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The Elements and Principles of Art
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THE ELEMENTS OF DESIGN The building blocks or ingredients of art. Line Color Shape Form Space Texture
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LINE ● Used to imply the edge or outline ● Expresses emotion through its character & direction ● Vertical, horizontal, diagonal, fat, thick, thin, straight, curvy, zigzag
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Pablo Picasso
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SHAPE ● Enclosed 2 dimensional space ● Geometric Shape-circle, square, triangle, rectangle ● Organic Shape-things in nature (flowers, clouds)
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The Snail Henri Matisse
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FORM ● 3 Dimensional with depth or volume ● You can hold it, walk around it, walk in it ● Value implies form
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COLOR ● Color is the perception of your vision to a wavelength of light ● Hue (another word for color) ● Intensity (brightness of a color) ● Value (lightness or darkness ● COLOR SCHEMES: primary, secondary, complementary, analogous, shade, tint, warm, cool
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Alexander Calder Andre' Deraine
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SPACE ● The area in and around an object, shape or form ● Actual space-organizing the elements within the composition ● Creating space-Linear perspective, creating an illusion of depth on a flat surface ● Positive -Main object ● Negative- Empty area Van Gogh Bedroom at Arles
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TEXTURE ● The surface quality of an object ● Actual- smooth, rough, soft, jagged ● Implied- artists create an illusion of texture through technique
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THE PRINCIPLES OF DESIGN Used to organize the Elements of Art: the tools to make art. UNITY (or HARMONY) Proportion & Variety EMPHASIS CONTRAST BALANCE Symmetrical, Asymmetrical, Radial REPETITION Rhythm & Pattern MOVEMENT
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UNITY Wholeness or oneness achieved through the arrangement of the element & principles. Proportion Variety Johannes Vermeer
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PROPORTIONPROPORTION The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. Gustave Caillebotte
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EMPH A SIS The focal point of an image, or when one area or thing stands out the most.
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VARIETYVARIETY The use of differences and change to increase the visual interest of the work.
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CONTRAST Create interest, excitement or tension by putting together opposite elements. Examples: light/dark, horizontal/vertical Too much contrast can create chaos.
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BALANCEBALANCE The way the elements are arranged to create a feeling of stability in a work. Symmetrical Asymmetrical Radial
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Asymmetrical Balance When one side of a compositio n does not reflect the design of the other.
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SYMMETRICAL BALANCE Parts of an image are organized so that one side mirrors the other.
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Where the design radiates from a central axis Radial Balance- Radial Balance
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RHYTHM RHYTHM RHYTHM Repetition of the elements to produce the look and feel of movement.
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PATTERN and Repetition The repeated use of color, line, shape or design.
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MOVEMEN T
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