1. Simplicity to Complexity in terms of line...

2. The Obvious STRAIGHT HORIZONTAL VERTICAL DIAGONAL Zigzag

5. Vocabulary Line-an infinitely-extended one-dimensional figure with no curvature Vertical Horizontal Perpendicular- is the relationship between two lines which meet at a right angle Diagonal- Informally, any sloping line is called diagonal. Curved- generally speaking, an object similar to a line but which is not required to be straight. Zigzag- zigzag is a pattern made up of small corners at variable angles, though constant within the zigzag, tracing a path between two parallel lines.

6. Barnett Newman, Dionysius, 1944, 67x49in. Horizontal Barnett Newman was an American artist. He is seen as one of the major figures in abstract expressionism and one of the foremost of the color field painters.

7. Barnett Newman, Yellow Painting, 1949 Vertical

8. Barnett Newman, Untitled (The Cry), 36x24in., ink on paper

9. Late Gothic/ Early Renaissance from 1305 BOLD DIAGONAL Giotto, Pieta (Lamentation) fresco Diagonal

10. Caravaggio The Calling of St. Matthew, 1599-1600 Diagonal

11. Lines can be implied...

12. IMPLIED LINES Not really there but guide the eye or organize the image

13. Diego Rivera, The Flower Carrier, 1935, 48x48 in. Note lines implied by directional gazes

14. Pierre-Auguste Renoir Can you see the lines? Le déjeuner des canotiers, 1880–1881 Oil on canvas, 129.5 × 172.7 cm

16. Morandi, Giorgio Still Life (The Blue Vase) 1920 Oil on canvas implied

17. Morandi, Giorgio Still Life (The Blue Vase) 1920 Oil on canvas The blue lines point out... IMPLIED LINES

19. Caravaggio, Supper at Emmaus, c.1601

20. A VENETIAN WOMAN John Singer Sargent (American, b.1856, d.1925) 1882 oil on canvas 93 3/4 x 52 1/2 in. (238.1 x 133.4 cm) Can you see the line?

21. A VENETIAN WOMAN John Singer Sargent (American, b.1856, d.1925) 1882 oil on canvas 93 3/4 x 52 1/2 in. (238.1 x 133.4 cm) Lines used to create emphasis

22. Lines can curve...

23. Alexander Calder, Title: The hostess

24. Hokusai, Katsushika The Great Wave Off Kanagawa From "Thirty-six Views of Mount Fuji" 1823-29 Color woodcut 10 x 15 in.

25. Cy Twombly, Untitled, 1970

26. This “artless” scribble Defines an area Creates an illusion of depth (volume)

27. Look again …

29. Brice Marden American, born Bronxville, New York, 1938 Cold Mountain 2, 1989-1991 Oil on linen, 108 1/8 x 144 1/4 in.

30. What lines lurk in this texture?

31. Jackson Pollock, Blue Poles

32. Consider the expressive quality of the jagged lines in this work...

33. Clyfford Still, 1957, No.1

34. Georgia O’Keeffe, Red, White and Blue, 1931

35. The Obvious Again STRAIGHT CURVED – SMOOTH, JAGGED

36. Johann Koerbecke German, c. 1420 - 1491 The Ascension, 1456/1457 tempera on panel, 92.7 x 64.8 cm (36 1/2 x 25 1/2 in.) Curved, smooth Jagged Jagged, zig-zag straight

37. Clyfford Still American, 1904 - 1980 1948-C, (1948) Oil on canvas 80 7/8 x 68 3/4 in. complex contour lines formed by these complex shapes

38. Lines create or imply shapes Shapes can be open or closed Lines around a shape are CONTOUR lines

39. SHAPE open/closed geometric/ organic

40. Frank Stella, Wolfeboro II, 1966 closed, geometric

41. THE UPSTAIRS Charles Sheeler (American, b.1883, d.1965) 1938 oil on canvas 19 1/2 x 12 3/4 in. (49.5 x 32.4 cm) Lines create planes; planes suggest volume

42. by Daniel Hong

43. VOLUME Implied in painting; actual in sculpture LINE  SHAPE  VOLUME

44. Kenneth Snelson Rador, 1975 brass & stainless steel 21 x 17 x 6 inches

45. Kenneth Snelson American, born Pendleton, Oregon, 1927 Needle Tower, 1968 Aluminum and stainless steel 720 x 243-1/2 x 213-3/8 in.

46. Frank Lloyd Wright, Fallingwater, 1936-7

47. Volumes CANCAN C R E A T E LINES

48. Frank Lloyd Wright, Fallingwater, 1936-37

49. Frank Gehry, Disney Concert Hall

52. Giusti Garden, Verona, Italy

53. Henry Moore Knife Edge Mirror Two Piece 1976-1978, bronze 534.5 x 721.1 x 363.1 cm (210 1/2 x 284 x 143 in.)

54. Bird in Space, 1923 Constantin Brancusi (French, born Romania, 1876–1957) Marble; (with base) H. 56- 3/4, Diam. 6-1/2 in. Bird, 1940

55. Brancusi Adam and Eve 1921

56. BOTTOM LINE The concept of line plays a role in compositions of music and art, ranging from the simple to the complex.

57. LINE What is a line in Art? Line – a series of points; an area whose length is considerably greater than its width; an indication of direction, an apparent movement. A line is a point moved or moving through space. This applies to drawing, painting, printmaking, sculpture, clay/pottery, and architecture. Characteristics of lines: lines can be actual or implied; a line which denotes or describes an outside edge of an object is a contour line. A contour line divides the plane or delineates an edge of a volume. A directional line points or moves the eye in a particular direction. Horizontal – often read as across, quiet, stable. Vertical: reaching up, spiritual, uplifting, rising. Diagonal: dynamic, moving. Lines can be interpreted as having expressive qualities; particular qualities – thick or thin, weighty or straight, hard-edged or soft – can indicate moods or feelings.

58. Talk about different types of contour lines Blind Contour: drawing an object using observation without looking at your paper while drawing the object. Pure contour: the very outline of the object, nothing drawn on the inside. Contour: Outline of the object and interior parts of the object, really just the basics showing the object without any shading. Variable Contour: Vary the width of the contour line to give emphasis and weight to the line. It gives the illusion of the line having more. Cross Contour: Follows the "landscape" of the form. Think of an ant crawling across the object or a topographic map. You would draw lines that would follow along the form. Variable lines make it look even more exciting.

63. Contour Drawing

64. Yarn Contour Drawing

65. Yarn Painting