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Chapter 12
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Criticism = assessment Theory = lens of assessment
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the context the text the reader a combination Meaning lies primarily in….
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Historical criticism New historicism Biographical criticism The Context
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Places a text in its historical and cultural context Views the text as a reflection of the attitudes and values of the people (including the author) living at that time
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Views literature as a part of history Views history itself as a construct (as opposed to objective truth) Studies history as a text Tends to favor marginalized groups
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Assumes a relationship between the author’s own world and the world of the text Attempts to show how some aspect of an author’s life and experience “show up” in his/her literary texts
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Formalist (New) criticism Structuralist criticism Archetypal criticism The Text
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Concentrates on the literary text itself— particularly its literariness or artfulness Pays attention to literary/artistic form Views texts in isolation John Crowe Ransom
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Focuses on the narrative strategies of the literary text Attempts to discover underlying patterns and themes common to all narratives Views characters according to features or patterns Claude Levi-Strauss Roland Barthes
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Studies repeated patterns (archetypes) in literature Focuses on character types Focuses on archetypal situations Sees literature as emerging from the “collective unconscious” Carl Jung
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Reader-response criticism Deconstruction The Reader
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Emphasizes the importance of the reader’s role in determining meaning Suggests that reality does not exist independently in the external world, but depends on the individual’s perception of it (phenomenology) Posits that a literary work is not complete until it is read Stanley Fish
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Concentrates on the relationship between language and meaning Concludes that all language is unreliable and unstable Therefore…..all interpretation is misinterpretation Therefore…..all interpretations are vaild Therefore…..meaning can only exist in a solitary sense with in readers Jacques Derrida
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Marxist criticism Psychoanalytic criticism Feminist and Gender criticism A Combination
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Views human life in terms of economics, particularly the confrontation between the working classes and the forces of capitalism Emphasizes the influence of economic forces on characters, plot, conflict, etc. Karl Marx
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Attempts to establish the unconscious motives of characters in literary texts Attempts to explain how an author’s experiences are reflected in his/her work Attempts to explain how/why readers respond in certain ways Sigmund Freud
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Focuses on the depiction of women in literature Analyzes women’s writing from a female perspective Seeks to recognize specifically feminine types of writing Establishes a difference between sex and gender Simone de Beauvoir
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