1. HAYDN 4 Symphony No. 26 in D minor, Lamentatione: movement i

2. LEARNING OBJECTIVES  To complete a structural analysis of the Haydn  To discuss the tonality of the movement  To begin to analyse the harmony

3. STRUCTURE  9: contrasting idea (part of 1 st subject group)  17: second subject is based on the plainsong melody  44: REPEAT (this is important as Sonata form derived from BINARY form)  45: based on 1-8; F major  53: based on 9-12; F major  G minor (sequence)  57-64: circle of 5ths sequence based on 1-8. What do we end up with if you take the syncopation away?  65: based on 2 nd subject bar 26 (tune in minims, 1 st violin countermelody in quavers)

4. STRUCTURE CONTINUED  Keys?  74  76  79 (what chord?)  Recapitulation 80-93 almost identical to 1-14  95 Transition:  What is really going on here harmonically?  100 Second subject in D major  Horns are now in! Why couldn’t they be earlier?  122 Coda: extended version of 39-44 codetta

5. TONALITY  Governed by sonata form structure  No modulation 1 st  2 nd subjects in exposition  Keys visited in Development?  F (relative major), Gm (subdominant), Dm (tonic), Am (dominant minor – this is the only slightly unusual move)  Recap in the tonic major :-O  Why is this unusual?  Tonic minor/major shifts more closely associated with Romantic period  Quite easy to do though as chord V is the same in both keys  Why do you think he didn’t go back to D minor at the end?

6. HARMONY  Cadence bar 7-8  Chords 9-12  17-25: chords (remember what key we are in?)  Everyone loves I and V!!!  Chords: 2323 33 6363

7. HARMONY 2  57-63 Circle of 5ths  Where are the modulations? Pivot before each one…  Given that every bar starts on a 1 st inversion chord, what are these chords? (1 per bar). HINT: bar 57 is chord II in F major Bar5758596061626364 GmI FIIVIIVVII DmVIIIVI AmIVV7V7

8. QUESTIONS 1.Write out the 1 st horn part of bars 100-104 at sounding pitch. 2.Name the cadence heard in bar 12. 3.Name the key and cadence in 73 3 -74 1. 4.Identify the chord in bar 71.

9. PREP  Describe the features of the Haydn which suggest the Sturm und Drang style. (10 marks)  Back up your points using PLE from the score.  You can do this in bullet points.  Due Thursday please  ALSO there will be a Haydn test Thursday period 5