1. D-cinema Digital Cinema System : Presentation, analysis, and open source perspectives RMLL 2010, july 8 th Copyright Nicolas Bertrand (bertrand@inattendu.org), 2010bertrand@inattendu.org CC-by-nc-sa Schematics from Digital Cinema System Specification Version 1.2 March 07, 2008

2. Introduction Solution to replace 35 mm copies Transition to full digital : production, distribution, projection In France( June 2010) : 2000 screens No international norm DCI norm, started in 2005, last version : 2008

3. DCI Digital Cinema Initiative : created by 7 Majors (Disney, Fox, MGM, Paramount, Sony, Universal, Warner Bros) Work on D-cinema norm : Digital Cinema System Specification DCI is not an international norm authority. Managed now by SMTPE

4. D-cinema : overview 4 Major concepts : Digital Master : DCDM ( Digital Cinema Distribution Master ) Digital Package copy : DCP (Digital Cinema Package) Theater systems and projection Security

5. DCDM : Digital Master Image Format : TIFF Format 2K movie ~ 2 To 4K movie~ 8 To 'Reels' : 10 to 20 min Audio Format : WAV 24 bits 48 / 96 kHz 16 channels Subtitles / accessibility incrustation Png file Xml file

6. From DCDM to DCP

7. COMPRESSION Image compression JPEG 2000 Make movie transport easier 2K movie ~ 235 Gb Allow generation of DCDM* identical to DCDM No compression for : Audio, subtitles, accessibility

8. DCP :: Fundamentals DCP : Digital Cinema Packaging Open Standard → license free Scalable → any number of essence Secure → file integrity and business engagment Identity → UUID

9. DCP :: Track and CPL Track file Basic element (image, audio, subtitle, meta- data) KLV coding protocol Composition Play List Post Production. Assemble a complete composition

10. DCP :: Packing list Final element in packaging Information and identifications about each files in DCP

11. DCP :: Show Play List Done at exhibition site, created from Composition play list

12. DCP :: Examples Can contain a complete composition a set of compositions tracks to update ( audio, subtitles) a single track

13. KDM Key Delivery Message = DRM for cinema Key generated between a DCP and a MB (Media Block = projection system) Contains business information. Like time window for showing the content.

14. TRANSPORT DCP : Hard drive Satellite : ~ 6h Network ADSL : from 24h to 48h Optic fiber : ~ 3h KDM transmitted separately

15. Theater systems Architecture & Projection

16. Single Screen Architecture

17. Multiplex Architecture

18. Projection

19. Remarks MTBF of 10000 hours for an equipment Theater network shall be secure : authenticate equipments establish secure Transport Layer Security (TLS) 1 couple MB/Projector by screen Logging subsystem Log projection and security events

20. PROJECTION Change digital image data into light Inter-operable 2K and 4k projectors DLP Processor Forensic Marking Interface with MB : Link HD-SDI

21. SECURTIY Main goals : Content Protection and Piracy Prevention Control projection Rights Owner 3 levels : Encryption / KDM Theater security management Forensic marking, anti-camcorder ( optional)

22. Who is in the place ? Norms : DCS / SMTPE, AFNOR, EDCF DCDM et DCP : Dorémi, Dolby, kodak, Projectors : Christie, Sony, Barco Third-party investor : Arts Alliance, Ymagis, XDC Transport : SmartJog, Globecast, OpenCube KDM, SMS, TMS : Cinego, Dvidea

23. Observations DCI specification designed for entertainment cinema. D-cinema System Complexity not adapted for small / independent cinema Projectionists : RIP Nothing about film preservation DCI specification describe also diffusion of alternative content. ( Ads, Live show, …) SMPTE norms not public

24. What about open source ? Edcine ( Research group on digital cinema) issued a European Digital Cinema White Book. Recommandation #6 : Promote, encourage and support open-source developments providing the necessary tools for small-budget distributors to participate in the digital cinema chain. These tools should provide content encryption and packaging, KDM generation and delivery, and log aggregation and retrieval.

25. Known state Server constructor, tools for DCDM and DCP : Mostly under Linux, but not free Existing Initiatives : Open Cinema tools, OpenJpeg, FreeMxf Lack of activities and development.

26. D- Cinema and Open source Provide mastering tools ( DCDM and DCP generation) Provide SMS / TMS for theaters Provide several level of security DCP exchange

27. Open Source :: Distributors Simple DCDM / DCP creation for distributors with or without KDM Create DCP not only from DCDM Mpeg2 or HD movie for example

28. Open Source : Theaters Simple SMS and TMS for DCP handling With or without security key management Open Hardware for MB and projectors ?

29. Open source :: DCP exchange DCP exchange via P2P ? Transfer via VPN ? Generic interface ( web) for DCP exchange ? Global DCP database

30. CONCLUSION Keep independent cinema alive ! ( or more ) Community help for independent cinema Create an open D-cinema initiative Discussion for SW and HW architecture. Promote D-cinema initiatives talk with D-cinema actors