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WELCOME! YOU WILL NEED: 1.A 3-ring binder to store presentations 2.Pen or pencil 3.Optional: The text, A World of Art by Henry M. Sayre
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Mrs. Warren ART APPRECIATION AND SURVEY OF VISUAL RECORD
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What do you see? What do you feel?
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1.What is art? 2.Roles of the artist 3.Experiencing art 4.Three kinds of art 5.Traditions in the Study of Art History
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Is this art?
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Art is defined by Aristotle as the realization in external form of a true idea, and is traced back to that natural love of imitation which characterizes humans, and to the pleasure which we feel in recognizing likenesses. It idealizes nature and completes its deficiencies: it seeks to grasp the universal type in the individual phenomenon..
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Traditional Role of the artist: Visual record (place, events, people) Newer roles of the artist Give visible form to ideas, philosophies, and feelings. Reveal hidden or universal Truths. To agitate or inspire change.
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What happens when we look at a work of art: Reception Extraction Inference
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Representational Abstract Non Objective 3 KINDS OF WORKS:
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Naturalistic, Illusionistic REPRESENTATIONAL
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Does not duplicate the world, but reduces it to its essential qualities. ABSTRACT
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No relation to world; Concerned only with form. NON OBJECTIVE
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TRADITIONS IN ART HISTORY STUDY Formalism – Study of visual or “formal” elements of work. Contextualism- Study of what was happening in time and place of work (Also Freudian, Marxist, and feminist art history) Know the type of history you are reading.
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DOES ART HAVE TO BE BEAUTIFUL?
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WAYS TO STUDY ART 1. Form and Content 2. Iconography
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FORM: materials used, employment of formal elements, organization of elements into a composition. (Sayre)
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CONTENT: What the work of art expresses or means. (Sayre)
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The study or description of visual images or symbolic systems ICONOGRAPHY 1434 Jan Van Eyck
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Green dress = ability to have children Big stomach = beauty Shoes off = holy ground (Moses) Single candle = light of Christ Dog = faithfulness
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THEMES Representing the World: Nature Everyday life Making things and creating space
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Albrecht Durer 1503
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Vincent Van Gogh 1889
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Johannes Vermeer 1658
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Solomon R. Guggenheim Museum 1959 Frank Lloyd Wright
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Interior of Solomon R. Guggenheim Museum
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THEMES Representing Other Realities: Spiritual Mind The Beautiful
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Greek
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Boucher, 1750
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1931 Salvador Dali
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Guernica Pablo Picasso, 1937
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Makovsky
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LIST OF FORMAL ELEMENTS 1.Line 2. Shape / Space 3.Tone (Value and Color) 4.Texture 5.Pattern, 6.Time and Motion
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Paul Cezanne 1895
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LINE
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Contour Line
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Implied Line Assumption and Consecration of the Virgin, Titian
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Expressive Line Analytic or Classical Line
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SPACE (SHAPE AND MASS, TWO AND THREE DIMENSIONAL, PERSPECTIVE)
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Shape Donald Sultan’s Lemons
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Self by Martin Puryear, 1978
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Musee D’Orsay, Paris
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Frieze
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Illusion of three dimensional space Richard Diebenkorn, Woman in Chaise, 1965
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CasperDavid Friedrich, Woman in Moning Light 1818 Change of scale Overlapping
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Assisi, Upper Church of St. Francesco, Giotto (JA- tow), 1295- 1330
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Leonardo da Vinci, The Last Supper 1495
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Fully frontal one point perspective
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Gustave Caillebotte, 1848 Paris Street
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Pieter Bruegel the Elder, The Wedding Dance, 1566
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Peter Paul Rubens, The Kermis 1635
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