1. Multi camera

2. About multi-camera editing
-You can use the Multi-Camera Monitor to edit footage from multiple cameras, simulating live camera switching.
-In Premiere Pro CS5.5, and earlier, you can edit footage from up to four cameras using this technique.
-To easily synchronize footage from all cameras, make sure each camera records a sync point using a clapper slate or other technique.
-Keep each camera recording to maintain synchronization. After you capture the footage in Premiere Pro, use the workflow explained in the following slides to edit the footage.

3. About multi-camera editing
1. Add clips from multiple cameras to a sequence. Stack the clips from each camera on separate tracks of a sequence.
2. Synchronize the clips in the sequence. Mark the sync point with numbered clip markers, or reassign the sync point for each camera to a specific timecode.
3-Create the multi-camera target sequence. The final edits are made in a target sequence. You create the target sequence by nesting the sequence of synchronized clips into a new sequence. Then you enable the clip in the target sequence for multi-camera editing.
4. Record the multi-camera edits. In the Multi-Camera Monitor, you can view the footage of all four cameras simultaneously and switch between cameras to choose footage for the final sequence.. Adjust and refine edits.
-You can rerecord the final sequence and substitute clips with footage from one of the other cameras. You can also edit the sequence like any other sequence—using the standard editing tools and techniques, adding effects, or compositing using multiple tracks.

4. About multi-camera monitor
-The Multi-Camera Monitor plays the footage from each camera and a preview of the final edited sequence.
-When you record the final sequence, you click a camera preview to make it active and record footage from that camera. The active camera is indicated by a yellow border when in playback mode and a red border when recording.
-The Multi-Camera Monitor includes the standard playback and transport controls and keyboard shortcuts.
-The Play Around button plays around the edit point in the preview display, including any preroll and postroll frames specified in General Preferences. If the Multi-Camera Monitor displays the same frame in large previews on both the left and right side, the current clip is either not a multicamera clip or a multi-camera clip that is not enabled.

5. Display the Multi-Camera Monitor
-Select the multi-camera target sequence in a Timeline panel, and then choose Multi-Camera Monitor from the Window menu.
- To hide the recorded sequence preview and display only the camera previews, deselect Show Preview Monitor from the Multi-Camera Monitor panel menu. To resize the Multi-Camera Monitor, drag an edge or corner.

7. Add clips for multi-camera editing
-You can use any type of media in a multi-camera editing session, including footage from various cameras and from still images.
- You assemble the media into a sequence of up to four video and four audio tracks. You can add more than one clip to a track to accommodate the use of multiple tapes in a camera. After the clips are assembled, you synchronize them and then create and enable the target sequence.
1. Choose File > New > Sequence.
2. Place clips from each camera on a separate track. Use video and audio tracks 1–4. You can edit the clips as necessary.
note-:
Video and audio clips placed above track 4 will not be available for multi-camera editing.

8. Synchronize clips with markers
-Make sure that you’ve marked the sync points for each camera’s footage before you attempt to synchronize them. You can mark the sync points by setting similarly numbered markers for each clip or by reassigning each clip’s timecode.
Note: Premiere Pro uses an overwrite edit when synchronizing clips. Take care not to overwrite adjacent clips if you have multiple.
1. Select the clips you want to synchronize.
2. Target a track (by clicking its track header) to align the other clips to it. For example, if you synchronize clips on their Out point, the end of each clip aligns with the Out point of the targeted track.
3. Choose Clip > Synchronize, and then choose one of the following options:
Synchronizes clips at their In points.
Synchronizes clips at their Out points.
Synchronizes clips to the specified timecode. If you use the hours value in source timecode as a camera designator, select the Ignore Hours option to use only minutes, seconds, and frames to synchronize clips.

9. Create a multi-camera target sequence
1. Choose File > New > Sequence.
2. Drag the sequence containing the multi-camera clips into a video track of the new sequence.
3. Select the video and audio tracks in the nested sequence, and then choose Clip > Multi- Camera > Enable. The command is unavailable unless you have the video track selected.
4. In the Multi-Camera Monitor, click the downward-pointing triangle next to Video 1 to open the Select Video Track menu. Select the video track containing the multi-camera nested sequence. Then click the downward-pointing arrow next to Audio 1 to open the Select Audio Track menu. Select the audio track containing the multi-camera nested sequence.

10. Record multi-camera edits
-You record a multi-camera edit in the multi-camera target sequence you have already assembled. 1-Select the multi-camera target sequence in a Timeline panel, and then choose Multi-Camera Monitor from the Window menu. 2. In the Multi-Camera Monitor, click the Record On/Off Toggle button . Note: You can also switch into record mode during playback by clicking a camera preview in the Multi-Camera Monitor. 3. To record audio from the selected camera to the audio track, select Audio Follows Video in the Multi-Camera Monitor panel menu. Deselect this option to record audio from the audio track selected in the source sequence. In order to retain audio from more than one track simultaneously, mix all the desired tracks to a single track in the source sequence, select the resulting audio track, and deselect the Audio Follows Video option.

11. Record multi-camera edits
4. Click the playback button in the Multi-Camera Monitor to start playing the video from all cameras. The footage from the active camera is recorded in the multi-camera target sequence. A red border indicates the active camera, and the large preview shows the content you are recording.
5. To switch to another camera and record its content, click its small preview in the Multi-Camera Monitor. You can switch cameras using a keyboard shortcut. The 1, 2, 3, and 4 keys correspond to each camera.
6. When you are done recording, click the Stop button or the Record button to get out of recording mode. You can then use the playback controls to preview your sequence without recording over it. The target sequence is updated to show the edit points where each camera switch occurs. Camera 1 is the default track in the target sequence. No recording occurs, so no edit points are created until you switch cameras. Each clip in the target sequence is labeled with the camera number (MC1, MC2). Note:
Another method is to not use the Record button or play through the sequence, but to simply move the current-time indicator to the frame you want and select a new camera.

12. Play nested multi-camera clips in the Program Monitor
1. Right-click (Windows) or Ctrl-click (Mac OS) the nested multi-camera sequence in a Timeline.
2. From the menu, select Multi-Camera, and make sure Enable is checked. 3. Select Multi- Camera again, and select the camera desired for viewing in the Program Monitor.

13. Play clips in the Multi-Camera Monitor
1. Select the track header of the video track containing the clips in the multicamera target sequence, and then select Window > Multi-Camera Monitor.
2. Do one of the following: Use the playback controls in the Multi-Camera Monitor. Use the playback keyboard shortcuts (spacebar, J, K, L).
-A yellow border around a camera preview indicates the active camera. If you click a camera preview, the border turns red and you’ll begin recording that camera footage to the sequence.
Note:
The Multi-Camera Monitor previews the targeted video only. Effects applied to the target sequence don’t display in the Multi-Camera Monitor, though effects applied to the source sequence do. To preview a multi-camera sequence with target-sequence effects applied, as well as any additional video and audio tracks, preview it in the Program Monitor.

14. Rerecord multi-camera edits
1. Position the current-time indicator before the edit you want to adjust.
2. Start the playback in the Multi-Camera Monitor. When the playback reaches the spot you want to change, switch the active camera by clicking the camera’s preview in the Multi-Camera Monitor. No recording occurs until you switch the active camera.
3. When you are done editing, click the Stop Playback button in the Multi-Camera Monitor.

15. Adjust multi-camera edits in a Timeline panel
Do any of the following in the multi-camera target sequence:
-To replace a clip with footage from another camera, select a clip in a Timeliline panel and choose
Clip>Multi-Camera> Camera [1,2,3,4]
-Use any of the standard editing tools to make changes in a Timeline panel. Place the current- time indicator at the place in a Timeline where you want to replace a clip from one camera with a clip from another. In the Multi-Camera Monitor, select the replacing camera preview.

16. Insert or overwrite clips in a multi-camera sequence overwrite clips in a multi-camera sequence
-You can make edits to a multi-camera sequence from the original four camera clips. For example, if one camera recorded a presenter and another recorded a screen of presentation slides, you can intersperse shots of the presentation slides. You can use this technique as an alternative to rerecording sections of the multi-camera sequence.
1. Double-click the multi-camera target sequence in a Timeline panel to open it in the Source Monitor. Like the Multi-Camera Monitor, the Source Monitor displays footage previews of the original camera shots.
2. Click the display for the footage you want to add to the sequence. The active display has a yellow border.
3. Choose the clip source that you want to edit (video, audio, or both) and drag the clip to a Timeline panel, or use the Insert or Overwrite buttons in the Source Monitor.