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Elements of design Visual Elements of Form
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Line A continued point An edge A contour A separation of areas
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Line: physical characteristics Measurement –Width, length, long, short, thick, thin Type –Straight –Curved –Angular Direction –Different from type. Angular type moving along a curved direction. –Helps control movement of the viewer’s eye Location –Placement of line relevant to the picture plane Character –Related to the medium used –Emotional quality, personality
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Stripe Song J. Seeley 1981 Print, photo silk screen 22 x 30 in
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Shape A line enclosed in an area Any visually perceived area of: –Value, color, texture or line (or combination) Types: –Biomorphic –Rectilinear
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Shape: uses Achieve order, harmony and variety Create the Illusion of Space Extend visual interest
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Winter Sunrise, Sierra Nevada from Lone Pine California Ansel Adams 1944 Photograph
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Value Relationship of one part to another with respect to Light and Dark All other elements (color, line, texture, shape) must contain value contrast in order to be visible.
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Value: uses Describes surface –Sudden contrast: angular –Even gradation: curved Expression –Chiaroscuro use of contrasting lights and darks, illusion of vast space surrounding object. –emotion
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St. John the Baptist Michelangelo da Caravaggio 1604 oil on canvas
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Texture Surface character of a material. Activates both visual and tactile senses. Degree to which the surface is broken up. –Distinct lights and darks: rough –Less broken appearance: glossy
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Texture: types Actual: true to the medium that is used. Build up of paint, application of another object on the surface. Simulated: Surface that looks real but is not. Abstract: hint of original texture but changed. Invented: created not to reference the subject, but use within composition at the creation of the artist.
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Self-Portrait with Felt Hat Vincent Van Gogh 1887-88 Oil on canvas 44 x 37.5 cm
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Aspens, Northern New Mexico Ansel Adams 1958 Photograph 24 x 36 in
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Olive Trees in a Mountain Landscape Vincent van Gogh 1889 Reed pen and ink over pencil on paper.
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Three women Fernand Leger 1921 oil on canvas
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Margaret Bourke White Chrysler Building, NY 1931
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Margaret Bourke White Refugee Camp, Dehli 1947
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Alfred Sieiglitz Hands and Thimble, 1918
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Man Ray
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Alfred Stieglitz Snapshot in Paris, 1911
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Edward Weston
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Dorothea Lange Towards Los Angeles, California
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Eliot Porter
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Joe Nishizawa Deep Inside the japanese Underground
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Resources Art Fundamentals Theory and Practice, Ocvirk, Sinson, Wigg, Bone
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