1. EECS 274 Computer Vision Sources, Shadows, and Shading

2. Surface brightness Depends on local surface properties (albedo), surface shape (normal), and illumination Shading model: a model of how brightness of a surface is obtained Can interpret pixel values to reconstruct its shape and albedo Reading: FP Chapter 2, H Chapter 11

3. Radiometric properties How bright (or what color) are objects? One more definition: Exitance of a light source is –the internally generated power (not reflected) radiated per unit area on the radiating surface Similar to radiosity: a source can have both –radiosity, because it reflects –exitance, because it emits Independent of its exit angle Internally generated energy radiated per unit time, per unit area But what aspects of the incoming radiance will we model? –Point, line, area source –Simple geometry

4. Radiosity due to a point sources

5. Radiosity due to a point source As r is increased, the rays leaving the surface patch and striking the sphere move closer evenly, and the collection changes only slightly, i.e., diffusive reflectance, or albedo Radiosity due to source

6. Nearby point source model The angle term, can be written in terms of N and S N: surface normal ρ d : diffuse albedo S: source vector - a vector from P to the source, whose length is the intensity term, ε 2 E –works because a dot-product is basically a cosine

7. Point source at infinity Issue: nearby point source gets bigger if one gets closer –the sun doesn’t for any reasonable assumption Assume that all points in the model are close to each other with respect to the distance to the source Then the source vector doesn’t vary much, and the distance doesn’t vary much either, and we can roll the constants together to get:

8. Line sources radiosity due to line source varies with inverse distance, if the source is long enough Infinitely long narrow cylinder with constant exitance

9. Area sources Examples: diffuser boxes, white walls The radiosity at a point due to an area source is obtained by adding up the contribution over the section of view hemisphere subtended by the source –change variables and add up over the source

10. Radiosity due to an area source ρ d is albedo E is exitance r is distance between points Q and P Q is a coordinate on the source

11. Shading models Local shading model –Surface has radiosity due only to sources visible at each point –Advantages: often easy to manipulate, expressions easy supports quite simple theories of how shape information can be extracted from shading Global shading model –Surface radiosity is due to radiance reflected from other surfaces as well as from surfaces –Advantages: usually very accurate –Disadvantage: extremely difficult to infer anything from shading values

12. Local shading models For point sources at infinity: For point sources not at infinity

13. Shadows cast by a point source A point that can’t see the source is in shadow (self cast shadow) For point sources, the geometry is simple (i.e., the relationship between shape and shading is simple) Radiosity is a measurement of one component of the surface normal Analogous to the geometry of viewing in a perspective camera

14. Area source shadows Are sources do not produce dark shadows with crisp boundaries 1.Out of shadow 2.Penumbra (“almost shadow”) 3.Umbra (“shadow”)

15. Photometric stereo Assume: –A local shading model –A set of point sources that are infinitely distant –A set of pictures of an object, obtained in exactly the same camera/object configuration but using different sources –A Lambertian object (or the specular component has been identified and removed)

16. Projection model for surface recovery - Monge patch In computer vision, it is often known as height map, depth map, or dense depth map Monge patch

17. Image model For each point source, we know the source vector (by assumption) We assume we know the scaling constant of the linear camera (i.e., intensity value is linear in the surface radiosity) Fold the normal and the reflectance into one vector g, and the scaling constant and source vector into another Vj Out of shadow: g(x,y): describes the surface Vj: property of the illumination and of the camera In shadow:

18. From many views From n sources, for each of which V i is known For each image point, stack the measurements Solve least squares problem to obtain g One linear system per point

19. Dealing with shadows Known Unknown

20. Recovering normal and reflectance Given sufficient sources, we can solve the previous equation (e.g., least squares solution) for g(x, y) Recall that g(x, y) =  (x,y) N(x, y), and N(x, y) is the unit normal This means that alberdo  x,y) =||g(x, y)|| This yields a check –If the magnitude of g(x, y) is greater than 1, there’s a problem And N(x, y) = g(x, y) /  x,y)

21. Five synthetic images Generated from a sphere in a orthographic view from the same viewing position

22. Recovered reflectance ||g(x,y)||=ρ(x,y): the alberdo value should be in the range of 0 and 1

23. Recovered normal field For viewing purpose, vector field is shown for every 16 th pixel in each direction

24. Parametric surface tangents u v

25. Shape from normals Recall the surface is written as Parametric surface This means the normal has the form: If we write the known vector g as Then we obtain values for the partial derivatives of the surface:

26. Shape from normals Recall that mixed second partials are equal --- this gives us a check. We must have: (or they should be similar, at least) Known as integrability test We can now recover the surface height at any point by integration along some path, e.g.

27. Recovered surface by integration

28. The illumination cone N-dimensional Image Space x 1 x 2 What is the set of n-pixel images of an object under all possible lighting conditions (at fixed pose)? (Belhuemuer and Kriegman IJCV 99) x n Single light source image

29. The illumination cone N-dimensional Image Space x 1 x 2 What is the set of n-pixel images of an object under all possible lighting conditions (but fixed pose)? Illumination Cone Proposition: Due to the superposition of images, the set of images is a convex polyhedral cone in the image space. x n Single light source images: Extreme rays of cone 2-light source image

30. For Lambertian surfaces, the illumination cone is determined by the 3D linear subspace B(x,y), where When no shadows, then Use least-squares to find 3D linear subspace, subject to the constraint f xy =f yx (Georghiades, Belhumeur, Kriegman, PAMI, June, 2001) Original (Training) Images  x,y  f x (x,y) f y (x,y) albedo (surface normals) Surface. f (x,y) (albedo textured mapped on surface ) 3D linear subspace Generating the illumination cone

31. Single Light SourceFace Movie Image-based rendering: Cast shadows

32. Yale face database B 10 Individuals 64 Lighting Conditions 9 Poses => 5,760 Images Variable lighting

33. Limitation Local shading model is a poor description of physical processes that give rise to images –because surfaces reflect light onto one another This is a major nuisance; the distribution of light (in principle) depends on the configuration of every radiator; big distant ones are as important as small nearby ones (solid angle) The effects are easy to model It appears to be hard to extract information from these models

34. Interreflections - a global shading model Other surfaces are now area sources - this yields: Vis(x, u) is 1 if they can see each other, 0 if they can’t

35. What do we do about this? Attempt to build approximations –Ambient illumination Study qualitative effects –reflexes –decreased dynamic range –smoothing Try to use other information to control errors

36. Ambient illumination Two forms –Add a constant to the radiosity at every point in the scene to account for brighter shadows than predicted by point source model Advantages: simple, easily managed (e.g. how would you change photometric stereo?) Disadvantages: poor approximation (compare black and white rooms –Add a term at each point that depends on the size of the clear viewing hemisphere at each point Advantages: appears to be quite a good approximation, but jury is out Disadvantages: difficult to work with