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Fundamentals Chapter 1.5 Time and Motion
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Time
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The Passage of Time: “Continuous Narrative” Motion of the Sun
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Fig. 1.5.1. Workshop of the Master of Osservanza [Sano di Pietro?],
The Meeting of St. Anthony and St. Paul, ca
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Masaccio [Italian, 1401–1428], The Tribute Money, ca. 1427
Masaccio [Italian, 1401–1428], The Tribute Money, ca Fresco, 8 ft. 1 in. x 19 ft. 7 in. (2.5 x 6 m). Brancacci Chapel, Santa Maria del Carmine, Florence.
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Fig. 1. 5. 2. Nancy Holt, Solar Rotary, 1995
Fig Nancy Holt, Solar Rotary, Aluminum, concrete, and meteorite.
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The Six Attributes of Time:
Duration Tempo Intensity Scope Setting Chronology
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Fig. 1.5.3. Thomas Edison and W. K. Dickson, Fred Ott’s Sneeze, 1894.
Still frames from kinetoscope film.
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Motion
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Communicating Motion:
Implied Motion The Illusion of Motion Stroboscopic Motion Actual Motion
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Implied Motion
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Fig. 1. 5. 4. Gialorenzo Bernini, Apollo and Daphne, 1622-24
Fig Gialorenzo Bernini, Apollo and Daphne, Carrera Marble.
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Balla, Giacomo; Rhythm of the Violinist; 1912; Oil on canvas, 52 x 75 cm.
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Marcel Duchamp [French, 1887–1968], Nude Descending a Staircase (No
Marcel Duchamp [French, 1887–1968], Nude Descending a Staircase (No. 2), Oil on canvas, 57 7/8 x 35 1/8 in
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The Illusion of Motion
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1.5.6. Jenny Holzer, Untitled [Selections from Truisms, Inflammatory Essays, The Living Series,
Under a Rock, Laments and Child Text] Extended helical tricolor LED display.
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Fig. 1.5.7. Bridget Riley, Cataract 3, 1967. PVA on canvas.
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Stroboscopic Motion
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Zoetrope, 19th Century.
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Zoetrope in motion
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Fig. 1.5.9. Walt Disney Pictures, frame from Finding Nemo, 2003.
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Scene from Finding Nemo
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Fig. 1.5.10. Tom Tykwer, scene from Run Lola Run, 1998.
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Scene from Run Lola Run, showing the importance of motion.
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Actual Motion
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Fig. 1.5.11. Blue Man Group perform at the Venetian Hotel, Las Vegas.
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Fig. 1.5.12. Alexander Calder, Untitled, 1976. Aluminum and steel.
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Time and Motion in Photography: Dorothea Lange’s Migrant Mother
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Fig. 1.5.14. Suzanne Anker, Astroculture [Shelf Life], 2009. Aluminum,
plastic, red and blue LED lights, plants, water, soil, and no pesticides.
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Fig. 1.5.15. Ron Lambert, Sublimate [Cloud Cover], 2004.
Water, vinyl, humidifiers, steel, aluminum, and acrylic.
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Mesolithic period. Valltorta, Valencia, Spain.
Fig Hunting Scene, painting from Cova dels Cavalls [Horses Cave], Mesolithic period. Valltorta, Valencia, Spain.
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