1. مقدم من : أحمد معتصم محمد محمود دينا محمد سيد ابراهيم أحمد محمد عاطف
The 21st Architects
Concepts- works- techniques
Level 600
مقدم من : أحمد معتصم محمد محمود دينا محمد سيد ابراهيم أحمد محمد عاطف
مقدم الى : د. نسرين

2. Research 2
Bernard Tschumi

3. Bernard Tschumi Name: Bernard Tschumi Date of birth: 25 January 1944
Job: Founder of Bernard Tschumi Architects
Nationality: Switzerland
Prizes: “French Grand Prix National d'Architecture”
post : academic teaching positions have been held at Princeton University, Cooper Union, and the Architectural Association in London.

4. Main concept
Leads chome certain direction within the deconstruction architecture of this trend is the heart of this school, which is the so called "architectural folly" or "folly", where he indulges in some architects to apply. It is a useless with Structural structure buildings, which are no feasibility or housing benefit or other uses.

5. Projects Categories due technological change
Parc de la Villette
Museum of Modern Art
BLUE Residential Tower
Le Rosey Concert Hall
Vacheron Constantin 2

6. Time line 1982-1998 1986 1988 1990 Parc de la Villette Paris
Strasbourg County Hall
Strasbourg
Kansai International Airport
Kansai
Kyoto JR Station
Kyoto
1991
1992
1997
Chartres Business Park Masterplan
Chartres
Spartan Villa
The Hague
School of Architecture , Marne-la-Vallée
paris
Museum of Modern Art
New York

7. Time line
2001
Rouen Concert Hall and Exhibition Complex
Rouen
School of Architecture, FIU
Miami
New Media Technologies Expo 2004
Paris Saint-Denis
Vacheron Constantin Headquarters
Geneva
Athletics Center, University of Cincinnati
Cincinnati,
Acropolis Museum
Athens
Alésia Museum and Archaeological ParkAlésia
BLUE Residential Tower
New York

8. Time line 2005-2014 2005-2007 2006-2008 2006-2010 De Passage The Hague
ECAL School of Art
Lausanne-Renens
M2 Metro Station
Lausanne
Cultural Center
Bordeaux Cenon
2009
Bridge
La Roche-sur-Yon
Le Rosey Concert Hall
Rolle
Prince George’s African American Museum & Culture Center
Washington, DC,
ZOO
PARIS

9. Time line 2012-2015 2012-2014 2014-2014 ANIMA Cultural Grottammare
Vacheron Constantin 2
Geneva
Centre Georges Pompidou Retrospective
Paris

10. Built projects &
Designed projects

11. BLUE Residential Tower New York, 2004-2007

12. Exterior & Interior

15. Structural characterization
Materials: glass , concret.
structure: core system.
Construction methods:
Sliding intensity

16. Architectural Characterization
Name:- BLUE Residential Tower
Location :- New York
Date:
His job:-Residential

17. Tower in Beijing (West Diaoyutai) Beijing, 2004

18. Exterior & Interior

21. Structural characterization
Materials: glass , steel.
structure: core system.
Construction methods:
Sliding intensity

22. Architectural Characterization
Name:-
Date:- 2004
His job:-Residential

23. Factory 798
Beijing, 2004

26. Structural characterization
Materials: concrete
structure: concrete st. +space frame system
Construction methods:
traditional

27. Architectural Characterization
Name:- Factory 798
Beijing.
Location :- Beijing
Date:- 2004
His job:- Factory

28. Acropolis Museum Athens, 2001-2009

29. Exterior & Interior

32. Structural characterization
Materials: metal &glass concrete
structure: panaled beams.
Construction methods: traditional

33. Architectural Characterization
Name:- Acropolis Museum Athens.
Location :- Beijing
Date:
His job:- Museum.

34. Le Fresnoy Art Center Tourcoing, 1991-1997

35. Exterior & Interior

40. Structural characterization
Materials: metal &glass façade
structure: concrete st. +space frame system
Construction methods: frame system
Advanced computing in controlling the project participants

41. Architectural Characterization
Name:- Le Fresnoy Art Center Tourcoing.
Date:
His job:-the National Studio for Contemporary Arts

42. A comparison between an early project and a later one
Main changing points
A comparison between an early project and a later one

43. Comparison Early project Late project
Technological development in the design contributed to the development of skills as a result of increased capacity on the practical imagination of the block but did not change the philosophical direction of the architect

44. refrences