2. The Elements of Art are the visual symbols (the building blocks) to create an art work.

3. Line A line is one-dimensional and can vary in width, direction, and length. Lines can define the edges of a form. Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin. Lines lead your eye around the composition. Michael Kenna, Fifty-two Birds, Switzerland, 2008

4. Shape Shape is two dimensional, with height and width. Organic Shape: a shape made by nature. Not completely defined. Freeform. Geometric (Inorganic) Shape: manmade; mathematically defined- such as triangles and rectangles. Laszlo Moholy-Nagy, Photogram, 1924

5. Form Form is three dimensional, has height and width and depth. Photographers emphasize form by the use of highlights and shadows to create an illusion of three dimensions. Ansel Adams, Mount Williamson- Clearing Storm, 1944

6. Color Color is derived from reflectd light. It has three main characteristics: hue (red, yellow, green), value (how light or dark it is), and intensity (how bright or dull it is). Colors can also be described as warm (red, yellow, orange), or cool (blue, green, purple). Furthermore, color schemes organize colors. For example: Monochromatic- one color plus its tints (adding white) and shades (adding black). Complimentary Colors- colors opposite each other on the color wheel. (ex. Green & Red). Analogous Colors- colors next to each other on the color wheel (ex. Red & orange). Sandy Skoglund, Revenge of the Goldfish, 1981

7. Value Value is the lightness or darkness of a surface. It is frequently used when talking about shading, but is also important in the study of color. Edward Weston, Pepper, 1930

8. Texture The surface quality of an object that we sense through touch. All objects have a physical texture (think- horse hair, dolphin smooth). In a two dimensional work, implied texture gives a visual sense of how an object depicted would feel in real life if touched. Brett Weston

9. Space Space is the emptiness or area between, around, bove, below, and within objects. Space in a work of art refers to a feeling of depth or three dimensions. Shapes and forms are defined by space around and within them. Josef Koudelka, Czechoslovakia, 1968

10. Space continued Positive Space- The space occupied by the primary object. Negative Space- the space around or within the primary object Ray Metzker

11. The Principles of Design are the rules or methods for organizing the elements of art.

12. Balance Balance is about equalizing the visual forces or elements in the composition. It is similar to our physical sense of balance. It is how the artist uses opposing forces in a composition that results in visual stability. Most successful compositions achieve balance in one of these ways: symmetrical or formal (the same on both sides, like a butterfly wing) or asymmetrical or informal (not the same). Radial balance has forces that come out (radiate) from a central point. Annie Leibovitz

13. Proportion Proportion relates to the relative size and scale of the various elements in a design. Specifically, the relationship between the size of objects. Diane Arbus, A Jewish Giant At Home With His Parents in the Bronx, NY, 1970

14. Rhythm Rhythm in an artwork indicates movement by the repetition of elements. Rhythm can make an artwork seem active. Think of it as a visual beat (visual music). Robert Capa, D-Day Landing, 1944

15. Movement Creating the look and feeling of action. Movement guides the viewer’s eyes throughout the work. Joel Meyerowitz, Cape Light, 1979

16. Repetition Repetition (pattern) is using an art element again and again. (ex, repeating lines or shapes). Some sources do not list this as its own principle of design, but as a technique to create rhythm and unity by using a motif over and over again. Harry Callahan

17. Emphasis Emphasis is to make one part of an artwork dominant over the other parts. It attracts the viewer’s eyes to a place of special importance in an artwork. Steve McCurry, Afghan Girl, 1985

18. Variety Differences achieved by opposing, contrasting, changing, elaborating, or diversifying elements in a composition to add individualism and interest. Alfred Steiglitz, The Steerage, 1907

19. Unity The quality of oneness or wholeness. It is the sense that everything works together and looks like it fits. It can be achieved through simplicty, repetition and proximity. Some sources list harmony as a separate principle, but it is very similar to unity. Harmony creates unity by stressing similarities of separate but related parts. Mary Ellen Mark, India, 1990