1. Today’s West! The Rest of the Story… © Bill Schenck, A Flight from Destiny, 1994, oil on canvas

2. Booth Western Art Museum

3. The mission of the Booth Western Art Museum is to: Educate, entertain, and inspire guests through the exploration of Western art, popular culture, and American heritage in a welcoming environment.

4. Location: 501 Museum Drive City: Cartersville State: Georgia Size: 120,000 Square Feet Collection: Art of the American West Opened: 2003

6. Georgia Museums, Inc. Bartow History Museum: Local History Booth Western Art Museum: Language Arts, Social Studies, Visual Art Tellus Science Museum: Science, Math

7. An affiliate of the Smithsonian Institution

8. Amon Carter Museum of American Art Autry National Center of the American West Buffalo Bill Center of the West Eiteljorg Museum of American Indians and Western Art Gilcrease Museum Joslyn Museum of Art National Cowboy and Western Heritage Museum National Museum of Wildlife Art Petrie Institute of Western American Art Rockwell Museum of Western Art C.M. Russell Museum Stark Museum of Art Booth Western Art Museum

9. Enduring Traditions

10. First Peoples

11. Colliding Cultures

12. Habitats and Inhabitants

13. Cowboy Gallery

14. Native Hands

15. School Programs Presidents & Heroes The Union Dissolved – My First Visit Cowboys, Indians, & Art Westward Ho! American Presidents & the Civil War

16. Booth Western Art Museum school programs are matched to the CCGPS.

17. Hands-on

18. Gallery Searches

19. Writing Activities

20. Grades K-5

21. Kindergarten Building a Story: Parts, Pieces and Predictions

24. First Grade Action In Art

26. Second Grade Wild Ride

28. Third Grade Where the Buffalo Roam

31. Fourth and Fifth Grade Heroes and Villains

33. Presidential Gallery

34. Civil War Gallery

35. Modern West Gallery

36. Today’s West! Contemporary Western Art from the Buffalo Bill Center of the West October 24, 2013 through April 13, 2014 © Donna Howell-Sickles, A Matter of Choice, 1993, mixed media on paper © T.C. Cannon, Buffalo Medicine Keeper, 1974, oil and acrylic on canvas © David P. Bradley, American Indian Gothic, 1983, color lithograph on paper

37. Showcasing 60 contemporary masterworks, Today’s West immerses visitors in the artistic developments occurring in Western art over the past 50 years.

38. “Scholder uses his art to question stereotypical representations of Native Americans and reflect on the realities of Native life in our contemporary society.” © Fritz Scholder, Indian with Tomahawk, 1970, oil on canvas

39. © Earl Biss, General Custer in Blue and Green, 1996, oil on canvas “Earl Biss admitted that his paintings began with ideas while other Abstract Expressionists said that they began with the process of painting.”

40. © Kevin Red Star, Crow Indian Parade Rider, 1982, oil on canvas “Crow Indian Kevin Red Star relies on his family, heritage, and abundance of visual experiences to serve as his palette.”

41. “Theodore Waddell applies the loose, gestural brushwork of Abstract Expressionists to subjects he observes around his Montana ranch.” © Theodore Waddell, Red Lodge Horses, 2008, oil on canvas

42. © Bill Schenck, A Flight from Destiny, 1994, oil on canvas “Bill’s flat, almost paint-by-number style, blurs the lines between fine and commercial art, presenting the cowboy as a commercial object.”

43. © George Gogas, Judith Basin Encounter: When Charlie and Pablo had a Bad Day on the Freeway, 1996, acrylic on canvas “Gogas uses his imagination to combine Charlie Russell and Picasso’s styles as though they had just collaborated on a work of art.”

44. “Palmore approaches his whimsical portraits as though commissioned by the animal depicted.” © Tom Palmore, Where Elegance Meets Fear, 1996, acrylic on canvas

45. “Ross portrays iconic American people and events in a unique way that tells a more complex story than traditional historical myths.” © Thom Ross, The Virginian, 2001, acrylic on canvas

46. © Anne Coe, At the End of Her Rope, 1992, acrylic on canvas “Anne Coe addresses current issues such as land management and urban sprawl. The pink Cadillac in this painting represents encroaching civilization.”

47. © James Bama, A Contemporary Sioux Indian, 1978, oil on panel “James Bama finds his subjects at parades, rodeos, and daily life for his photorealistic portraits. He depicts social irony in the current plight of Native Americans.”

48. www.boothmuseum.org Group Scheduling: 770-387-3849 Students: $5 Chaperones: $8 Teachers: FREE