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Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c.1426-27.

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Presentation on theme: "Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c.1426-27."— Presentation transcript:

1 Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c.1426-27

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3 Masaccio, The Tribute Money, c.1425

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5 Two Methods of Perspective Linear perspective: all parallel lines within a visual field converge at single vanishing point Aerial perspective: “subtle blurring of details and diminution of color intensity in objects perceived at a distance” (Fiero 410)

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8 Leonardo, The Last Supper, c.1485-98

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11 Donatello, David, 1432

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13 Michelangelo, David, 1501-04

14 Leonardo’s Vitruvian Man, c. 1487

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20 Botticelli, Birth of Venus, after 1482

21 Titian, Venus of Urbino, 1538-39

22 Titian, Pastoral Concert, c.1505

23 Florence vs. Venice Line & Form Fresco & tempera on wood Subjective use of color Oil on canvas

24 Italian City-States c. 1494

25 Lorenzetti, Effects of Good Government in the City, 1338-39

26 Di Michelino, Dante and His Poem, 1465

27 Granacci, Entry of Charles VIII into Florence [1494], 1518

28 Bellini, Piazza San Marco, 1496

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30 c.1356

31 after 1475

32 1433

33 Raphael, Portrait of Baldassare Castiglione, c.1515

34 Van Eyck, Marriage of Giovanni Anolfini and his Bride, 1434

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37 Brunelleschi, Pazzi Chapel, Florence, 1441-60

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39 Chartres, nave

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41 Alberti, Santa Maria Novella, 1470

42 Bramante, Tempietto, 1502

43 Palladio, Villa Rotonda, 1569

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