1. Rebirth vs Buildungsroman

2. Rebirth Narrative Archetype the protagonist is often cast under some dark spell either instigated by himself or an outside force. The heroes liberation can only be achieved through the actions of other good forces. In these story types the redemptive power of love can be a liberating force. the protagonist’s imprisonment is derived from something from within his own psyche.”

3. Examples of narratives that follow the rebirth archetype are: Sleeping Beauty, The Frog Prince, Beauty and the Beast, A Christmas Carol and The Secret Garden. Ref.: Reeves, P. (2008). What are the Seven Basic Plot Definitions? Writing Creative Stories Using Classic Plot Archetypes and Models.What are the Seven Basic Plot Definitions? Writing Creative Stories Using Classic Plot Archetypes and Models.

4. Bildungsroman (a coming-of-age novel) German, from Bildung education + Roman novel First Known Use: 1910 bildungsroman, class of novel that deals with the maturation process, with how and why the protagonist develops as he does, both morally and psychologically. The German word Bildungsroman means “novel of education” or “novel of formation.”novelprotagonist The Editors of Encyclopaedia Britannica. “Bildungsroman.” Encyclopaedia Britannica. 22 April 2013 http://www.britannica.com/EBchecked/topic/65244/bildungsroman 05 March 2015. http://www.britannica.com/EBchecked/topic/65244/bildungsroman

5. The Function of the Bildungsroman Novel depicts and criticizes those vices of the society which cause the protagonist to suffer. conveys a sense of realism because the protagonist is a common sensitive person who is affected by the loss that they suffer and this loss, ultimately, changes the course of their life.

6. Cont’d In addition, the psychological and moral growth of the protagonist gives us a deep insight into their characters and also helps to understand the conflict in their lives.conflict As a result, we can identify ourselves with the coming-of-age characters and feel emotionally attached and interested as we see them pass different stages of their lives until they finally change for the good.

7. The first novelistic development of this theme was Christoph Martin Wieland’s Geschichte des Agathon (1766–67; History of Agathon). It was followed by J.W. von Goethe’s Wilhelm Meisters Lehrjahre (1795– 96; Wilhelm Meister’s Apprenticeship), which remains the classic example of the genre. Other examples are Adalbert Stifter’s Nachsommer (1857; Indian Summer) and Gottfried Keller’s Der grüne Heinrich (1854–55; Green Henry).Christoph Martin WielandHistory of AgathonJ.W. von GoetheWilhelm Meister’s ApprenticeshipAdalbert Stifter NachsommerGottfried KellerGreen Henry

8. The bildungsroman traditionally ends on a positive note, though its action may be tempered by resignation and nostalgia. If the grandiose dreams of the hero’s youth are over, so are many foolish mistakes and painful disappointments, and, especially in 19th- century novels, a life of usefulness lies ahead. In the 20th century and beyond, however, the bildungsroman more often ends in resignation or death.

9. Classic examples include: Great Expectations (1861) by Charles Dickens, Great ExpectationsCharles Dickens Anne of Green Gables (1908) by Lucy Maud Montgomery, Anne of Green Gables Lucy Maud Montgomery Sons and Lovers (1913) by D.H. Lawrence, Sons and LoversD.H. Lawrence Member of the Wedding (1946) by Carson McCullers, Member of the WeddingCarson McCullers Catcher in the Rye (1951) by J.D. Salinger, Catcher in the RyeJ.D. Salinger To Kill a Mockingbird (1960) by Harper Lee, To Kill a MockingbirdHarper Lee Oranges Are Not the Only Fruit (1985) by Jeanette Winterson, Oranges Are Not the Only FruitJeanette Winterson and Black Swan Green (2006) by David Mitchell.Black Swan Green

10. For more information, click on: LiteraryDevices Editors. “Bildungsroman” LiteraryDevices.net. 2013. Web. 05 March 2015. http://literarydevices.net/bildungsroman/