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Published byPamela Pope Modified over 8 years ago
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Modern map of the Low Countries and France
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Northern NetherlandsSouthern Netherlands The NetherlandsBelgium HollandFlanders DutchFlemish Independent republicRuled by Kingdom of Spain Protestant (Calvinist)CatholicSociety dominated by middle class:upper class (aristocracy):
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Self-Portrait (in his early 60s) c. 1638-40 Peter Paul Rubens (1577-1640) When Rubens painted this self-portrait, he bore the title Knight Secretary to His Majesty’s Privy Council and Gentleman of the Household of Her Serene Highness Princess Isabella. He had also been knighted by King Philip IV of Spain and Charles I of England. To this day, the English refer to him as Sir Peter Paul Rubens. During a sojourn in England he also received an honorary degree from Cambridge University.
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Rubens, Triptych of the Raising of the Cross, 1610-11 Central panel of triptych (about 15 feet high) Note: The elevation and display of of Christ’s body relates to the contro- versial doctrine of “real presence.”
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Rubens, Raising of the Cross, 1610-11Raphael, Galatea, c. 1513 Principles of design reflect those of the Italian High Renaissance.
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Detail of Raising of the Cross Laocoön (pronounced “Lay-ock- oh-on”)—a famous classical statue Rubens was also much influenced by classical sculpture.
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Rubens, Raising of the Cross, 1610-11 Rembrandt, Blinding of Samson, 1636 RUBENS vs. REMBRANDT
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Detail of Raising of the Cross Detail of Rembrandt’s Blinding of Samson RUBENS vs. REMBRANDT
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Raising of the Cross, 1610-11 Rape (or Abduction) of the Daughters of Leucippus, c. 1620
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Rubens, Daughters of Leucippus, c. 1620 Bernini, Apollo & Daphne, 1622-23
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Daughters of LeucippusBernini, Ecstasy of St. Teresa
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Modern map of France Modern map of France showing its historical regions, including the Lorraine, home of Georges de la Tour
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Georges de la Tour, Joseph the Carpenter, c. 1642 Artemisia Gentileschi, Judith, c. 1625
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Detail: the young Christ holding a candle
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Nicolas Poussin, Rape (or Abduction) of the Sabine Women, c. 1633-34
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Classical statue (Gaul killing his wife) Poussin often borrowed figures from well-known classical statues, as seen here.
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Abduction of Sabine Women Detail: the stages of human life
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Baroque art expressing powerful emotions through exaggerated gestures and facial expressions
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Poussin, The Judgment of Solomon, 1649
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Poussin, Judgment of Solomon Detail: the true mother
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Poussin, Judgment of Solomon Detail: the mother of the dead child
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Poussin, Judgment of Solomon Detail: the “chorus”
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Detail Pierre-Paul Puget, Milo of Crotona, 1671-82
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Puget, Milo of Crotona, 1671-82 Bernini, David, 1623
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Puget, Milo of Crotona Laocoön
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Detail Puget, Milo of Crotona
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