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-Subject, Form, Content -Principles and Elements of Design
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The three basic components of a work of art who are inseparable and combine to produce Organic Unity. FORM The ‘how’ SUBJECT the ‘what’ CONTENT the ‘why’ ORGANIC UNITY
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The “What” of visual art Can be a person, an object, a theme, or an idea Objective/Representational images, represent people or objects and look as close as possible to their references’ actual appearance Nonobjective/Nonrepresentational images, are an advanced type of abstraction and have no reference to any physical object
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The “How” of visual art It is the development of the work Refers to the total overall arrangement or organization of an artwork Form applies the Elements of Art and the Principles of Organization, which are used to give order and meaning How the artist’s choices relate to each other and interact to form the final appearance of the artwork
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The “Why” of visual art The artist’s intention, communication, or meaning behind the work (expression or mood developed by the artist) The most difficult to identify due to the lack of interaction with the artist Ideally the viewer’s interpretation of the artwork is on the same track as the artist but individual diversity and personal experiences can affect the intended communication
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Divided into 2 sections: Elements of Art(Line, Shape, Value, Texture, Colour, Space and Form) Principles of Organization (Harmony, Variety, Balance, Proportion, Emphasis, Movement, Repetition, Rhythm and Unity)
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Fundamental components of art works.
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Line can be thought of as the path of a point moving through space Lines may swell, taper, divide and multiply Lines can be used to create texture Types of line: vertical, diagonal, horizontal, contour, curved, zigzag...
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When a line curves around and crosses itself or intersects other lines to enclose a space, it creates a shape Geometric, organic, curved, angular, positive, negative
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The relative degree of lightness or darkness Contrasts in value allow us to see lines and shapes, give a sense of depth and allow us to perceive surface texture High and Low Key
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The way the surface of an object feels or looks like it feels An element can have actual texture or appear to have texture Texture can range from smooth and shiny to rough and dull
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Physical properties of: Hue (name) Intensity (brightness) Value (degree of lightness or darkness) One of the most expressive elements because it directly affects our emotions
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The measurable distance or the interval between points or images Can be actual or imaginary
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The physical shape and dimensions of an object within a work of art
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The way the Elements of Design are organized in an art work.
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Harmony is when parts of a composition are made to relate through commonality (Repeated or shared characteristics, elements, or visual units) It is the Opposite of Variety
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Variety is the differences achieved by opposing, contrasting, changing, elaborating, or diversifying elements in a composition to add interest and individualism It is the Opposite of Harmony
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Having ‘just enough’ in the artwork so that there is clarity Not too much, not too little
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Three types: Symmetrical Balance Asymmetrical Balance Unbalance
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The difference in size between units or the parts of a whole Related to scale
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Is often created by increased contrasts through the use of isolation, placement, direction, and scale Usually the center of attention within the artwork Focal point
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Is how the eye travels through visual pathways in an artwork It is guided by harmonious connections, variety, visual weights, proportions, etc...
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The repeated use of similar elements and visual effects in a composition Can be a pattern
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The use of recurring elements to direct the movement of the viewer’s eye through the art work and give a sense of unity to the composition. 5 kinds: random, regular, alternating, progressive, and flowing
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