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Understanding Movies – chapter 5
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1927 The Jazz Singer All movies prior to this were accompanied by some kind of music Piano Small orchestra Wurlitzer What do you notice????
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The sound had to be recorded simultaneous – synchronous- while the movie was filmed. Consequently, the early talkies were visually dull. American movies started moving even faster Scarface, Shame of a Nation 1932
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Frenchman who favored nonsynchronous sound – sound and image are not recorded at the same time. Sound is dubbed in later. Clair believed sound could and should be used selectively He made musicals that juxtaposed sound and images. Arranged them in a montage.
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Tone of voice Other actors good at this kind of thing???
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A montage is a transitional sequence of rapidly changing images suggesting the passage of time or events – this equates to the art of editing. When dialogue of one character overlaps another (Welles) real life conversation The Magnificent Ambersons 1942
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Foley artists A sound editor gathers all the different sound necessary for a movie, many of which are pre-recorded in a sound library. Diegetic sound – sound that the characters or actors are able to hear. Nondiegetic sound- sounds that a character cannot hear, such as background music in a horror film.
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Pitch, volume and tempo of sounds can effect the audiences reaction The louder the sound, the more aggressive it is. Off screen sound can expand image beyond the confines of the frame making it an open frame – mise-en-scene Bonnie and Clyde
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Evoke terror Sounds can evoke a character Can suggest a character’s feelings or mood Silence can symbolize death With your table discuss instances where sound did one of the above?? The Exorcist 1973
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Music lover’s dislike “Dance of the Hours” from Fantasia Mickeymousing Juxtaposition of sound can sometimes be ironic Music can help set the mood Music can suggest locales Music can foreshadow Dissonant music can produce anxiety in filmgoers can provide characterization clues
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http://www.youtube.com/watch?v=0pbQdtk bCcQ
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Leonard Bernstein Cole Porter Aaron Copeland Quincy Jones The Beatles Danny Elfman Randy Newman
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Need to translate directors dramatic needs Begin working after the rough cuts Unlike musical composers who work with the director from the very beginning
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The raison d’etre is simply song and dance Most are formalistic and the narrative would not hold up without the musical numbers Why did MGM dominate the musicals market??? Walk the Line 2005 – Is this a musical?
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In the 1940’s and 1950’s, MGM made all of the best musicals, dominating the genre Best art direction and best talent On the Town
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Common misconception held by some is that the language in film cannot be as complex as it in literature Shakespeare Nuances of spoken language p. 251 Dialects are a rich source of meaning suggest economic class, education, power etc. Convey a subversive ideology Do the Right Thing 1989
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Nell and Robin Hood Transatlantic dialect***
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A term used in drama and film to signify the dramatic implications beneath the language of a play or movie. Often the subtext concerns ideas and emotions that are totally independent of the language of a text. What is the underlying message How the camera is used and what image is shown on the screen can contribute to the subtext Reaction shot Music and sound can also alter the meaning behind the words
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Monologue Associated with documentaries Avoids duplicating the visual information on the screen Narrative monologues used rarely
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Help convey what a character is thinking Laurence Olivier’s Hamlet “To Be or not to Be”
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An editing technique that suggest the interruption of the present by a shot or series of shots representing the past Dead Man Walking 1995
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Voice-overs – a nonsynchronous spoken commentary in a movie, often used to convey a character’s thoughts or memories Can be used for irony Let’s us know the difference between what is said and what is thought Some Actors constantly do voice- overs Usually a voice-over is honest!!!
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Density Clint Eastwood What is more real?? Million Dollar Baby 2004
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