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Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c.1426-27
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Masaccio, The Tribute Money, c.1425
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Two Methods of Perspective Linear perspective: all parallel lines within a visual field converge at single vanishing point Aerial perspective: “subtle blurring of details and diminution of color intensity in objects perceived at a distance” (Fiero 410)
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Leonardo, The Last Supper, c.1485-98
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Donatello, David, 1432
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Michelangelo, David, 1501-04
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Leonardo’s Vitruvian Man, c. 1487
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Botticelli, Birth of Venus, after 1482
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Titian, Venus of Urbino, 1538-39
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Titian, Pastoral Concert, c.1505
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Florence vs. Venice Line & Form Fresco & tempera on wood Subjective use of color Oil on canvas
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Italian City-States c. 1494
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Lorenzetti, Effects of Good Government in the City, 1338-39
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Di Michelino, Dante and His Poem, 1465
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Granacci, Entry of Charles VIII into Florence [1494], 1518
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Bellini, Piazza San Marco, 1496
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c.1356
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after 1475
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1433
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Raphael, Portrait of Baldassare Castiglione, c.1515
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Van Eyck, Marriage of Giovanni Anolfini and his Bride, 1434
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Brunelleschi, Pazzi Chapel, Florence, 1441-60
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Chartres, nave
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Alberti, Santa Maria Novella, 1470
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Bramante, Tempietto, 1502
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Palladio, Villa Rotonda, 1569
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