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Musical Theatre History
Development of the Musical Musical Theatre History
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Primitive Man -Medieval Europe
Caveman - explained customs through music, song, dance, and acting 5th Century B.C. - sang (chanted) lines, chorus moved rhythmically to music Rome - pantomimes used a dancer to relate story through movement as chorus sang narration Medieval Europe - wandering performers provided entertainment for castles (nobles) and town festivals (everyone else)
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Renaissance - 18th Century
Italian Commedia dell’arte used singing and dancing Intermezzo (between acts) used songs, dancers, music, scenery 1st opera: Dafne 1597 (chanted lines to music) English Used masques, intermezzos and background musicians for entertainment as well as pantomime (the English version of commedia dell’arte) Burlesques which featured scantily dressed women Ballad Operas which featured plots, dialogues songs with new lyrics to old melodies Comic Opera which featured original music
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19th Century - USA Comic Operas and Pantomimes performed
Minstrel shows - played banjos, tambourines, sang, danced, and made jokes in Blackface. Music Halls and Vaudevilles - unrelated acts, magic, jugglers, acrobats, sketches, animals, singers, and dancers.
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1st Musical The Black Crook - Sept 12, 1866 in New York
Ran 474 performances 5 1/2 hours long Mixture of drama, spectacle, scenery, transformations with ballet and scantily clad dancers Lots of scenic special effects
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The Black Crook Synopsis
Evil, wealthy Count Wolfenstein seeks to marry the lovely village girl, Amina. With the help of Amina's scheming foster mother Barbara, the Count arranges for Amina's fiancé, Rodolphe, an impoverished artist, to fall into the hands of Hertzog, an ancient, crook-backed master of black magic (the Black Crook). Hertzog has made a pact with the Devil (Zamiel, "The Arch Fiend"): he can live forever if he provides Zamiel with a fresh soul every New Year's Eve. As innocent Rodolphe is led to this horrible fate, he discovers a buried treasure and saves the life of a dove. The dove magically transforms into human form as Stalacta, Fairy Queen of the Golden Realm. She rewards Rodolphe for rescuing her by bringing him to fairyland and then reuniting him with his beloved Amina. Her army defeats the Count and his evil forces, demons drag Hertzog into hell, and Amina and Rodolphe live happily ever after.
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Early 20th Century - USA Ziegfield Follies (and other revues) were the main source of entertainment Composers such as Irving Berlin, Cole Porter, Jerome Kern, Victor Herbert, Richard Rodgers, and George Gershwin got their start in these venues Foreshadowed our demands for glitz, glamour, and expense in entertainment Preproduction expenses topped $250,000 with $123,000 going to costumes alone (the average American earned $19.20 per week in 1920)
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1920s By the time the “Roaring 20s” came around… Melodramas took rise
Realism and naturalism were introduced Lots of pressure on technical theatre to accommodate both styles of theatre In reaction to these styles, anti-realistic and anti-traditional modes of theatre began to arise
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1920s (continued) “New age of American Musical”
Showboat in 1927 by Jerome Kern and Oscar Hammerstein II Events span 40 years Serious theme with musical #s and plot Represented the departure from standard musicals by introducing new elements including spectacle, details,realism, in depth characters Influenced by Opera, Blues, and current dances (Charleston) Grossed $50,000/wk for 2+ year run Revived in 1966 where it grossed $100,000/wk
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Showboat Synopsis When it comes to music on the Mississippi river, the Cotton Blossom show boat is the place to go. When musical main attraction Julie Laverne and her husband are suddenly forced to leave the show, Cotton Blossom owner Andy Hawks’ own daughter, Magnolia, takes center stage. She soon falls madly in love with roguish gambler Gaylord Ravenal, and the two leave the Cotton Blossom on a honeymoon, only to enter into a tumultuous marriage.
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No matter what we do, or what happens to us; the river keeps flowing.
Ol’ Man River No matter what we do, or what happens to us; the river keeps flowing.
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1930s The public became more aware that quality theatre was more important than it being cheap, thoughtless entertainment. By the time the Great Depression too hold of NY, theatre in general began to suffer. More than 1/3 of the 68 commercial theatres in the Broadway district closed by the end of the 30s. The only other time in American history this many theatre companies closed at one time was right after 9/11.
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1930s Technically: 1st Pulitzer Prize for Best Play of the Year
Spectacle and razzle-dazzle OR Realistic details 1st Pulitzer Prize for Best Play of the Year Of Thee I Sing 1931 George and Ira Gershwin, Geory Kaufman and Morrie Ryskind Raised the status of what musicals should be
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1930s 1st Innovative Operatic Musical Other 30s Hits Porgy and Bess
1935 By Gershwins and Heyward Other 30s Hits The Bandwagon 1931 Anything Goes 1934 Dead End 1935 The Boys from Syracuse 1938 DuBarry Was A Lady 1939
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Recent revivals https://www.youtube.com/watch?v=Q8EvkVVpg0A
Porgy and Bess revived twice, 2012 earned 10 nominations and 2 wins. Anything Goes revived twice, won Best Revival both times.
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1940s As the Depression ended, so did the falling economy.
WWII left an impression on Broadway - one of pride and nationalism. This was reflected in Theatre of this decade 1st Book Musical - Oklahoma! Rogers and Hammerstein - 2 year run Reflected foundations previously set by Show Boat New Element - Opening Number Emphasis on character and book rather than spectacle. Plot progressed through songs closely integrated w/book. Full Orchestra, large cast of singers, dancers, and actors.
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Opening number
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My Favorite Opening Number
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1940s Other 40 hits Carousel - 1945 Annie Get Your Gun - 1946
Kiss Me, Kate South Pacific Brigadoon State Fair
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1950s War was over - economy healthy
Average ticket price for a show - $6.00-$8.00 (Average ticket price today is $100 for standard seat) Musicals during this decade were a strong mix of script and music Movie versions of live musicals start to happen Focus - less on spectacle and more on Dance West Side Story Specific dancing as a means to advance the plot and reveal characters (Jerome Robbins) Based on Romeo and Juliet
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Cool- West Side Story
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1950s Other 50s Hits Guys and Dolls - 1950 The King and I - 1951
My Fair Lady Gypsy The Sound of Music
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1960s Broadway money-making machine
Went from Artistic to business-driven The Rock Musical is born 1st Rock Musical - Hair 1968 Minimal plot - sharp political commentary (anti-Vietnam war) Simple scenery and props Actors change costumes and roles in front of audience Informal and spontaneous Full frontal nudity Amplified sound
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1960s Hits of the 60s Bye Bye Birdie - 1960 Camelot - 1960
How to Succeed in Business Without Really Trying Hello Dolly Funny Girl Fiddler on the Roof Man of LaMancha Mame
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Telephone Hour- Bye, Bye, Birdie
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1970s Undertones of the 60s carried over to the 70s
Pushing the limit technically Large-scale musicals and spectacle sets Emphasis on concept - idea or theme not“boy gets girl” plots. Not melodic/singable tunes Episodes = illustrate concept Songs reveal character’s feelings, comment on action and are tailored for the situation Workshop method Writers and Composers write with performers Potential backers go to the workshops
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1970s Cabaret - 1972 - Bob Fosse choreographer
Stephen Sondheim and Harold Prince take control Company A Little Night Music Sweeney Todd Sunday in the Park With George Into the Woods
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Fosse style dancing.
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1970s Other 70 Hits Jesus Christ Super Star - 1971 Godspell - 1971
Grease Pippin The Rocky Horror Show A Chorus Line Chicago Annie Evita
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Pippin Still using Fosse style dance.
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1980s Lots of musicals being imported from England
Costs continue to rise, making it more difficult to recover investments. Decline was so sharp in only 31 new productions were mounted (compare to the 34 new musicals and 57 plays that opened in 2009)
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1980s 80s Hits Joseph and the Amazing Technicolor Dreamcoat - 1982
Cats (grossed over $915 million by April 1991) Phantom of the Opera ($8 million initial investment - grossed $413 million by 1991)
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1980s Other 80 Hits Les Miserables - 1980
Little Shop of Horrors Sunday in the Park Big River Into the Woods Fame Miss Saigon
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I’d Give My Life for You- Miss Saigon
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1990s Lots of Technical Overkill The Corporate Musical is created
Hits of the 90s City of Angles Jekyll & Hyde Kiss of the Spider Woman The Lion King Rent Titantic Ragtime
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The Lion King
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2000s Musicals run the gamete between technical overkill and very simple. Movies are becoming sources “Jukebox” Musicals arrive. A jukebox musical is a stage or film musical that uses previously released popular songs as its musical score. Usually the songs have in common a connection with a particular popular musician or group — because they were either written by, or for, the artists in question, or at least covered by them. “Disneyfication of Broadway”
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Jukebox Musical Examples
All Shook Up Jersey Boys Rock of Ages American Idiot Beautiful- The Carole King Musical On Your Feet
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American Idiot
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2000s Hits from this era include: Aida - 2000 The Full Monty - 2000
The Producers Urinetown Mama Mia Hairspray Thoroughly Modern Millie Wicked Avenue Q 25th Annual Putman County Spelling Bee Mary Poppins
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2000s Continued Dirty Rotten Scoundrels - 2004 Billy Elliot - 2005
Spamalot Jersey Boys The Drowsy Chaperone -2006 Spring Awakening The Wedding Singer Legally Blonde Next to Normal
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10’s on Broadway The teens of 2000 had their up’s and downs on Broadway. Tickets became too expensive. People would rather go to movies or watch television. Many shows opened, and didn’t last very long.
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2015/2016 and Hamilton An unreal amount of shows open on Broadway.
Making Live Theatre important again. Hamilton is nominated for a record breaking 16 Tony Awards, and wins 11. Ticket prices $849. Sold out. Saves Alexander Hamilton in currency change.
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Wait For It- Hamilton
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This upcoming season… Charlie and the Chocolate Factory
Spongebob Squarepants the Musical Miss Saigon- Transfer from West End Dear Evan Hansen Singin’ In the Rain- Revival AND…....
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Most Importantly Hello, Dolly!- Starring Bette Midler
Anastasia- Starring Derek Klena
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More from Derek Klena
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Tony Award The award was founded in 1947 by a committee of the American Theatre Wing, headed by Brock Pemberton. The award is named after Antoinette Perry, nicknamed Tony. She was an actress, director, producer, and co-founder of the American Theatre Wing. She died in 1946.
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Tony Awards cont. First ceremony, 1947.
Lots of rules that categorize “Broadway Play.” Such as seat numbers, production opening, new vs. revival, etc. Usually at Radio City Music Hall or Beacon Theatre.
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Categories Performance categories
Best Performance by a Leading Actor in a Play Best Performance by a Featured Actor in a Play Best Performance by a Leading Actor in a Musical Best Performance by a Featured Actor in a Musical Best Performance by a Leading Actress in a Play Best Performance by a Featured Actress in a Play Best Performance by a Leading Actress in a Musical Best Performance by a Featured Actress in a Musical
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Categories Show and technical categories Best Musical
Best Revival of a Musical Best Direction of a Musical Best Book of a Musical Best Original Score Best Orchestrations Best Choreography Best Scenic Design in a Musical Best Costume Design in a Musical Best Lighting Design in a Musical Best Play Best Revival of a Play Best Direction of a Play Best Scenic Design in a Play Best Costume Design in a Play Best Lighting Design in a Play
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Fun Facts Play productions with the most Tony nominations:
Tom Stoppard's The Coast of Utopia (2007) and August Wilson's Fences (2010 revival) - 10 Play production that has won the most Tony Awards: Tom Stoppard's The Coast of Utopia (2007) - 7 Musical productions with the most Tony nominations: Hamilton (2016) - 16 Musical production that has won the most Tonys: The Producers, the new Mel Brooks musical (2001) - 12 Musical revival with most Tony Awards: South Pacific (2008) - 7 Musical revival with most Tony nominations: Kiss Me, Kate (2000) - 12 Performer with most Tony nominations: Chita Rivera - 10
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Fun Facts Performers with the most Tony Awards:
Audra McDonald – 6; Julie Harris – 6 including one Special Tony Award Individual who has received most Tony Awards: Harold Prince - 21 Composer with most Tony Awards: Stephen Sondheim - 8 Choreographer with most Tony Awards: Bob Fosse - 8 (plus one for direction) Host of most Tony Awards telecasts: Angela Lansbury - 5 Longest-running Best Musical: The Phantom of the Opera ( ) Theatre that housed the most Tony-winning Best Plays and Best Musicals: Richard Rodgers Theatre - 11 Number of ties in Tony history: 10
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Best performance EVER.
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