1. COMPOSITION

2. Quadrant-In this simple composition a dynamic balance is created by the changes in value from dark to light. There are not equal amounts of dark or light on each side.
Sequential-This simple composition is completely reliant on rhythms. Rhythm is important to all compositions in any discipline and visual art is no exception. The changing sizes and values lead a viewer across the page like changing notes lead a listener through a piece of music. Notice that there are not any two areas that are the same size. This helps to create an asymmetrical balance.
Asymmetrical-Also referred to as Dynamic Balance. This sort of composition relies on creating balance between the two sides of the picture. In this picture the negative space, or area on the left where there is no rectangular object, has equal visual weight to the right side.
Golden Mean (or Fibonacci Sequence used in a spiral)-This mathematical composition is created from a 1 to ratio. You will find this particular ratio works well in creating an interesting balance in a picture. The system is made up of a series of square areas which diminish in size and curve in toward the center, much like a snail's shell.
Most compositions do not adhere only to one of these models, but use a combination of two or three to help carry a viewer through more complex pathways.

3. BALANCE & COMPOSITION Balance is visual weight of a piece of art.
Symmetrical balance - both sides are mirror images
Asymmetrical balance - one side is different
Radial balance design - radiates out from center of art
Sequential composition is based on a rhythmic balance of shapes

4. How are these paintings
balanced?

5. Sequential
Sequential
Asymmetrical
Asymmetrical
Quadrant

6. NUMBER & PLACEMENT OF ELEMENTS
With an even number of elements, such as in this basic composition, your eye instictively pairs up the trees, whether it's two left and two right or two top and two bottom.
                   
Whereas the next two compositions, each with an odd number of elements, are more dynamic in terms of composition, because your brain can't pair up the elements.
One of the first things to decide in a composition is how many elements or items there will be in it. And one of the simplest ways to make a composition more dynamic is to have an odd number in the composition, say three, five, or seven, rather than an even number, say two, four, or six.
This way your eye and brain can't pair them up or group them easily. There's some how always one left over which keeps your eyes moving across the composition.

7. Other Guidelines for Better Composition: Lines
Lines also play an important role in composition. This sculpture has some beautiful lines, but they're obscured by the busy background. Let's simplify this picture by moving our camera viewpoint in close to the base of the sculpture.

8. Don’t let the next slide put you off!
The Golden Ratio
You may find that subconsciously you use this all the time. It is the most balanced compositional device.
Don’t let the next slide put you off!

9. The Golden Section is an ancient Greek concept
The Golden Section is an ancient Greek concept. It is a formula developed in 600 B.C. by the Greek philosopher and mathematician Pythagoras to define the concept of natural harmony. The work began after Pythagoras decided random chance alone was not enough to account for the blending of strength and beauty found in plants, animals, and minerals. Pythagoras proved that the balance between form and function which is the basis of nature's designs is the result of precise mathematical relationships.Golden ratio 1:1618.
In architecture, art, and the natural sciences, the concept has since become the foundation for achieving classic, pleasing proportions. The Greeks and Romans used the Golden Section to create architectural masterpieces, with the Parthenon as a classic example.
Nearly 2,000 years later, the concept took hold in Europe where chartres and other Gothic cathedrals are highly ornate expressions of the Golden Section. During the Italian Renaissance, Leonardo Da Vinci brought the same formula to scuplture and painting. Many of his works, including the Mona Lisa, were composed with the aid of an invisible matrix set down according to the mathematical rules of the Golden Section.

10. The Parthenon, Athens, Greece
The ancient temple fits almost precisely into a golden rectangle.
The Parthenon, Athens, Greece
Further classic subdivisions of the rectangle align perfectly with major
architectural features of the structure
Leonardo Da Vinci
Showing that all the main parts of the human form
are equal to the Golden ratio 1:1618.

11. Leonardo da Vinci The Mona Lisa is full of examples of the golden ratio.

12. The British artist JWM Turner used the Golden Ratio to subdivide the composition
of his painting.

13. RICHARD DIEBENKORN
Diebenkorn is a contemporary artist who uses the golden ratio in his architecture
inspired paintings

14. THE RULE OF THIRDS
In photography, composition refers to the placement of the subject within the frame of your photograph. Composition also deals with lightness, darkness, lines and balance of the image. One basic rule is the rule of thirds. Images with the subject aligned with the intersection of the horizontal and vertical thirds are usually more appealing.
This image by Stephanie Deissner from her Flickr stream is a good example. I've overlaid a grid of thirds on the photo to show where the horizontal and vertical lines intersect. Stephanie has placed the eyes close to the intersection of the upper-left third.
This concept is very close to the Golden Ratio

16. As did Mondrian

17. Independent Study
You will create your own memory aid about Composition
Use a single or double page – double will probably be easier
Include printed examples of all the compositional devices we have discussed in class with a written explanation. Include the little compositions you made.
Include an example of an artist’s work that you have drawn on to show the different devices the artist has used
Finding your own examples would be very impressive 
Due Monday 21st October