1. Europe & America before 1945 New Objectivity Surrealism De Stijl
Regionalism
International Style

2. PABLO PICASSO, Guernica, 1937. Oil on canvas, 11’ 5 1/2” x 25’ 5 3/4”
PABLO PICASSO, Guernica, Oil on canvas, 11’ 5 1/2” x 25’ 5 3/4”. Museo Nacional Centro de Arte Reina Sofia, Madrid. 2 2

3. New Objectivity
GEORGE GROSZ, Fit for Active Service, 1916–1917. Pen and brush and ink on paper, 1’ 8” x 1’ 2 3/8”. Museum of Modern Art, New York 3 3

4. MAX BECKMANN, Night, 1918–1919. Oil on canvas, 4’ 4 3/8” x 5’ 1/4”
MAX BECKMANN, Night, 1918–1919. Oil on canvas, 4’ 4 3/8” x 5’ 1/4”. Kunstsammlung Nordrhein-Westfalen, Düsseldorf. 4 4

5. OTTO DIX, Der Krieg (The War), 1929–1932
OTTO DIX, Der Krieg (The War), 1929–1932. Oil and tempera on wood, 6’ 8 1/3” x 13’ 4 3/4”. Staatliche Kunstsammlungen, Gemäldegalerie Neue Meister, Dresden. 5 5

6. ERNST BARLACH, War Monument, Cathedral, Güstrow, Germany, 1927. Bronze.6 6

7. Surrealism
GIORGIO DE CHIRICO, Melancholy and Mystery of a Street, Oil on canvas, 2’ 10 1/4” x 2’ 4 1/2”. Private collection. 7 7

8. MAX ERNST, Two Children Are Threatened by a Nightingale, 1924
MAX ERNST, Two Children Are Threatened by a Nightingale, Oil on wood with wood construction, 2’ 3 1/2” x 1’ 10 1/2” x 4 1/2”. MoMA 8 8

9. SALVADOR DALÍ, The Persistence of Memory, 1931
SALVADOR DALÍ, The Persistence of Memory, Oil on canvas, 9 1/2” x 1’ 1”. Museum of Modern Art, New York. 9 9

10. RENÉ MAGRITTE, The Treachery (or Perfidy) of Images, 1928–1929
RENÉ MAGRITTE, The Treachery (or Perfidy) of Images, 1928–1929. Oil on canvas, 1’ 11 5/8” x 3’ 1”. Los Angeles County Museum of Art, Los Angeles 10 10

11. MERET OPPENHEIM, Object (Le Déjeuner en fourrure), 1936
MERET OPPENHEIM, Object (Le Déjeuner en fourrure), Fur-covered cup, 4 3/8” diameter; saucer, 9 3/8” diameter; spoon, 8” long. MoMA, NY 11 11

12. JOAN MIRÓ, Painting, 1933. 5’ 8” x 6’ 5”
JOAN MIRÓ, Painting, ’ 8” x 6’ 5”. Museum of Modern Art, New York 12 12

13. PAUL KLEE, Twittering Machine, 1922
PAUL KLEE, Twittering Machine, Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2’ 1” x 1’ 7”. MoMa, NY 13 13

14. De Stijl
PIET MONDRIAN, Composition in Red, Blue, and Yellow, Oil on canvas, 1’ 11 ¾” X 1’ 9 7/8”. Museum of Modern Art, New York. 14 14

15. Piet Mondrian, Broadway Boogie Woogie, 1942-3, 50”x50”, MoMA, NY

16. CONSTANTIN BRANCUSI, Bird in Space, 1928. Bronze, 4’ 2 5/16” high
CONSTANTIN BRANCUSI, Bird in Space, Bronze, 4’ 2 5/16” high. Philadelphia Museum of Art, Philadelphia 16 16

17. BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943
BARBARA HEPWORTH, Oval Sculpture (No. 2), Plaster cast, 11 1/4” x 16 1/4” x 10”. Tate Gallery, London. 17 17

18. Artist: Henry Moore
Title: Recumbent Figure
Medium: Hornton stone
Size: 35 X 52 X 29" (88.9 X X 73.7 cm)
Date: 1938
Source/ Museum: Tate Gallery, London
Henry Moore, Recumbent Figure, Hornton stone, 1938, Tate Gall, London, 52” long

19. VERA MUKHINA, The Worker and the Collective Farm Worker
VERA MUKHINA, The Worker and the Collective Farm Worker. Soviet Pavilion, Paris Exposition, Stainless steel, 78’high
Socialist Realism 19 19

20. ALEXANDER CALDER, Lobster Trap and Fish Tail, 1939
ALEXANDER CALDER, Lobster Trap and Fish Tail, Painted sheet aluminum and steel wire. 8’ 6” X 9’ 6”. MoMA, NY 20 20

21. DOROTHEA LANGE, Migrant Mother, Nipomo Valley, 1935
DOROTHEA LANGE, Migrant Mother, Nipomo Valley, Gelatin silver print. 1’1” x9”. Oakland Museum of California, 21 21

22. EDWARD HOPPER, Nighthawks, 1942. Oil on canvas, 2’ 6” x 4’ 8 11/16”
EDWARD HOPPER, Nighthawks, Oil on canvas, 2’ 6” x 4’ 8 11/16”. The Art Institute of Chicago 22 22

23. Artist: Jacob Lawrence
Title: During the World War there was a Great Migration North by Southern Negroes
Medium: Tempera on masonite
Size: 12 X 18" (30.5 X 45.7 cm)
Date: 1940–41
Source/ Museum: Panel 1 from The Migration of the Negro / The Phillips Collection, Washington, D.C.
Jacob Lawrence, Migration of the Negro, Tempera on masonite, 12”x18” Phillips Coll, Wash.DC

24. JACOB LAWRENCE, No. 49 from The Migration of the Negro, 1940–1941
JACOB LAWRENCE, No. 49 from The Migration of the Negro, 1940–1941. Tempera on masonite, 1’ 6” x 1’. The Phillips Collection, Washington, D.C. 24 24

25. Regionalism
GRANT WOOD, American Gothic, Oil on beaverboard, 2’ 5 7/8” x 2’ 7/8”. Art Institute of Chicago 25 25

26. THOMAS HART BENTON, Pioneer Days and Early Settlers, State Capitol, Jefferson City, Missouri, Mural. Art 26 26

27. Thomas Hart Benton, July Hay, 1943

28. Artist: Gerrit Rietveld
Title: Schröder House
Medium: n/a
Size: n/a
Date: 1925
Source/ Museum: Utrecht, the Netherlands
GERRIT THOMAS RIETVELD, Schröder House, Utrecht, the Netherlands, 1924 (De Stijl)

29. WALTER GROPIUS, Shop Block, the Bauhaus, Dessau, Germany, 1925–1926 The International Style29 29

30. MARCEL BREUER, Wassily chair, 1925
MARCEL BREUER, Wassily chair, Chrome-plated tubular steel and canvas, 2’4 1/4”x2’6 3/4” x2’4”. Museum of Modern Art, New York 30 30

31. LUDWIG MIES VAN DER ROHE, model for a glass skyscraper, Berlin, Germany, 1922 (no longer extant).31 31

32. Mies van der Rohe,
Seagram Bldg., NY, 1957

33. LE CORBUSIER, Villa Savoye, Poissy-sur-Seine, France, 1929.33 33

34. WILLIAM VAN ALEN, Chrysler Building, New York, New York, 1928–1930 Art Deco34 34

35. FRANK LLOYD WRIGHT, Robie House, Chicago, Illinois, 1907–1909 (The Prairie Style)35 35

36. FRANK LLOYD WRIGHT, plan of the second (main) level of the Robie House, Chicago, Illinois, 1907–1909. 36 36

37. FRANK LLOYD WRIGHT, Kaufmann House (Fallingwater), Bear Run, Pennsylvania, 1936–1939.37 37