1. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aai-0002 folio recto Caption Christ washing Peter’s feet, and the Last Supper. Christ kneels, to the left in the foreground, washing the feet of Peter, who is seated to the right and whose right foot is placed in the basin. Behind this group is a second scene, the Last Supper, in which Christ is shown seated at the centre of the table with his disciples on either side. He is shown wearing a different long-sleeved gown and raising his right hand in blessing. John rests his head on Christ’s bosom. The table is decked with a cloth, on which has been placed a pretzel, a knife, a plate containing a fish, and a piece of bread. Judas, the only figure with no halo, is seated in front of the table, his head raised, and otherwise largely obscured by the group in the foreground. Detail (Materials and Techniques) Metalcut on paper Detail (dimensions) 101 x 75 mm (metalcuts 101 x 75 mm). Detail (date of creation) 1455-1460 Detail (place of origin) Southern Germany (Bavaria?) sort order 10 Shelfmark Arch. G f.6 Description Metalcuts (dotted prints) with Latin inscription. Title The Agony in the Garden / The Last supper Type of Object metalcut Country or culture of origin German Place of origin Germany Material paper Extent single sheet Decoration metalcuts Conditions of Access The Bodleian Library, University of Oxford Date of origin 1460-1470 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-1.1 Detail (references) Schreiber, Handbuch, 2243. Keywords prints Image subject terms Passion of Christ Image subject terms Christ's prayer in the Garden of Gethsemane during the night Catalogue Reference Bod. Inc. Cat., XYL-1.1

2. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aai-0001 folio verso Caption The Agony in the Garden of Gethsemane. Christ is portrayed as a robed figure, with hands folded in prayer, kneeling in the garden, which is surrounded by a wattle fence. Above Christ a banderole inscribed ‘Paeter si possibile est transfe.’ (standing for a variant reading of Mt 26,39: ‘Si possibile est, transfer a me calicem / transferat a me calix iste’; see Schr. 2240a). Three disciples are sleeping in the foreground. The one in the middle has a book, which rests on the fence.To the right, inside the garden, there rises a cliff surmounted by the chalice, above which the blessing hand of God emerges from the clouds, surrounded by stars. To the left a closed gate, behind which two soldiers (the second scarcely visible in this impression) and three lances are to be seen. Detail (Materials and Techniques) Metalcut on paper Detail (dimensions) 101 x 75 mm (metalcuts 101 x 75 mm). Detail (date of creation) 1455-1460 Detail (place of origin) Southern Germany (Bavaria?) sort order 20 Shelfmark Arch. G f.6 Description Metalcuts (dotted prints) with Latin inscription. [Southern Germany (Bavaria?), c.1455-60] Title The Agony in the Garden / The Last supper Type of Object metalcut Country or culture of origin German Place of origin Germany Material paper Extent single sheet Decoration metalcuts Conditions of Access The Bodleian Library, University of Oxford Date of origin 1460-1470 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-1.1 Detail (references) Schreiber, Handbuch, 2232. Keywords prints Image subject terms Passion of Christ Image subject terms Christ washes Peter's feet Catalogue Reference Bod. Inc. Cat., XYL-1.1

3. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aaj-0001 folio recto Caption Christ, robed but revealing his wounds, and with the banner of victory over his left shoulder, stands on the broken gates of Hell and takes Adam by the right arm. Adam is standing inside the gabled entrance to Hell, which stands in flames. A second figure,wearing a hair shirt and thus identifiable as John the Baptist, kneels before him. Between them, to the left, stands Eve. To the left of the entrance two devils are to be seen, one standing above the other. The black background is ornamented with white arabesques and flowers. Detail (Materials and Techniques) metalcut on paper Detail (dimensions) 103 x 75 mm (metalcuts 101 x 75 mm). Detail (date of creation) 1455-1460 Detail (place of origin) Southern Germany (Bavaria?) sort order 10 Shelfmark Arch. G f.7 Description Metalcuts (dotted prints) with Latin inscription. Title Christ's descent into Hell / Resurrection of Christ Type of Object metalcut Country or culture of origin German Place of origin Germany Material paper Extent single sheet Decoration metalcuts Conditions of Access The Bodleian Library, University of Oxford Date of origin 1460-1470 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-1.2 Detail (references) Schreiber, Handbuch, 2424. Keywords prints Image subject terms Passion of Christ Image subject terms Christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them Adam, Eve, Moses, David, and John the Baptist Catalogue Reference Bod. Inc. Cat., XYL-1.2

4. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aaj-0002 folio verso Caption Christ, partly clothed with a cloak and raising the banner of victory in his left hand, rises with one foot stepping out of the tomb, which occupies the centre of the picture and is ornamented with a frieze of triangles and trefoils. In the foreground, to the left, lies a sleeping warrior with his halberd, and to the right a sleeping watchman, whose long naked sword has fallen to the ground. In the background, to the left, a mountain from which rise four trees. Here too the black background is ornamented with white arabesques and flowers.Thought by Lehrs to be copied, in reverse, omitting the angel and the third watchman, from an engraving by the Master of the Playing Cards or his school (Lehrs I 157 no. 10). Detail (Materials and Techniques) Metalcut on paper Detail (dimensions) 103 x 75 mm (metalcuts 101 x 75 mm). Detail (date of creation) 1455-1460 Detail (place of origin) Southern Germany (Bavaria?) sort order 20 Shelfmark Arch. G f.7 Description Metalcuts (dotted prints) with Latin inscription. Title Christ's descent into Hell / Resurrection of Christ Type of Object metalcut Country or culture of origin German Place of origin Germany Material paper Extent single sheet Decoration metalcuts Conditions of Access The Bodleian Library, University of Oxford Date of origin 1460-1470 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-1.2 Detail (references) Schreiber, Handbuch, 2376. Keywords prints Image subject terms Christ standing on or near the tomb ~ events after the Resurrection Catalogue Reference Bod. Inc. Cat., XYL-1.2

5. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aaf-0011 folio fol. 1r (plate a) Caption Eve and the serpent ; the annunciation ; Gideon's fleece Detail (Materials and Techniques) Woodcut on paper, coloured Detail (dimensions) 258 x 190 mm Detail (date of creation) 1465-1475 sort order 110 Shelfmark Arch. G c.14 Description A blockbook of 40 leaves. [Germany, c.1470] Title Biblia pauperum Type of Object Blockbook Country or culture of origin German Place of origin Germany Material paper Extent 40 leaves Decoration woodcuts Conditions of Access The Bodleian Library, University of Oxford Language Latin Edition Edition XI First line (or Incipit) Legit[ur] in genesi. iij. cap[itul]o q[uod] dixit d[omi]n[u]s serpenti super pect[us] tuu[m] gradier[is].... Date of origin 1465-1475 Collection blockbooks Longitude 10 Latitude 51 Detail (references) Schreiber, Manuel, Biblia Pauperum 1.a, vol. IV, p. 10-11 Keywords printed pages Keywords printed illustrations Image subject terms typological juxtapositions and compositions Image subject terms Temptation and Fall (scenes with Eve alone) Image subject terms the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation) Image subject terms Gideon's fleece (alone) Catalogue Reference Bod. Inc. Cat., BB-6

6. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aac-0073 folio fol. 35r (plate S1) Caption Pouring of the seventh vial into the air, and fall of the cities of nations (Revelation 16:17-21) Detail (Materials and Techniques) Woodcut on paper, coloured Detail (dimensions) 263 x 199 mm (woodcut 252 x 195 mm) Detail (date of creation) 1470-1475 sort order 730 Shelfmark Auct. M 3.14 Description A blockbook of 48 leaves. [Germany, c.1465, impression c.1470] Title Apocalypse Type of Object Blockbook Country or culture of origin German Place of origin Germany Material paper Extent 48 leaves Decoration woodcuts Conditions of Access The Bodleian Library, University of Oxford Language Latin Edition Edition V First line (or Incipit) Conu[er]si ab ydolis p[er] predicacione[m] b[ea]ti ioha[n]nis drusiana et ceteri. Date of origin 1468-1470 Collection blockbooks Longitude 10 Latitude 51 Detail (references) Schreiber, Manuel, Apocalypsis 35(35), vol. IV, p. 203 Keywords printed pages Keywords printed illustrations Image subject terms Revelation of John, the Apocalypse Image subject terms the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankind Catalogue Reference Bod. Inc. Cat., BB-3

7. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0049 folio fol. 1 recto Caption This leaf contains a warning against false coins coming from the Netherlands. The illustrations show how the fake coinage could be recognized. Single sheets printed on one side only, were often intended as posters and are generally very rare: small pieces of paper tend to get lost more easily than big books. While less spectacular than illuminated books in fine bindings, these small sheets tell us important things about the social history of the fifteenth century and about new functions of literacy. Detail (dimensions) 280 x 196 mm. (page) sort order 10 Shelfmark Broxb. 95.7 Description Zeichen der falschen Gulden [German] (Ulm: [Johann Zainer, 1482]) Title Zeichen der falschen Gulden [German] Author Zeichen Printer [Zainer, Johann] Type of Object broadside Country or culture of origin German Conditions of Access The Bodleian Library, University of Oxford Language German Date of origin 1482 Collection incunable Keywords printed pages Keywords woodcuts Catalogue Reference Bod. Inc. Cat., Z-007

8. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0028 folio leaf between r10 and s1 Caption Siege-tower. Roberto Valturio’s De re militari ([Verona], 1472) was a hugely influential analysis of warfare. This edition is particularly noteworthy for the 82 woodcuts showing military machines, including this awesome siege-tower in the shape of a dragon. The woodcuts, possibly the work of Matteo de’ Pasti, the Veronese illuminator, set new standards for illustrated books. Detail (dimensions) 323 x 220 mm. (page) sort order 10 Shelfmark Douce 289 Description De re militari ([Verona]: Johannes Nicolai de Verona, 1472) Title De re militari Author Valturius, Robertus Printer Nicolai de Verona, Johannes Type of Object printed book Country or culture of origin Italian Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1472 Collection incunable Keywords printed pages Keywords woodcuts Catalogue Reference Bod. Inc. Cat., V-041(1)

9. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0029 folio t5 verso Caption Roberto Valturio’s De re militari ([Verona], 1472) was a hugely influential analysis of warfare. This edition is particularly noteworthy for the 82 woodcuts showing military machines, including these showing cannons. The woodcuts, possibly the work of Matteo de’ Pasti, the Veronese illuminator, set new standards for illustrated books. Detail (dimensions) 323 x 220 mm. (page) sort order 20 Shelfmark Douce 289 Description De re militari ([Verona]: Johannes Nicolai de Verona, 1472) Title De re militari Author Valturius, Robertus Printer Nicolai de Verona, Johannes Type of Object printed book Country or culture of origin Italian Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1472 Collection incunable Keywords printed pages Keywords woodcuts Catalogue Reference Bod. Inc. Cat., V-041(1)

10. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0023 folio v1 verso Caption The Schatzbehalter is a devotional text, and a Nuremberg production. It was written by Stephan Fridolin (c.1430-1498), an Observant Franciscan friar from the city, and printed in Nuremberg by Anton Koberger. It is illustrated with 96 woodcuts by the Nuremberg engraver, Michael Wolgemut (c.1434-1519), who also designed woodcuts for Schedel’s Nuremberg Chronicle. This page shows the Last Judgement. Detail (dimensions) 335 x 222 mm. (page) sort order 10 Shelfmark Douce 262 Description Schatzbehalter der wahren Reichtümer des Heils (Nuremberg: Anton Koberger, 8 Nov. 1491) Title Schatzbehalter der wahren Reichtümer des Heils Author Fridolin, Stephan Printer Koberger, Anton Type of Object printed book Country or culture of origin German Conditions of Access The Bodleian Library, University of Oxford Language German Date of origin 1491 Collection incunable Keywords printed pages Keywords woodcuts Image subject terms Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16) Image subject terms Last Judgement Catalogue Reference Bod. Inc. Cat., F-107(1)

11. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-abb-0001 folio fol. C1, verso Caption Christ blesses a Monk. The risen Christ stands facing the onlooker on the right of the image, holding a cross staff in his left hand and displaying his wounds. He is portrayed as if hovering above the ground, his right hand raised in blessing. To his right a smaller, tonsured figure kneels before him in prayer. In the background a walled town with two church steeples. Inscribed on a banderole is the petition ‘Te petimus criste no|bis faueas p(er)egrinis D S’, whereby the kneeling figure seeks protection for pilgrims. Double-lined frame. [France (?), c.1500] Detail (Materials and Techniques) Woodcut on paper Detail (dimensions) 130 x 84 mm (woodcut 123 x 64 mm) Detail (date of creation) 1495-1505 Detail (place of origin) France? sort order 10 Shelfmark Gough Missals 177 Description Hore beatissime virginis Marie/secundum vsum Sarisbu(riensem) totaliter ad longum cum multis pulcherrimis orationibus et indulgentiis iam vltimo adiectis (Paris: Franciscus Regnault, 1534) Title Hore beatissime virginis Marie / secundum vsum Sarisbu(riensem) totaliter ad longum cum multis pulcherrimis orationibus et indulgentiis iam vltimo adiectis Owner Gough, Richard, 1735-1809 Type of Object Printed book Place of origin France (Paris) Material paper Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1534 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-15 Detail (references) Schreiber, Handbuch, 837n. Keywords prints Keywords extra-illustration Image subject terms Christ

12. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0027 folio a3 recto Caption The Antiphonal (or Antiphoner) was the principal medieval choir book, and contained the chants of the Office. The title is derived from the way the verses of the service were sung alternately by the two halves of the choir sitting opposite one another. This edition is for the use of Augsburg, and is a fine example of early music printing showing Gothic neumes printed on staves of four red lines. Detail (dimensions) 356 x 240mm. (page) sort order 10 Shelfmark Inc. c.G5.1495.1 Description Antiphonarium Augustense (Augsburg: Erhard Ratdolt, 23 Feb. 1495) Title Antiphonarium Augustense Printer Ratdolt, Erhard Type of Object printed book Country or culture of origin German Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1495 Collection incunable Keywords printed pages Keywords initials, printed Image subject terms printed edition of musical score Image subject terms ornamental decoration - printed matter, book Catalogue Reference Bod. Inc. Cat., A-311

13. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aba-0002 folio Lower pastedown Caption Christ before Pilate, who washes his hands. Christ is shown with a halo, wearing a long robe, standing to the left, held by a soldier in armour. His hands are bound.To the right Pilate, a beardless figure wearing a Phrygian hat, sits on a throne washing his hands in a bowl. The man to his right wears a hat. The man to his left pours water on his hands. The background is formed by a curtain and an arched vault. At the top an inscription, white on black and framed with a double line, reads ‘Innocens. Sum. in. isto. homi’. [Southern Germany, c.1460] Detail (Materials and Techniques) Metalcut (dotted print) on paper Detail (dimensions) 105 x 75 mm (metalcut 103 x 74 mm) Detail (date of creation) 1455-1465 Detail (place of origin) Southern Germany sort order 40 Shelfmark MS. Barlow 47 Description Manuscript book of hours. Title Hours Type of Object Manuscript Material parchment Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1475-1500 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-14.2 Detail (references) Schreiber, Handbuch, 2273a. Keywords prints Keywords extra-illustration Image subject terms Passion of Christ Image subject terms Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16) Image subject terms Pilate washing his hands (in innocence)

14. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0009 folio Upper pastedown Caption Fifteenth-century parchment and textile laminate long-stitch binding, the lower board extending to form a fore-edge flap. Cover turn-ins, the perimeter sewn with zigzag stitching in white thread. Binding sewn in three phases. Phase I (manuscript only): long-stitch in blue thread through cover. Internal and external parchment reinforcement guards for each gathering. Phase II: Phormio sewn, using long-stitch in white or pink thread, after leaf 76 (ult.) of manuscript, anf before stubs of two further leaves with external guard. Each gathering of the incunable contains blank parchment reinforcement guards. Text block of Phormio untrimmed, retaining deckle-edges and pin-holes, an indication that this is its first binding. Phase III: the first three gatherings of the manuscript resewn with long-stitch in white thread, with different parchment internal and external guards from a twelfth-century manuscript woth twelfth-century musical notation. Detail (Materials and Techniques) parchment; textile Detail (dimensions) 218 x 146 mm. (binding) Detail (date of creation) 17th century sort order 12 Shelfmark MS. Fairfax 18 Description Comoediae: Phormio (London: Richard Pynson, [1497]) Title Comoediae: Phormio Author Terentius Afer, Publius Printer Pynson, Richard Type of Object printed book; manuscript Country or culture of origin English Conditions of Access The Bodleian Library, University of Oxford Language English and Latin Date of origin 1497 Collection incunable Detail (references) J. A. Szirmai, The Archaeology of Medieval Bookbinding (Aldershot, 1999) 289, pls 10.11 [a-c] Keywords bindings Catalogue Reference Bod. Inc. Cat., T-054

15. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2010-btn-0004-0.tif folio fol. 217r Caption Two lions passant with raised forepaws, facing each other. [Germany, c.1500-20] Detail (Materials and Techniques) Woodcut on paper Detail (dimensions) 25 x 24mm; 26 x 22 mm. Detail (date of creation) 1500-1520 Detail (place of origin) Germany sort order 40 Shelfmark MS. Lat. liturg. f. 4 Type of Object Manuscript Material paper Conditions of Access The Bodleian Library, University of Oxford Date of origin 1500-1520 Collection blockbooks Detail (references) Bod. Inc. Cat., XYL-28.2 Keywords prints Keywords extra-illustration Image subject terms lion Catalogue Reference Summary Catalogue 29743

16. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-btj0033 folio e4 verso-e5 recto Caption The author, Lucas (Luca Pacioli, c.1445-1517), taught arithmetic and geometry at several Italian universities. His 'Somma di arithmetica' was the first printed work in which finger symbolism of numbers was illustrated. It also discussed double entry bookkeeping, and Pacioli’s accounting methodology is applicable today, as are his comments on how to succeed in business. Detail (dimensions) 301 x 211mm. (page) sort order 10 Shelfmark Savile P 8 Description Somma di arithmetica, geometria, proporzioni e proporzionalita', et al. (Venice: Paganinus de Paganinis, 10-20 Nov. 14[9]4) Title Somma di arithmetica, geometria, proporzioni e proporzionalita', et al. Author Lucas de Burgo S. Sepulchri Printer Paganinus de Paganinus Type of Object printed book Country or culture of origin Italian Conditions of Access The Bodleian Library, University of Oxford Language Italian and Latin Date of origin 1494 Collection incunable Keywords printed pages Catalogue Reference Bod. Inc. Cat., L-167(2)

17. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aab-0015 folio fol. 4v (plate N1) Caption (above) The horned beast causing fire to rain from heaven (Revelation 13:11-13); (below) The horned beast causing men to worship an image of the beast with seven heads (Revelation 13:15) Detail (Materials and Techniques) Woodcut on paper, coloured Detail (dimensions) c.285 x c.210 mm (woodcut 255 x c.187 mm) Detail (date of creation) 1465-1470 sort order 150 Shelfmark Auct. M 3.15 Description A blockbook of 48 leaves, interleaved with manuscript pages of a German translation. [Germany, c.1465, impression c.1470] Title Apocalypse Owner Laud, William, 1573-1645 Type of Object Blockbook Country or culture of origin German Place of origin Germany Material paper Extent 48 leaves Decoration woodcuts Conditions of Access The Bodleian Library, University of Oxford Language Latin Edition Edition IV state E First line (or Incipit) Conu[er]si ab ydolis p[er] predicacione[m] b[ea]ti ioha[n]nis drusiana et ceteri. Date of origin 1465-1470 Collection blockbooks Longitude 10 Latitude 51 Detail (references) Schreiber, Manuel, Apocalypsis 25(28), vol. IV, p. 193 Keywords printed pages Keywords printed illustrations Image subject terms Revelation of John, the Apocalypse Image subject terms the leopard-like beast with seven heads comes out of the sea and is worshipped together with the dragon Catalogue Reference Bod. Inc. Cat., BB-2

18. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename bodcsb001-aab-0135 folio fol. 64v (plate Y1) Caption (above) The devil, the beast and the false prophet in the lake of fire and brimstone (Revelation 20:10); (below) The sea and the tombs giving up the dead (Revelation 20:11-15) Detail (Materials and Techniques) Woodcut on paper, coloured Detail (dimensions) c.285 x c.210 mm (woodcut 255 x c.187 mm) Detail (date of creation) 1465-1470 sort order 1350 Shelfmark Auct. M 3.15 Description A blockbook of 48 leaves, interleaved with manuscript pages of a German translation. [Germany, c.1465, impression c.1470] Title Apocalypse Owner Laud, William, 1573-1645 Type of Object Blockbook Country or culture of origin German Place of origin Germany Material paper Extent 48 leaves Decoration woodcuts Conditions of Access The Bodleian Library, University of Oxford Language Latin Edition Edition IV state E First line (or Incipit) Conu[er]si ab ydolis p[er] predicacione[m] b[ea]ti ioha[n]nis drusiana et ceteri. Date of origin 1465-1470 Collection blockbooks Longitude 10 Latitude 51 Detail (references) Schreiber, Manuel, Apocalypsis 43(46), vol. IV, p. 211 Keywords printed pages Keywords printed illustrations Image subject terms Revelation of John, the Apocalypse Image subject terms fire from heaven devours Satan, Gog and Magog, and Satan is cast into a lake of fire Catalogue Reference Bod. Inc. Cat., BB-2

19. ------------- Image1 ------------- Field Data Collection Early Printing - in Europe filename oulis2009-bgl0001 folio endpapers Caption Marco Zoppo (1433-1478), (attributed). Hercules and Antaeus: Hercules killing the tyrant Antaeus by crushing his torso. Drawing, in brown ink, [c. 1460-1478]. Detail (Materials and Techniques) ink; parchment Detail (dimensions) 420 x 280 mm. (page) Detail (date of creation) 15th century Detail (place of origin) Northern Italian sort order 10 Shelfmark Auct. 4Q 1.1 Description Constitutiones (cum apparatu Johannis Andreae) (Mainz: Peter Schoeffer, 8 Oct. 1467) Title Constitutiones Author Clemens V, Pont. Max. Owner Louis Ceasar de la Baume le Blanc, duc de LaValliére (1708-1780); Justin comte MacCarthy Reagh (1744-1811) Printer Schoeffer, Peter Country or culture of origin German Conditions of Access The Bodleian Library, University of Oxford Language Latin Date of origin 1467 Collection incunable Detail (references) Lilian Armstrong, ‘A North Italian Drawing of Hercules and Antaeus in a German Incunable: Marco Zoppo(?) and Drawings in Renaissance Books’, in L'Engle, S. and Guest, Gerald B. Tributes to Jonathan J.G. Alexander: the making and meaning of illuminated medieval & Renaissance manuscripts, art & architecture. London: Harvey Miller Publishers, c2006 Keywords drawings Image subject terms the giant Antaeus is lifted in the air and crushed to death by Hercules Catalogue Reference Bod. Inc. Cat., C-360(1)

20. ------------- Image1 ------------- Field Data Collection Medieval and Renaissance Manuscripts Shelfmark MS. Rawl. liturg. e. 8 Type of object Manuscript Material Parchment Title text Book of Hours. Use of Sarum. Country or nationality of origin Flemish, Dutch Date 15th century, middle Folio or page no. fol. 006v Whole page or detail whole page Image description Introductory full-page miniature for Hours of the Virgin (Matins). Annunciation. Virgin (rubbed) and Archangel Gabriel holding scroll. Very damaged. Decorated border on all sides with foliated feathering and flowers.