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The artist as (film school) teacher developing a peer-based training programme for film school teachers NORDICIL working group Established september 2015
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background filmmakers, not teachers
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Background filmmakers, not teachers the needs of the discipline
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background filmmakers, not teachers the needs of the discipline coordination
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background filmmakers, not teachers the needs of the discipline coordination literature
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background filmmakers, not teachers the needs of the discipline coordination literature geography
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background filmmakers, not teachers the needs of the discipline coordination literature geography EQF - European Qualifications Frameworks
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ASSets filmmakers, not teachers
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ASSets filmmakers, not teachers prior training
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ASSets filmmakers, not teachers prior training prior teaching
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ASSets filmmakers, not teachers prior training prior teaching active filmmakers
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approach Peer learning
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approach Peer learning continuous development
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approach Peer learning continuous development Sharing experiences, practices, successes, failures
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approach unified approach continuous development Sharing experiences, practices, successes, failures pedagogic dialogue
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approach unified approach continuous development Sharing experiences, practices, successes, failures pedagogic dialogue experience
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– John Dewey «learn to know by doing and to do by knowing»
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PROPOSAL 1.pedagogy course for film school teachers
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PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom
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PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members
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PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed»
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PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed» 5.accreditation
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PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed» 5.accreditation 6.«peeragogy»
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preliminary topics
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overview 1.Overview of the course 2.Introduction of basic terminology 3.Skills/professional development vs. Academic study vs. Artistic education
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Inital list of topics 1.methods 2.designing a workshop/course 3.progression over time 4.the production exercise 5.collaboration and group work 6.the statement of intent 7.feedback, assessment and evaluation 8.the filmmaker as artist 9.flow 10.perspectives
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Inital list of topics 1.methods 2.designing a workshop/course 3.progression over time 4.the production exercise 5.collaboration and group work 6.the statement of intent 7.feedback, assessment and evaluation 8.the filmmaker as artist 9.flow 10.perspectives
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instructional design 1.Defining a learning outcome 2.Determining content 3.Choosing a structure and form 4.Feedback and ways of monitoring the success of learning outcomes
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WHO ARE WE? Annakaisa Sukura – Helsinki/Metropolia Arto Koskinen – Tampere Fredrik Graver – Lillehammer Gunnar Wille – Copenhagen Hanna Sköld – Gothenburg Kirsi Rinne – Helsinki/ELO Lenka Hellstedt – Helsinki/ELO Owen Kelly – Helsinki/Arcada Tinna Joné - Stockholm
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