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A Brief History of Early Film & Cinema HIST 3323: American Indian History
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Main Points Historical Antecedents Early Films & Technologies Films and Urbanization, Industrialization & Immigration Popular Culture & Mass Entertainment Modern Movie Industry, 1930s – 1950s
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Historical Background Plays, theater, dance, opera, sports and spectator entertainment Photography “Capture” an image and moment in time Reproduction technologies Distribution abilities Civil War 1847, Keokuk (Sac & Fox) Thomas Easterly
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Daguerreotype Kit
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Hand Held Still Cameras Civil War necessitated smaller, mobile cameras 1870s U.S., France, Germany developing dry processes for fixing images on “film” No glass or large plates In the 1880s Kodak Eastman mass produced film & technologies such as shutter speed, snapshot, and system for developing film
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Early Moving Film Technology Industrial Revolution Advancements from cameras & still images Thomas A. Edison Built upon inventions in France & Germany Kinetoscope Kinetograph, 1891 Instantaneous images placed on 35 mm film strip Individual viewing
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Kinetescope Parlor, San Francisco (1894)
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Charles Francis Jenkins The Phantoscope Backlit projection 1894 public viewing Smooth “motion pictures” Basic approach for modern movies
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The Cinematograph Louis & Auguste Lumiere Cinematographe’ Filmed images Developed them Projection Paris 1895
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Silent Films Technology to synchronize film and sound did not exist until 1923 Piano player/organist Films evolved from short clips incorporated in vaudeville shows, to full length features by 1915. Great Train Robbery, 1903 http://video.google.com/videoplay?docid=- 7949193416885414135# http://video.google.com/videoplay?docid=- 7949193416885414135# Westerns
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Films, Urbanization & Immigration Great migrations from 1880s-1920 Industries & wage labor Population growth Expendable income & leisure Ethnic communities Cultural persistence & Americanization Nickelodeons Short films Pittsburgh, 1905
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Movies and Moral Reform The Progressive Era Theatres were spaces where ethnic groups, immigrants, both sexes, could interact socially. Moral reformers worried that theatres were unhealthy and bred vice Scorned the content and “wasted time” in theatres
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Movies and Mass Culture A form of Americanization Experience of going to the movies Marker of status Films “educated” people about social realities Entertainment & escapism National identity & history The Birth of a Nation DW Griffith, 1915
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Modern Film Industry Post-WWI Expansion Entertainment & distraction William Fox & Adolph Zuker Working class immigrants with expendable income Art, entertainment & social commentary for the masses Moved the industry center to Hollywood, CA Low cost, fast production Movie Stars
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Hollywoodland Production moved to Los Angeles, CA Weather Paramount, MGM, Fox, Universal Studios, United Artists, Warner Brothers Hays Code of self- regulation and censorship Large corporations with huge influence on American Society
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Popular Movies / Stars Charlie Chaplin Will Rogers Tom Mix Rudolph Valentino John Wayne, Haunted Gold (1932) Clara Bow The Squaw Man, 1914 Cecile B. DeMille First feature length movie filmed in Hollywood Last of the Mohicans, 1920 Arthur Wellen The Paleface, 1922 Buster Keaton, Dir/star John Dix, Vanishing American (1925)
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Contemporary Legacies On the Warpath Indian Giver One red cent Off the reservation We need to powwow Geronimo!!!! Tomahawk Chop Circle the Wagons
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Conclusions Movies became a powerful force for entertainment and socio-cultural identity formation Reflected AND contributed popular culture Assimilated immigrants and educated them about America Movies can also provide a space for social and political commentary and critique Indigenous peoples are central to the creation of American identity, as contrasts and antagonists Rarely portrayed as “modern peoples” outside of the wild west 19 th century
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