2. A. Guido de Arezzo B. Hildegard von Bingen C. Pope Gregory D. The Roman emperor

3. A. is monophonic in texture B. is polyphonic in texture C. is homophonic in texture D. has no texture

4. A. Performed music and acrobatics in castles, taverns, and town squares B. Lived on the lowest level of society C. Played instrumental dances on harps, fiddles, and lutes D. All of the above

5. A. Bagpipe B. Lute C. Flute D. Drum

6. A. Rhythm B. Pitch C. Duration D. Any of the above

7. A. A legendary female singer B. A patroness of troubadours C. A nun, church composer, natural historian, poet, & recipient of divine visions D. The mother of King Richard the Lion-Hearted

8. A. Musicians composed new music to accompany dance B. The French nobles began to sing hunting songs together C. Monks in monastery choirs began to add a second melodic line to Gregorian chant D. All of the above

9. A. Was the official music of the Roman Catholic church for more than 1,000 years B. Was used in the Mass C. Is set to sacred Latin texts D. All of the above

10. A. Became more important than sacred music B. Was not based on Gregorian chant C. Included drinking songs and pieces using bird calls and barks of dogs D. All of the above

11. A. Religion B. Friendship C. Courtly love D. All of the above

12. A. Monophonic B. Homophonic C. Polyphonic D. Heterophonic

13. A. The concert hall B. Religious worship C. Dancing D. The piano

14. A. Feudalism B. Humanism C. Classicism D. Paganism

15. A. Unaccompanied vocal music B. Men taking their hats off in church C. Singing in a hushed manner because one is in church D. Any form of music that is appropriate for church use

16. A. Word Painting B. Completely homophonic texture C. Instrumental accompaniment D. Monophonic texture

17. A. The Pope B. King Henry VIII C. Martin Luther D. John Calvin

18. A. Martin Luther B. John Calvin C. The Pope D. Zwingli

19. A. All sacred music should be in English B. Sacred music should consist solely of unaccompanied Biblical texts C. Sacred music should not use text at all D. All sacred music should be in Latin

20. A. Was a former Catholic priest B. Translated the Bible from Latin into German C. Wrote the hymn “A Mighty Fortress is Our God” D. All of the above

21. A. Harpsichord B. Virginal C. Piano D. Organ

22. A. Madrigals B. Dance Music C. Organ Music D. Instrumental music to accompany vocal works

23. a. Secular Renaissance songs b. Forms of the mass c. Renaissance dances d. None of the above

24. A. Cheerful, happy texts B. Melancholy songs C. Sacred music D. All of the above

25. A. Wheel B. Telephone C. Sword D. Printing Press

26. A. In lines or circles B. With partners C. Both A & B D. None of the above

27. A. 100-450 B. 450-1450 C. 1450-1600 D. 1600-1750

28. A. 100-450 B. 450-1450 C. 1450-1600 D. 1600-1750

29. Monks in monasteries were primarily responsible for preserving knowledge during the Middle Ages.

30. During the Renaissance, educated people were often trained in music, literature, theatre, and art.

31. Renaissance madrigals often had erotic double meanings.

32. Guido de Arezzo was responsible for developing the musical staff and solfege.

33. Catholic church music during the Renaissance often borrowed melodies from secular songs.

34. A. Kyrie B. Sanctus C. Ave Maria D. Gloria

35. A. Madrigal B. Motet C. Ballet (Fa-La song) D. Pavane

36. A. Thomas Morley B. John Dowland C. Giovanni Palestrina D. Thomas Weekles

37. A. Josquin Desprez B. Giovanni Palestrina C. Claudio Monteverdi D. Giovanni Gabrieli

38. A. Claudio Monteverdi B. Giovanni Palestrina C. Giovanni Gabrieli D. Josquin Desprez

39. A. Claudio Monteverdi B. Giovanni Palestrina C. Giovanni Gabrieli D. Josquin Desprez

40. What is a polychoral motet?