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STEP PYRAMIDS King Zoser’s architect Imhotep created the first Step Pyramid at Saqqara Significance: First known architect. Rise of large architecture for an individual not a group. Vertical shaft leads to burial chamber “stage set” for the afterlife Came before the geometric pyramid B.C, mud brick and stone, Limestone exterior
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Great Pyramids Khufu: Largest Khafre: sON Menkaure: grandson
Queens’ pyramids Khufu, or Cheops, built his pyramid on the Giza plateau, where he found firm bedrock and a convenient limestone quarry. His pyramid is a work of astonishing size and precision, standing 481ft (146.6m) high, with a slope of 51 degrees 50'. Its sides vary by less than 1.9ft (58cm) and are orientated almost exactly true north. Its base is almost completely level.
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Great Sphinx of Giza constructed (subtractive sculpture) from sandstone between 2520 and 2494 BCE: largest monolith structure in the world (LIVING ROCK) stands 66 ft high, 240 ft long, and 20 ft wide composite figure – human head, lion body built by the pharaoh Khafre --- the Great Sphinx is also thought to be a depiction of Khafre himself (Sphinx faces the rising sun, which is a sign of the pharaoh; Sphinx also guards Khafre’s pyramid and is wearing the pharaoh’s trapezoidal crown)
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Statue of Khafre Giza, c. 2520 – 2494 BCE, carved diorite
sculpture in the round, 1.68 m high Position sitting in thrown are conventions showing power: erect posture, both hands on lap, right hand in fist, left hand flat Carved on the throne are lions as the king’s guardians and Horus protects the king’s head Khafre was an Egyptian pharaoh during the 4th dynasty
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Menkaure and Queen Found in the Valley Temple of the pyramid of Menkaure at Giza Menkaure is portrayed in the typical Egyptian pose - arms stiff, left leg extended forward, hands in fists (meant to look assertive and show power) Meant to represent the ideal of masculine beauty Body is naturalistic His face is stylized to look like a portrait Beard and headdress show that he is a pharaoh Knees on both figures are over exaggerated Queen is often identified as Khamerernebty II Queen is shown in a more naturalistic way She wears a long, fitted garment meant to show off her body 4 ft, 8 in. high, Slate, BCE
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Menkaure and Queen His face is stylized to look like a portrait
Beard and headdress show that he is a pharaoh Knees on both figures are over exaggerated Queen is often identified as Khamerernebty II Queen is shown in a more naturalistic way She wears a long, fitted garment meant to show off her body
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Prince Rahotep and Wife Nofret
c b.c.e. Painted limestone 3ft and 11 ¾ inches tall ( 1.2 meters) Eyes are inlaid with rock crystal Facial features, Nofret’s necklace and headband are painted The difference in the skin tones is related to the difference between the two sex’s
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SEATED SCRIBE From Saqqara, Conventional scribe pose (cross legged)
Papyrus scroll Naturalistic roll of fat Lifelike eyes Portrait – not stylized like a pharoah High status- had his own tomb Scribes= well educated 2551 BCE, painted Limestone
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Lady Senuwy c. 1971 – 1926 B.C. This statue is made of black granite.
She stands at 66 inches high. Inscribed on the sides and base of the chair are hieroglyphic texts declaring that she is venerated in the presence of Osiris and other deities associated with the afterlife. Senuwy sits poised and attentive on a solid, blocklike chair, with her left hand resting flat on her lap and her right hand holding a lotus blossom, a symbol of rebirth. 9
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Sesotris I c. 1971-1926 b.c. From Lisht, Twelfth Dynasty
Carved in wood. painted with stucco in the round Wears the conical white crown of Upper Egypt (Hedjet), the other figure wears the red crown of Lower Egypt. Less imposing then the Old Kingdom images of Khafre and Menkaure.
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Painted Coffin of Djehutynekht
BCE, Cedar ~115 by 263 cm. ~items depicted are items needed in afterlife- matched the items found inside the coffin ~hieroglyphics at top ~eyes are the eyes of Horus, the falcon god, represented a guardian ~door underneath eyes represents door between spirit worlds, the living and the dead, was a way for the Prince’s ka (spirit) to travel
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Hypostyle Hall Temple of Amon-Ra Karnak, Egypt
Central Columns seem to grow upward and outward, like a lotus blossom. Shafts of columns are covered in painted low relief scenes and hieroglyphics. These Columns were massive in size ( the shaft of the columns would reach the average humans waist
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Pylon Façade (Benben Stone)
The pylon, or entryway, is usually the largest part of a temple This temple, Luxor, is 213 feet wide, and was built during the reign of King Ramses II This temple only has one obelisk, while most others have two on the exterior Egyptians believed that obelisks symbolized the sun god, Ra The pyramidion was sometimes capped with copper and other metals to catch the sun
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Hatshepsut I C. 1473-1458 Carved granite, 7’11”
Currently in the Metropolitan Museum of Art, New York Famous as being the only queen of Egypt Not truly the only queen, just the most famous and longest ruling Referred to herself as the Female Horus Often represented as a man, showing her attempt at disguising her true gender In this statue, she is standing erect as in the typical power pose, and wears a traditional headdress and beard Sometimes shown seated It is not believed she wore this ‘disguise’ daily, but only in official affairs where many people might notice her
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Funerary Temple of Hatshepsut
BC Continued being built in BC Was vandalized, rebuilt after vandalism in BC One of the most characteristic temples in Egypt Built for the Queen Hatshepsut Used to worship the King Curing his lifetime and after his death 3 terraces- linked by temples North side- scene representing the Queen South- shrine of the goddess Hathor Made out of sandstone, rock, and limestone
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Senenmut and Nefrura (Granite) 1473 – 1458 BCE
24 in. high Senenmut was not royal, but was an architect for Hatshepsut Senenmut appears protective of the young princess (Nefrura is Hatshepsut's daughter) Senenmut had a close relationship with the pharaoh, judging from this sculpture
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Nebamun Hunting Birds completed on gypsum plaster (naturalistic mural), somewhere between 1390 and 1352 BCE found in the tomb of Nebamun in Thebes, Egypt, the painting depicts Nebamun, a New Kingdom official, hunting birds with his wife and daughter this mural uses many standard Egyptian artistic conventions head and legs are in profile while the torso and eyes are frontal wife and daughter are smaller and less erect than Nebamun increased naturalism of figures with lower rank (see wife and daughter) hierarchical order --- Nebamun is huge and importance indicates size and centrality in the painting evidence of attempting to show VOLUME in shallow space
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Opening of the mouth ceremony
A ritual described in funerary texts Involved the opening of a mummy’s mouth to allow it to speak, breathe, eat, and drink. Egyptians believed that to survive in the afterlife, a person needed food and water Painted on papyrus with various metal pigments and casein (milk-based binder) A priest in a leopard print, two priests, two female mourners, and Anubis, the god of tombs and embalming, perform the Opening of the mouth ceremony New Kingdom, Nineteench Dynasty, c BCE Found in the Book of Dead of Hunefer
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AKHENATEN Karnak, Egypt, 1353-1350 b.c. Sandstone 13 ft high
Son of Amenhotep III and his principle wife Tiy. Amenhotep III ruled egypt for 38 years Unusual, slightly deformed features thought to have suffered from acromegaly; overactive pituitary gland. Holds a crook and flail; attributes of Osiris and of Egyptian royalty. Wears the combined hedjet and deshret crowns of Upper and Lower Egypt. Carved into his lower body; cartouches. Often showed himself as a priest of Aten.
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Akhenaten, Nefertiti and their daughters.
House altar. Made of limestone. From the New kingdom, Amarna period, 18th dynasty, 1350 BCE. Akhenaten and Nefertiti are stylized. Ex: Larger nose, belly roll, skinny arms. Daughters are shown with adult characteristics other than child like.
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Bust of Nefertiti ~Limestone subtractive sculpture- portrait
~Attributed to sculptor Thutmose ~Shows understanding Egyptians had of proportional facial structure ~wife of King Akhenaten ~believed to have almost as much of an influence as her husband ~other sculpture has been found inside bust- this one with less striking cheekbones and more wrinkles- scholars believe Akhenaten had his wife “airbrushed” to look how he saw her, though Nerfertiti was said to be known for her beauty BCE, Painted Limestone, 19in
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Mask of Tutankhamon C. 1327 B.C.
The mask is made of gold inlaid with enamel and semiprecious stones. It stands at 21 inches high. The emblems on the forehead (vulture and cobra) and on the shoulders (falcon heads) were symbols of the Two Lands of Upper and Lower Egypt and of divine authority. The vulture Nekhbet and the cobra Wadjet protected the pharaoh. In ancient Egypt the vulture is considered to be nearer to God who is believed to reside above the sky. The ancient Egyptians worshipped the cobra and used it as a protective symbol on the crown of the pharaohs. 22
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Nubian Fresco Only part of the fresco is shown here, much larger when shown fully Tutankhamen was in rule at this time The local prince, Heqanufer, is bowing to the pharaoh and a princess is following in an oxen drawn chariot The Nubians had many resources that the Egyptians wanted, such as gold People in the painting are bringing said gold to the pharaoh The Nubians adopted many ways of culture from the Egyptians Painted in the tomb of Huy, Nubia’s viceroy under Tutankhamen C Wall painting in the tomb chapel of Huy, Thebes, Egypt Currently located in the Metropolitan Museum of Art, New York
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Temple of Ramses II 1290-1224 BCE Rock-cut temple
Located in the Ancient Wawat Dedicated to the most important Gods of the New Kingdom All of them have hands on their thighs Second statue on the left is broken, head and trunk are located on the floor Graffiti is written on the legs Small sculptures are located between the legs and the base-represent members of the royal family Temple of Ramses II
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