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1 Art History The objective of this tutorial is to enhance your ability to analyze and interpret art forms in the Classic and Impressionist period.

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Presentation on theme: "1 Art History The objective of this tutorial is to enhance your ability to analyze and interpret art forms in the Classic and Impressionist period."— Presentation transcript:

1 1 Art History The objective of this tutorial is to enhance your ability to analyze and interpret art forms in the Classic and Impressionist period.

2 2 Classical period Time Frame: Early 800 BC-337AD, Late 1400-1800 (incl.Neoclassical and Romantic Period) Latter period defined by 2 important movements : Renaissance(1400-1600) and Baroque(1600-1800)

3 3 Classical period Characteristics: reflected style and aesthetic principles of ancient Greece and Roman classical art

4 4 Classical period Characteristics: reflected style and aesthetic principles of ancient Greece and Roman classical art

5 5 Classical period Characteristics: emphasis on form, simplicity, proportion, and restrained emotion.

6 6 Classical period Characteristics: emphasis on form, simplicity, proportion, and restrained emotion.

7 7 Classical period Characteristics: Colours – soft, gentle

8 8 Classical period Characteristics: Colours – soft, gentle

9 9 Classical period Las Meninas 1656

10 10 Impressionism Time Frame: Movement developed in 19th century Name derived from Monet's early work: Impression: Sunrise,

11 11 Impressionism Time Frame: Movement developed in 19th century Name derived from Monet's early work: Impression: Sunrise,

12 12 Impressionism Arose out of dissatisfaction with the classical and sentimental subjects and dry, precise techniques of paintings. Impressionists preferred to paint outdoors, choosing landscapes and street scenes, as well as figures from everyday life.

13 13 Impressionism spontaneous, undetailed rendering of the world through careful representation of the effect of natural light on objects.

14 14 Impressionism They preferred the primary colours—red, yellow, and blue—and complementary colours—green, purple, and orange.

15 15 Impressionism They preferred the primary colours—red, yellow, and blue—and complementary colours—green, purple, and orange. Monet's Rose path at Giverny

16 16 Impressionism Leading figures:Edgar Degas, Claude Monet, Berthe Morisot, Camille Pissarro, Pierre Auguste Renoir, Van Gogh and Alfred Sisley.

17 17 Impressionism Leading figures:Edgar Degas, Claude Monet, Berthe Morisot, Camille Pissarro, Pierre Auguste Renoir, Van Gogh and Alfred Sisley.

18 18 Impressionism


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