Main Ideas (1) When facing death, you should take comfort in nature. Looking at the natural work, you can see the earth as everyone’s final resting place.
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(2) Although you will eventually lose your life, you are destined to acquire in death the companionship of all other mortals.
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(3) When you die, you do not die alone and will be in good company and rest with great figures of the past.
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(4) Those who have died far outnumber the living. (5) All people who live after you will eventually share your destiny and die too.
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(6) When you face death, do not go with bitterness; rather, be sustained by the knowledge that it is part of nature’s plan.
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6. 6. Analysis Lines 01-17 Lines 18-57 Lines 58-72 Lines 73-81
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Lines 1--17 Man should commune with Nature listen to her teaching receive her “healing sympathy” when he is oppressed by thoughts of death.
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Lines 18-57 Nature offers a “magnificent couch” adorned with all the glories of Nature shared by kings, the wise and the good to the man who faces death.
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Lines 58-72 Dying unmourned ( 无人哀悼的 ) is not important, because all those who go on oblivious ( 没有注 意 ) to the dying man’s departure shall, before long, share the same bed with him.
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Lines 73-81 It is important that one live with an unfaltering ( 坚决的 ) trust in Nature so that when death approaches, he can go to it soothed and sustained in the knowledge that it is a part of the natural course of man’s life.
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