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Perspective in (mostly) Western Art
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Gothic Giotto Meeting at the Golden gate ca. 1300
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Late Gothic - Flanders (Belgium) The Master of Flemalle (Campin)? The Merode Altarpiece c. 1425-8
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Early Renaissance in Italy Masaccio St. Peter Healing the Sick 1427
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Jan van Eyck “Inventor” of oil paint The Wedding 1434
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Piero della Francesca The Flagellation 1460
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The High Renaissance in Italy Botticelli The Cestello Annunciation 1489
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Leonardo da Vinci The Last Supper 1495-98
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Raphael The School of Athens 1509
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Durer St. Jerome 1514 Journeyed to Bologna in 1506 to receive instruction in the art of “secret perspective.”
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Durer The Teaching of Measurements c.1525
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Baroque in Holland Vermeer 1632 - 1675 Lady at a Virginal
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Romanticism - Turner 1797 Transept of Ewenny Priory, Glamorganshire Professor in perspective at the Royal Academy in London from 1807 – 1828.
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John Singer Sargent Venetian Canal 1913
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John Singer Sargent A Street in Venice 1882
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Japanese Prints, Ukiyo-e, influenced the French Impressionists - Kuninao 1845 Utilize the Chinese system for suggesting perspective which is different from Western art: lines stay parallel as they recede into the background – they do not converge. This technique created diagonal planes that was later employed by the French Impressionists. No shadows are used because they convey a temporal experience.
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Hiroshige 1845 The word ukiyo-e means a picture of “the floating world”. Derived from Buddhist religious interpretation that described life on earth as unhappy, a stage to go through on the road to salvation. Portrays the pleasures that helped to relieve the restraints of urban Japanese life.
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Utagawa Kunisada Ukiyo-e prints usually tell a story with scenes from life in the houses of prostitution or in the theater, posed as a tableau or scene. Details such as fabric and hair style had to reflect the current fashions of the time. Ukiyo-e information from: Yale- New Haven Teachers Institute - Visions of People: The Influences of Japanese Prints - Ukiyo-e, Upon Late Nineteenth and Early Twentieth Century French Art by Patricia Flynn
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Degas - The Glass of Absinthe 1876
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Degas - Dancing Class
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Van Gogh - Night Café 1888
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La Chambre de Van Gogh a Arles 1889
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Toulouse-Lautrec - At the Moulin Rouge 1892
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Edward Hopper - Nighthawks 1942
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Hopper - New York Movie
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Hopper - Hotel Lobby 1943
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Hopper - Chop Suey 1929
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Thiebaud combines Eastern and Western perspective systems - San Francisco West Side Ridge 2002
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Thiebaud - Intersection 1978 Winding River 2002
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Bo Bartlett School of Charm, 2010
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Bo Bartlett
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