Presentation is loading. Please wait.

Presentation is loading. Please wait.

Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan

Similar presentations


Presentation on theme: "Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan"— Presentation transcript:

1 Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan Email: hogan_danielle @shaw.ca

2 Futurism

3 Abstract Speed + Sound 1913–1914 Giacomo Balla

4 Dynamism of a Dog on a Leash 1912 Giacomo Balla

5 Omaggio a Betuda Futurista 1915 Carlo Carrà

6 Interventionist Demonstration 1914 Carlo Carrà

7 Funeral of the Anarchist Galli 1911 Carlo Carrà

8 The City Rises 1910 Umberto Boccioni

9 The Development of a Bottle in Space 1913 Umberto Boccioni

10 Unique Forms of Continuity in Space 1913 Umberto Boccioni

11 Unique Forms of Continuity in Space on the 20 cent euro coin Umberto Boccioni

12 Vorticism

13 Planners: Happy Day 1912-3 Wyndham Lewis Pen, gouache and pencil on paper support: 311 x 381 mm

14 Two Mechanics circa 1912 Wyndham Lewis

15 Composition 1913 Wyndham Lewis

16 Workshop circa 1914-5 Wyndham Lewis

17 Vorticist Composition 1915 Wyndham Lewis

18 Russian Avant-Guard

19 "On White II“ 1923 Wassily Kandinsky

20 Kandinsky and Blue Rider Der Blaue Reiter 1903 Wassily Kandinsky

21 1908-1914 From 1908 on, Kandinsky’s painting ceased to be that of a dilettante, making its way towards an invention that would prove determinant for the history of painting: abstraction. Supported by a theoretical basis, the works of this period moved further and further away from reality, and, to the question that he formulated in one of his texts – “what must replace the object?” – Kandinsky replied with the impact of colours and lines. -Centre George Pompidou

22 The Garden of Love (Improvisation Number 27), 1912 Wassily Kandinsky Oil on canvas

23 Kandinsky at the Bauhaus 1922-33 Decisive Rose 1932 Wassily Kandinsky

24 1922-33: Bauhaus In 1921, Kandinsky was director of the physical- psychological department of the Russian Academy of Artistic Sciences, a structure set up after the revolution. With the artistic climate deteriorating, an official mission to Germany offered him the opportunity to flee his country. A teaching position at the Bauhaus enabled him to pursue his work, even though his position as an abstract painter, in a school that was moving closer and closer to industry, was contested.

25 Point Line Plane

26 Contrasting Sounds 1924 Oil on cardboard, 70x49.5cm Wassily Kandinsky

27 Composition VIII 1923 Oil on canvas, 140 x 201 cm Wassily Kandinsky

28 Yellow, Red, Blue 1925 Wassily Kandinsky

29 In the Blue 1925 Oil on board, 80 x 110 cm Wassily Kandinsky

30 1934-44: Paris In Paris, where he spent the last eleven years of his life, Kandinsky painted and drew prolifically, putting together an important body of work in which the common factor is the inspiration of images from biology, forms resembling embryos, larvae or invertebrates, a minuscule population embodying the living.

31 Composition X 1939 Oil on canvas, 130 x 195 cm Wassily Kandinsky

32 Landscape 47 1912 Natalia Goncharova

33 The Cyclist 1913 Natalia Goncharova

34 Rayonism, Blue-Green Forest 1913 Natalia Goncharova

35 Rayonism, Blue-Green Forest 1915 Mikhail Larionov

36 Beat the Whites With the Red Wedge, lithograph 1919 El Lissitzky

37 Dance. An Objectless Composition 1915 Alexander Rodchenko

38 Suprematism

39 Black Square 1913 Kazimir Malevich

40 Black Circle 1913 Kazimir Malevich

41 Suprematist Composition: White on White 1918 Kazimir Malevich


Download ppt "Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan"

Similar presentations


Ads by Google