1. -William Shakespeare: JULIUS CAESAR BY:Álvaro Cánovas & Juan Francisco Méndez

2. -Brief introduction: the live of Shakespeare. William Shakespeare (26 april 1564 - 23 april 1616), Was a important english playwright, actor and poet. Sometimes known as ‘the Bard’. Shakespeare is considerate the most important playwright in english and the one of the most famous international authors. Shakespeare's works Have Been Translate into major languages and His plays are Still Performed all over the world. In Addition, many quotations and neologisms of historical works Have Become part of everyday use, BOTH en Español and other languages. Over time, There has-been much speculation about His Life, His Questioning sexuality, Religious affiliation, and Even the authorship of Their works.

3. -BIOGRAPHY: Third of eight children, was the first son of an merchant and Mary Arden. He studied at the local school and, as eldest son, was destined to succeed his father in business, who was a councilman, trafficked in gloves, leather, wood and wheat. It would have taken six years for a Grammar school or primary school, although he had to go to work, the difficult economic situation that crossed his father. In 1582 he married Anne Hathaway, with whom he had a daughter, Susanna, in 1583, and two twins, a boy, who died at age 11, and a daughter-in 1585. It is thought that came to London about 1588 and, four years later, I had achieved remarkable success as a playwright and stage actor. He had the patronage of Henry Wriothesley, third Earl of Southampton. The publication of two erotic poems Venus and Adonis (1593) and The rape of Lucretia (1594), and his Sonnets (published in 1609) gave him the reputation of brilliant poet. His works were represented at the court of Queen and King Isabeli JacoboI. In 1610 he returned to his hometown. He had met one of its many purposes, make a fortune. It did not occur to deliver to press his vast dispersed, De Quincey conjecture that for Shakespeare, the theatrical performance was the real publicity, not being printed.. He died on April 23, 1616. On this date Cervantes died in Madrid, no doubt, neither heard the other. His first plays, had a high degree of formality and were predictable and mannered. Third of eight children, was the first son of an merchant and Mary Arden. He studied at the local school and, as eldest son, was destined to succeed his father in business, who was a councilman, trafficked in gloves, leather, wood and wheat. It would have taken six years for a Grammar school or primary school, although he had to go to work, the difficult economic situation that crossed his father. In 1582 he married Anne Hathaway, with whom he had a daughter, Susanna, in 1583, and two twins, a boy, who died at age 11, and a daughter-in 1585. It is thought that came to London about 1588 and, four years later, I had achieved remarkable success as a playwright and stage actor. He had the patronage of Henry Wriothesley, third Earl of Southampton. The publication of two erotic poems Venus and Adonis (1593) and The rape of Lucretia (1594), and his Sonnets (published in 1609) gave him the reputation of brilliant poet. His works were represented at the court of Queen and King Isabeli JacoboI. In 1610 he returned to his hometown. He had met one of its many purposes, make a fortune. It did not occur to deliver to press his vast dispersed, De Quincey conjecture that for Shakespeare, the theatrical performance was the real publicity, not being printed.. He died on April 23, 1616. On this date Cervantes died in Madrid, no doubt, neither heard the other. His first plays, had a high degree of formality and were predictable and mannered.

4. WORKS: -The plays of Shakespeare are to be performed in venues around the world. Below, scenes from the first act of the play Henry VI, played by a contemporary theater company in 1991. Experts of his (her,your) literary production divide her in three stages: the first one, from 1590 to 1594, integrated(repaid) by historical pieces that were possessing a high degree of formality and predictable, with light(slight) comedies. In his(her,your) second stage, until the year 1600, it(he,she) is characterized by the poetry and the historical deepening of his(her,your) prominent figures. Of this stage she is Romeo and Juliet. In the third stage, which culminates in 1608, the tragedies and the most complex writings appear, as Hamlet, his(her,your) more universal work, where the personage feels that it(he,she) lives in a world of deceptions and corruption, feeling that him(her) comes confirmed by the murder of his(her,your) father. It(he,she) penetrates in the prominent figures up to such a point that they exceed his(her,your) own(proper) one dramatist happens. In this stage he(she) writes the most out-standing works.

5. WORKS (CRONOLOGY) Tragedies: Titus Andronicus, 1594 Romeo and Juliet, 1595 Julius Caesar, 1600 Hamlet, 1600-1601 Othello, 1602 King Lear, 1605 Macbeth, 1605-1606 Tragedies: Titus Andronicus, 1594 Romeo and Juliet, 1595 Julius Caesar, 1600 Hamlet, 1600-1601 Othello, 1602 King Lear, 1605 Macbeth, 1605-1606 STORIES Henry VI, 1592 Richard III, 1593 Richard II, 1595 Henry IV, 1597 Henry V, 1598 King John, 1597 Henry VIII, 1613 Poetry: Venus and Adonis, 1593 The rape of Lucretia, 1594 Sonnets, 1600-1609 Antony and Cleopatra, 1606- 1607 Coriolanus, 1608 Timon of Athens, 1608 Comedy: The Comedy of Errors, 1592-1593 The Taming of the Shrew, 1593 Love's Labours Lost, 1594 The Two Gentlemen of Verona, 1594 The dream of a summer night, 1595-1596 The Merchant of Venice, 1596-1597 Much Ado About Nothing, 1598-1599 Merry Wives of Windsor, 1599 As You Like It, 1599-1600 Twelfth Night, 1600 All's Well That Ends Well first, 1602 Troilus and Cressida, 1602 Measure for Measure, 1604-1605 Pericles, Prince of Tyre, 1608 Cymbeline, 1610 Winter's Tale, 1610 The Tempest, 1613

6. THE WORK THAT I WILL ANALYZE : -Julius Caesar-

7. THE WORK: Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599.It portrays the conspiracy against the Roman dictator Julius Caesar, his assassination and its aftermath. It is one of several Roman plays that he wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599.It portrays the conspiracy against the Roman dictator Julius Caesar, his assassination and its aftermath. It is one of several Roman plays that he wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship. Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship. The play reflected the general anxiety of England over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death. The play reflected the general anxiety of England over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death. The work is outlined for being the first one of five better tragedies written by the playwright The work is outlined for being the first one of five better tragedies written by the playwright

8. Characters: Antony, (Marcus Antonius) Antony, (Marcus Antonius) Antony Artemidorus, of Cnidos, a teacher of rhetoric. Artemidorus, of Cnidos, a teacher of rhetoric. Artemidorus Brutus, (Marcus Brutus) Brutus, (Marcus Brutus) Brutus Caesar, (Julius Caesar) Caesar, (Julius Caesar) Caesar Calpurnia, wife to Caesar Calpurnia, wife to Caesar Calpurnia Casca, a conspirator against Caesar Casca, a conspirator against Caesar Casca Cassius, a conspirator against Caesar Cassius, a conspirator against Caesar Cassius Cicero, Senator Cicero, Senator Cicero Cinna, a conspirator against Caesar Cinna, a conspirator against Caesar Cinna Cinna the Poet Cinna the Poet Cinna the Poet Cinna the Poet Citizens Citizens Citizens Claudius, servant to Brutus Claudius, servant to Brutus Claudius Clitus, servant to Brutus Clitus, servant to Brutus Clitus Dardanius, servant to Brutus Dardanius, servant to Brutus Dardanius Decius Brutus, a conspirator against Caesar Decius Brutus, a conspirator against Caesar Decius Brutus Decius Brutus First Citizen First Citizen First Citizen First Citizen First Commoner First Commoner First Commoner First Commoner First Soldier First Soldier First Soldier First Soldier Flavius, a tribune Flavius, a tribune Flavius Fourth Citizen Fourth Citizen Fourth Citizen Fourth Citizen Lepidus, (Marcus Antonius Lepidus) Lepidus, (Marcus Antonius Lepidus) Lepidus Ligarius, a conspirator against Caesar Ligarius, a conspirator against Caesar Ligarius Lucilius, friend to Brutus Lucilius, friend to Brutus Lucilius Lucius, servant to Brutus Lucius, servant to Brutus Lucius Marullus, a tribune Marullus, a tribune Marullus Messala, friend to Brutus Messala, friend to Brutus Messala Messenger Metellus CimberMetellus Cimber, a conspirator against Caesar Metellus Cimber OctaviusOctavius, (Octavius Caesar) Octavius PindarusPindarus, servant to Cassius Pindarus Poet PopiliusPopilius, (Popilius Lena) Popilius PortiaPortia, wife to Brutus Portia PubliusPublius, Senator Publius Second Citizen Second Citizen Second Commoner Second Commoner Second Soldier Second Soldier Servant Several Citizens Several Citizens Soothsayer StratoStrato, servant to Brutus Strato Third Citizen Third Citizen Third Soldier Third Soldier TintiniusTintinius, friend to Brutus Tintinius TreboniusTrebonius, a conspirator against Caesar Trebonius VarroVarro, servant to Brutus Varro VolumniusVolumnius, friend to Brutus Volumnius Young CatoYoung Cato, friend to Brutus Young Cato

9. -SCENES: Scenes Scenes (18 total) (18 total) Complete Text Complete Text Act I Act I Scene 1. Rome. A street. Scene 1. Rome. A street. Scene 2. A public place. Scene 2. A public place. Scene 3. The same. A street. Scene 3. The same. A street. Act II Act II Scene 1. Rome. BRUTUS’s orchard. Scene 1. Rome. BRUTUS’s orchard. Scene 2. CAESAR’s house. Scene 2. CAESAR’s house. Scene 3. A street near the Capitol. Scene 3. A street near the Capitol. Scene 4. Another part of the same street, before the house of BRUTUS. Scene 4. Another part of the same street, before the house of BRUTUS. Act III Scene 1. Rome. Before the Capitol; the Senate sitting above. Scene 2. The Forum. Scene 3. A street. Act IV Scene 1. A house in Rome. Scene 2. Camp near Sardis. Before BRUTUS’s tent. Scene 3. Brutus’s tent. Act V Scene 1. The plains of Philippi. Scene 2. The same. The field of battle. Scene 3. Another part of the field. Scene 4. Another part of the field. Scene 5. Another part of the field.

10. SINOPSIS: Marcus Brutus is Caesar's close friend and a Roman praetor. Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Caius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Marcus Brutus is Caesar's close friend and a Roman praetor. Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Caius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Marcus BrutuspraetorsenatorsCaius Cassiusmonarchy Marcus BrutuspraetorsenatorsCaius Cassiusmonarchy Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism; other commentators, such as Isaac Asimov, suggest that the text shows Brutus is no less moved by envy and flattery.[2] One of the central strengths of the play is that it resists categorizing its characters as either simple heroes or villains. The early scenes deal mainly with Brutus' arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar (this public support was actually faked; Cassius wrote letters to Brutus in different handwritings over the next month in order to get Brutus to join the conspiracy). A soothsayer warns Caesar to "beware the Ides of March", which he ignores, culminating in his assassination at the Capitol by the conspirators that day. Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism; other commentators, such as Isaac Asimov, suggest that the text shows Brutus is no less moved by envy and flattery.[2] One of the central strengths of the play is that it resists categorizing its characters as either simple heroes or villains. The early scenes deal mainly with Brutus' arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar (this public support was actually faked; Cassius wrote letters to Brutus in different handwritings over the next month in order to get Brutus to join the conspiracy). A soothsayer warns Caesar to "beware the Ides of March", which he ignores, culminating in his assassination at the Capitol by the conspirators that day.envyambitionhonourpatriotismIsaac Asimov[2]conscienceIdes of MarchCapitolenvyambitionhonourpatriotismIsaac Asimov[2]conscienceIdes of MarchCapitol Caesar's assassination is one of the most famous scenes of the play, about halfway through (the other is Marc Antony's oration "Friends, Romans, countrymen".) After ignoring the soothsayer as well as his wife's own premonitions, Caesar comes to the Senate. The conspirators create a superficial motive for the assassination by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, and the others follow in stabbing him; Brutus is last. Caesar's assassination is one of the most famous scenes of the play, about halfway through (the other is Marc Antony's oration "Friends, Romans, countrymen".) After ignoring the soothsayer as well as his wife's own premonitions, Caesar comes to the Senate. The conspirators create a superficial motive for the assassination by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, and the others follow in stabbing him; Brutus is last.

11. At this point, Caesar utters the famous line "Et tu, Brute?" ("And you, Brutus?", i.e. "You too, Brutus?"). Shakespeare has him add, "Then fall, Caesar," suggesting that Caesar did not want to survive such treachery. The conspirators make clear that they committed this act for Rome, not for their own purposes and do not attempt to flee the scene. After Caesar's death, Brutus delivers an oration defending his actions, and for the moment, the crowd is on his side. However, Mark Antony, with a subtle and eloquent speech over Caesar's corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...— deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus's speech. Antony rouses the mob to drive the conspirators from Rome. Amid the violence, the innocent poet, Cinna, is confused with the conspirator Lucius Cinna and is murdered by the mob. At this point, Caesar utters the famous line "Et tu, Brute?" ("And you, Brutus?", i.e. "You too, Brutus?"). Shakespeare has him add, "Then fall, Caesar," suggesting that Caesar did not want to survive such treachery. The conspirators make clear that they committed this act for Rome, not for their own purposes and do not attempt to flee the scene. After Caesar's death, Brutus delivers an oration defending his actions, and for the moment, the crowd is on his side. However, Mark Antony, with a subtle and eloquent speech over Caesar's corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...— deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus's speech. Antony rouses the mob to drive the conspirators from Rome. Amid the violence, the innocent poet, Cinna, is confused with the conspirator Lucius Cinna and is murdered by the mob.Et tu, Brute?Mark AntonyFriends, Romans, countrymen, lend me your earspublic opinioncommon peopleRomeCinnaLucius CinnaEt tu, Brute?Mark AntonyFriends, Romans, countrymen, lend me your earspublic opinioncommon peopleRomeCinnaLucius Cinna The beginning of Act Four is marked by the quarrel scene, where Brutus attacks Cassius for soiling the noble act of regicide by accepting bribes ("Did not great Julius bleed for justice' sake? / What villain touch'd his body, that did stab, / And not for justice?", IV.iii,19–21). The two are reconciled; they prepare for war with Mark Antony and Caesar's adopted son, Octavian (Shakespeare's spelling: Octavius). That night, Caesar's ghost appears to Brutus with a warning of defeat ("thou shalt see me at Philippi", IV.iii,283). At the battle, Cassius and Brutus knowing they will probably both die, smile their last smiles to each other and hold hands. During the battle, Cassius commits suicide after seeing the death of his best friend, Titinius. After Titinius, who wasn't really killed, sees Cassius' corpse, he commits suicide. However, Brutus wins the battle. Brutus, with a heavy heart, battles again the next day. He loses and commits suicide. The play ends with a tribute to Brutus by Antony, who proclaims that Brutus has remained "the noblest Roman of them all" (V.v,68) because he was the only conspirator who acted for the good of Rome. There is then a small hint at the friction between Mark Antony and Octavius which will characterise another of Shakespeare's Roman plays, Antony and Cleopatra. The beginning of Act Four is marked by the quarrel scene, where Brutus attacks Cassius for soiling the noble act of regicide by accepting bribes ("Did not great Julius bleed for justice' sake? / What villain touch'd his body, that did stab, / And not for justice?", IV.iii,19–21). The two are reconciled; they prepare for war with Mark Antony and Caesar's adopted son, Octavian (Shakespeare's spelling: Octavius). That night, Caesar's ghost appears to Brutus with a warning of defeat ("thou shalt see me at Philippi", IV.iii,283). At the battle, Cassius and Brutus knowing they will probably both die, smile their last smiles to each other and hold hands. During the battle, Cassius commits suicide after seeing the death of his best friend, Titinius. After Titinius, who wasn't really killed, sees Cassius' corpse, he commits suicide. However, Brutus wins the battle. Brutus, with a heavy heart, battles again the next day. He loses and commits suicide. The play ends with a tribute to Brutus by Antony, who proclaims that Brutus has remained "the noblest Roman of them all" (V.v,68) because he was the only conspirator who acted for the good of Rome. There is then a small hint at the friction between Mark Antony and Octavius which will characterise another of Shakespeare's Roman plays, Antony and Cleopatra.regicidewarOctavianbattlebattlesAntony and CleopatraregicidewarOctavianbattlebattlesAntony and Cleopatra

12. Thakns! The end!! For teacher Elena! xD