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Published byLesley Summers Modified over 8 years ago
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Lizabeth Thompson Mayo for MST English Department
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Based on 12 th century tales of the romance languages—derived from “Romanz”, loosely translated as “speech of the people” or “vulgar (common) tongue” instead of Latin Content: verbal narratives about knights and heroes told by troubadours and minstrels, wandering story singers. Became written stories by 14 th century as upper class learned to write
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Hero’s role/Hero quest Code of Chivalry Role of Women Use of Supernatural
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Adventure tales featured a “knight errant” on a journey/ quest Usually involved a physical and spiritual quest (metaphor for spiritual fulfillment shows influence of Church) Involves tests, successes and failures, atonement for mistakes/sins, and eventual fulfillment. Used hero quest cycle as pattern (see notes) Hero’s obscure origins usually revealed at crucial plot point Hero reluctant to take on on responsibility role but accepts
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Code of behavior the knights followed Included bravery, honor, loyalty, piousness, humility, abstinence/ purity, generosity toward foes, helpfulness toward weak, and protector of women Knight had to prove his virtue, specifically his purity of heart and purpose Purity of heart will give knight fame and respect back at home. But most importantly, it will make it easier for him to find spiritual fulfillment.
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Love was not a requirement; it could be a reward or wish fulfillment. Women had two positive roles and two negative roles, which also fit key parts of the hero quest cycle Positive: Victim = damsel in distress might serve as call to adventure Positive: Reward for job well done = gift at end Negative: seducer = temptation to pull knight away from quest Negative = betrayer = challenge that knight must overcome to achieve quest
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Although texts contained religious references, often incorporated supernatural elements as challenges/ tests. Ex: dwarves, fairies, magicians, giants, shape shifters Created by authors to add excitement but also to test character’s virtue “The ordinary laws of nature are slightly suspended.” critic Northrup Frye. Means we willingly ignore the natural way and temporarily accept supernatural as part of fantasy tale
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