1. A New Era In Art Begins

2. IMPRESSIONISM Rebellion against tradition - academy and salon** Everyday subjects Study of color and light** Capture the impression of a moment** New approach to subject and style-short, choppy brushstrokes; move away from realism Color Theory

3. Claude Monet – Grainstacks**

4. Monet - Rouen Cathedral

5. Monet - Waterlilies

6. Monet “The River” “Pave de Chailly”

7. Monet

8. Auguste Renoir

9. Renoir “Girls at Piano” “Girl with Watering Can”

10. Edgar Degas

11. Degas

12. Degas - Bath Series

13. Mary Cassatt

14. Camille Pissarro

15. POST-IMPRESSIONISM Subjects become abstract** Move away from nature as subject Flattened shapes and abstracted subjects that focus more on the formal elements*

16. Van Gogh**

17. Gauguin

18. Toulouse-Lautrec

19. Cezanne

20. FAUVISM “Wild Beasts” “Allowed artists to NOT represent the real world by their abstract use of color**

21. Matisse**

22. CUBISM Composed of cubes and simplified geometric planes** Showed subjects from all angles on a flat surface**

23. Pablo Picasso

24. Picasso**

25. Georges Braque

26. Art moves to America

27. ARMORY SHOW -Organized by the Association of American Painters -Held in New York City’s 68 th Regiment Armory -February 1913 -Legendary date in the history of American art -Introduced New Yorkers/Americans to Modern Art** -Major catalyst for art and artists in America**

28. THE ASHCAN SCHOOL -Realistic Art Movement** -Grew out of group of “The 8” who showed together once -Many were newspaper illustrators -Portrayed New York City daily life in the poorer districts -Wanted art to be akin to journalism – to tell the truth *

29. ROBERT HENRI Cozad** -Son of a Gambling Man – Mari Sandoz -Born Robert Henry Cozad -Grew up in Cozad NE -One of America’s most prominent early painters -Studied in Pennsylvania and Paris -Taught at New York School of Art and Art Students League

30. Museum of Nebraska Art’s “The Bride” – Portrait of Eulabee Dix Winter in New York City

31. SURREALISM Art of the subconscious** Realism: Salvador Dali* Abstract: Paul Klee*

32. Dali – realism**

33. Klee – abstract**

34. HITLER’S RISE TO POWER -Censor of art -Artist’s and careers are destroyed -Artists flee to the United States

35. ABSTRACT EXPRESSIONISM Paint applied freely Shows feelings/emotions in an abstract style

36. DeKooning**

37. Wassily Kandinsky

38. EXPRESSIONISM Communicate strong feelings and moods

39. Edvard Munch**

40. Marc Chagall

41. Franz Marc

42. FUTURISM A reflection and reaction to technology and motion

43. Umberto Boccioni**

44. ABSTRACTION Simplifying or distorting Georgia O’keeffe**

45. ABSTRACT FORMALISM Formal, crisp, clean edges

46. Stuart Davis**

47. Charles DeMuth

48. ACTION PAINTING Based solely on the action of painting andd the effects created by it

49. Jackson Pollock**

50. COLOR FIELD Meditative quality based on color

51. Mark Rothko**

52. Helen Frankenthaler

53. MINIMALISM Reduced to the elements and principles only

54. Piet Mondrian**

55. POP ART Art based on popular culture

56. Lichtenstein

57. Jasper Johns

58. Andy Warhol**

59. Warhol

60. OP ART Art creating optical illusions Victor Vasarely**

61. PHOTO REALISM Realism with brutal accuracy

62. Andrew Wyeth**

63. CONCEPTUAL ART Concepts/ideas take precedence over traditional aesthetic and material concerns CHRISTO**