1. * Austen’s Minimalism
최정민

2. * Concept Jane Austen Minimalism Austen’s Minimalism ‘Odd Omissions’
‘Landscape’
‘The Room’

3. * Jane Austen 1775 – 1817 English novelist
<Pride and Prejudice> published in 1813

4. * Minimalism Minimal + ism Minimalism 최소의 주의 최소한주의
더 적은 것이 더 많다, 작은 것이 아름답다
사물의 본질을 단순화, 최소한의 스케일로 표현

5. * Austen’s Minimalism ‘Odd omissions’ ‘Landscape’ ‘The room’
Andrew Elfenbein
* Austen’s Minimalism
‘Odd omissions’
상세한 설명의 생략
‘Landscape’
자연 경관의 설명
‘The room’
최소한의 사회적 공간

6. * Austen’s Minimalism The passage in Chapter 6.
‘Odd Omissions’
* Austen’s Minimalism
The passage in Chapter 6.
She mentioned this to her friend Miss Lucas. ‘It may perhaps be pleasant,’ replied Charlotte, ‘to be able to impose on the public in such a case; but it is sometimes a disadvantage to be so very guarded.’
The passage in Chapter 17.
The two young ladies were summoned from the shrubbery where this conversation had passed

7. ‘Odd Omissions’
* Austen’s Minimalism ?

8. * Austen’s Minimalism John Locke (1632-1704) 철학자
‘Landscape’
* Austen’s Minimalism
John Locke ( ) 철학자
Empiricism 경험주의
Ann Radcliffe ( ) 작가
picturesque 생생한, 그림 같은 풍경=등장인물의 내면
Samuel Johnson ( ) 시인
아름다움은 상세히 설명해야 함

9. * Austen’s Minimalism The passage in Chapter 28. ‘Landscape’
Here, leading the way through every walk and cross walk, and scarcely allowing them an interval to utter the praises he asked for, every view was pointed out with a minuteness which left beauty entirely behind. He could number the fields in every direction, and could tell how many trees there were in the most distant clump.

10. ‘Landscape’
* Austen’s Minimalism
It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay

11. * Austen’s Minimalism The passage in Chapter 43. ‘Landscape’
It was a large, handsome, stone building, standing well on rising ground, and backed by a ridge of high woody hills; - and in front, a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal, nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt, that to be mistress of Pemberley might be something!

12. * Austen’s Minimalism INSIDE OUTSIDE BOUNDARY Monitoring
‘The Room’
* Austen’s Minimalism
INSIDE
OUTSIDE
BOUNDARY
Monitoring
Distant relationship
Rejection
Freedom
Close relationship
Acceptance

13. ‘The Room’
* Austen’s Minimalism
INSIDE
OUTSIDE
BOUNDARY

14. ‘The Room’
* Austen’s Minimalism
INSIDE
OUTSIDE
BOUNDARY

15. ‘The Room’
* Austen’s Minimalism
INSIDE
OUTSIDE
BOUNDARY

16. THANK YOU