Download presentation
Presentation is loading. Please wait.
Published byLawrence Moody Modified over 8 years ago
2
Philosophy: Balance & Religion [individualism-Reformation] Style & Technique Dimensional use of space (balanced activity) [cluttered] Architectural framing Geometrical clarity (pyramidal configuration) Mathematical precision(ordered composition) [linear perspective] Psychological states (perfect human form)[human anatomy] Subject Matter Religious (Greek & Roman roots) Real people (reverence for the intellect) [common man]
3
Masaccio’s Tribute Money Michelangelo’s David Boticelli’s Primavera DaVinci’s Last Supper
8
Raphael’s School of Athens Michelangelo’s Moses, Creation of Adam, Saint Peter’s Basilica Giorgione’s Le Concert Champetre Titian’s Venus of Urbino Mannerism Parmigianino’s Madonna of the Long Neck
14
Durer’s The Fall of Man Bosch’s Garden of Earthly Delights Bruegel’s Peasant Wedding Shakespeare’s Sonnets/Hamlet
18
Sonnet XVIII Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or nature's changing course untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st, Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st, So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.
19
Philosophy: Principles of the Counter Reformation, rise of the middle class Style & Technique Emotionalism Illusionism Splendor Light and shade Movement Subject Matter Religious fervor Domestic Intimacy
20
Caravaggio’s The Calling of St. Matthew Bernini’s David Le Vau & Hardouin Mansart’s Palace of Versaille El Greco’s Burial of Count Orgaz Velazquez’s Las Meninas Ruben’s The Rape of the Daughters of Leucippus Rembrandt’s Old Self-Portrait Bach’s Brandenburg Concertos
29
ROCOCO 1715-1785NEOCLASSICAL 1729-1808 Philosophy: Aristocratic pleasures Style & Technique Richness and Elaboration Fantasy Graceful & Harmonious Subject Matter Love Pursuit of Pleasure Philosophy: Revolution Style & Technique Austere poses Orderly decorations Balance & Order Subject Matter Greek & Roman history Military strength
30
ROCOCO PIECES NEOCLASSICAL PIECES Fragonard’s Love Letters Gainsborough’s Haymaker and Sleeping Girl David’s Oath of Horatii Jefferson’s State Capital Mozart’s The Marriage of Figaro Swift’s A Modest Proposal
36
Philosophy: personal hopes & fears Style & Technique Expression of personal feelings Self-analysis Nationalism & political comment Subject Matter Nature Fantastic & exotic
37
Beethoven’s Pathetique Goya’s Execution of the Madrilenos Delacroix’s The Death of Sardanapalus Hugo’s Les Miserables Eakins’s The Swimming Hole
42
Philosophy: perception vs. reality Style &Technique Light and color “unclear” content Defies realism Subject Matter Nature Everyday people *literature forms own periods
43
Monet’s Impression Sunrise Rodin’s The Kiss Stravinsky’s Rite of Spring
47
Philosophy: Anti-Impressionist Style &Technique New approaches (pointillism) Geometrical approach Brilliant colors emotion Subject Matter Nature Everyday people
48
Seurat’s A Sunday at La Grande Jatte Van Gogh’s Starry Night Matisse’s Joy of Life (Fauvist) Munch’s The Scream (Expressionist)
53
Philosophy: Anti-Impressionist Style &Technique 3-d perspective Geometrical approach (cubes) Distortion Monochromatic>>Colorful Assembled abstract Subject Matter Everyday people Shapes * Music forms own periods
54
Picasso’s Les Demoiselles d ’Avignon Chagall’s Green Violinist
57
Philosophy: Powers of the subconscious Style &Technique Distortion Realist draftsmanship Lack of solidity Subject Matter Repressed feelings Random objects
58
Dali’s Persistence of Memory Magritte’s The Son of Man
Similar presentations
© 2025 SlidePlayer.com. Inc.
All rights reserved.