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Published byGrace Barrett Modified over 8 years ago
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Wednesday, October 3, 2012
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TODAY: Music Sharing dates posted on the Wiki! Music Sharing – Haley Music Sharing - Shaina Review: Triads Review: Seventh chords MM7 Mm7 (V7) Mm7 Half – diminished 7 Diminished 7 Introduce: Triplets Pick–up notes Syncopation
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V7 CHORD: Add a minor 7 th to the root of a V triad (or a minor 3 rd above the 5 th ). The V7 chord is a chord and not a triad because it has 4 notes rather than 3. Often, the 5 th of a V7 chord is omitted. The V7 chord then has the same number of tones as the I and IV chords while still retaining the quality of a 7 th chord. Commonly called a Major–minor 7 th
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Major–Major seventh (M7) Major triad + Major 3 rd Major–minor seventh (V7) Major triad + minor 3 rd minor–minor seventh (m7) minor triad + minor 3 rd half–diminished seventh (ѳ7) diminished triad + Major 3 rd diminished seventh ( ס 7) diminished triad + minor 3 rd OTHER SEVENTH CHORDS
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TRIPLETS: When three notes are grouped together with a figure “3” above or below the notes, the group is called a TRIPLET. The 3 notes are played in the time of 2 notes of the same value. Counted: 1 trip – let, 2 trip – let Counted: Trip – a – let, etc.
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INCOMPLETE MEASURES (PICK–UPS): Some pieces of music begin with an incomplete measure. This note (or notes) is known as a PICK–UP note. The beats that are missing in the first measure are “made up” in the last measure, often meaning the last measure will have fewer than the required number of beats.
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SYNCOPATION: When the accent in a musical passage falls on the weak beat (&) rather than on the strong beat (1, 2, 3, 4, etc.), it is called SYNCOPATION.
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EXAM TOPICS: Start studying! Tetrachords Major scales Magic phone number ALL major key signatures Chromatic scale Circle of Fifths Generic intervals
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EXAM TOPICS: Perfect and Major intervals Minor, Dim., & Aug. intervals Transposition Sixteenth notes & sixteenth rests Dotted eighth/sixteenth rhythm Common Time & Cut Time Compound meter Triads & Seventh chords
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