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Published byDennis Shields Modified over 8 years ago
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ELEMENTS OF FICTION
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EXPOSITION: THE PART IN A STORY IN WHICH THE CHARACTERS, SETTING AND BASIC SITUATION ARE INTRODUCED.
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RISING ACTION (CONFLICT) THE PART OF THE PLOT WHEN THE CENTRAL CONFLICT IS INTRODUCED… TENSION IS BUILDING
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CLIMAX THE TURNING POINT IN THE PLOT. THE MOMENT WHEN THE MAIN ACTION HAPPENS.
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FALLING ACTION FOLLOWS THE CLIMAX- WHEN THE CONFLICT IS ON ITS WAY TO A RESOLUTION.
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RESOLUTION THE PART OF THE PLOT IN WHICH THE CONFLICT HAS BEEN RESOLVED AND THE STORY COMES TO AN END.
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INCITING INCIDENT THE EVENT THAT INTRODUCES THE CENTRAL CONFLICT.
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SETTING When and where the story takes place. (Past, present, future, or specific year, season, time of day) (Region, country, town, or social, economic, or cultural environment)
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SUSPENSE UNCERTAINTY OF WHAT WILL COME. AUTHOR DOES THIS BY WITHOLDING DETAILS OR HINTING AT WHAT MIGHT HAPPEN.
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THEME THE KEY MESSAGE OR INSIGHT INTO LIFE THAT THE STORY REVEALS. IN SOME STORIES, IT IS STATED DIRECTLY. HOWEVER, IN MOST STORIES, IT IS SUGGESTED OR IMPLIED.
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SYMBOL SOMETHING THAT STANDS FOR ITSELF AND REPRESENTS SOMETHING ELSE.
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FLASH BACK A LITERARY DEVICE IN WHICH AN EARLIER ACTION “FLASHES BACK” OUT OF CHRONOLOGICAL ORDER
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FORESHADOWING A HINT AT WHAT WILL COME LATER IN THE STORY
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IN MEDIAS RES “In the midst of things” BEGINNING A STORY IN THE MIDDLE OF THE PLOT “By the Waters of Babylon”
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ALLUSION A REFERENCE TO A WELL-KNOWN PERSON, PLACE, EVENT, LITERARY WORK, OR WORK OF ART
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CHARACTERS: (ROUND, FLAT, DYNAMIC, STATIC, AND FOIL) ROUND/THREE DIMENSIONAL CHARACTERS- Possesses many different character traits, appears realistic to the reader.
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FLAT CHARACTER Has only one basic trait. The author doesn’t give much detail or specification to this character.
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STOCK CHARACTER Is one found again and again in literary works. For example, a damsel in distress, the wicked stepmother, or the wicked queen in “Snow White and the Seven Dwarfs.” Archetypal Characters
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FOIL CHARACTER A character intended to stand in contrast of another character
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STATIC VS DYNAMIC CHARACTERS STATIC: A character who stays the same regardless of what he experiences DYNAMIC: A character who experiences some major change by the end of the story
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CHARACTERIZATION INDIRECT CHARACTERIZATION- Showing a character’s personality through his/her actions, thoughts, feelings, words, appearance, or through another character’s observations. DIRECT CHARACTERIZATION- The narrator directly tells a character’s traits.
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EXTERNAL CONFLICT- THE MAIN CHARACTER STRUGGLES AGAINST AN OUTSIDE FORCE (man vs. man, man vs. nature/(supernatural force)
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INTERNAL CONFLICT INVOLVES A CHARACTER IN CONFLICT WITH HIM/HERSELF
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DIALOGUE CONVERSATION BETWEEN CHARACTERS. OFTEN IT REVEALS IMPORTANT HINTS INTO A CHARACTER’S PERSONALITY What type of characterization is this?
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POINT OF VIEW THE PERSPECTIVE OF THE NARRATIVE
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TYPES OF P.O.V. 1 ST PERSON- “I,” “me,” “my,” “we,” “our,” and “us” Narrator is a character in the action. 2 nd PERSON- “you” Normally used for: giving directions, writing persuasive essays, and sometimes used in mysteries. 3 rd PERSON OMNISCIENT- “All-knowing” narrator. Knows the thoughts and feelings of TWO OR MORE of the characters. 3 RD PERSON LIMITED- Narrator who only knows the thoughts and feelings of ONE character.
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IRONY GENERAL TERM FOR LITERARY TECHNIQUES THAT PORTRAY DIFFERENCES BETWEEN APPEARANCE AND REALITY, EXPECTATION AND RESULT, OR MEANING AND INTENTION
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DRAMATIC IRONY WHEN THE AUDIENCE KNOWS MORE THAN THE CHARACTERS DO
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SITUATIONAL IRONY AN EVENT OCCURS THAT DIRECTLY CONTRADICTS THE EXPECTATIONS OF THE CHARACTERS, THE READERS, OR THE AUDIENCE. “Contents of a Dead Man’s Pockets”
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VERBAL IRONY WHEN SOMEONE SAYS ONE THING, BUT MEANS ANOTHER (Ex. Sarcasm, puns)
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GENRE CATEGORIES OR TYPES OF LITERATURE Fiction Non-fiction Fantasy Sci-fi Drama Poetry
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PROTAGONIST Pro-Action: keeps the story moving. THE MAIN CHARACTER- MUST APPEAR REAL TO THE READER. (Usually has some kind of flaw or imperfection)
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ANTAGONIST THE CHARACTER WHO OPPOSES THE PROTAGONIST
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MOOD THE FEELING CREATED IN THE READER BY A LITERARY WORK OR PASSAGE
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TONE How the author or narrator feels about the text.
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IMAGERY DESCRIPTIVE LANGUAGE USED IN STORIES TO RE- CREATE SENSORY EXPERIENCES.
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