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Ernest Hemingway's The Sun Also Rises

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1 Ernest Hemingway's The Sun Also Rises

2 Hemingway Biography Born July 21, 1899 in Oak Park, Illinois
First worked as a reporter for the Kansas City Star Went to Europe in May to be a volunteer ambulance driver in Italy during WWI Injured and recovered in Milan hospital (inspiration for A Farewell to Arms, 1929)

3 Hemingway Biography Hemingway came home to friends and family that did not understand the trauma he was going through because they had an idealized view of the war. Later moved to Paris as a European correspondent for the Toronto Daily Star. In Paris he became friends with writers Gertrude Stein and Ezra Pound and artists Joan Miro and Pablo Picasso.

4 Expatriates People temporarily or permanently residing in a country and culture other than that of the person's upbringing or legal residence (but do not renounce US citizenship) Odd twist: Many classic American novels were not written in America. (And The Sun Also Rises doesn't even take place in America!)

5 After World War I Mass violence – 16 million deaths and 21 million wounded Killing technologies – kill as many possible as fast as possible Visual technologies – now possible to see the warfare and its results And all of this coming from the civilized countries that were beacons to the rest of the world...

6 The Lost Generation “You are a lost generation.” -Gertrude Stein
Used as one of the epigraphs by Hemingway for The Sun Also Rises Loss of values - love, faith, manhood Loss of personal identity Loss of collective ideals Aimlessness Who are we? Where do we go from here?

7 Writing/Art After WWI How could words or images possibly represent or capture what everyone just went through with World War I? Need to find a new form. Transition from “Realism” to “Modernism” Real people, real lives, real events Now portrayed in a way that asks you to look differently at what is actually going on Providing a “new” and “current” look

8 Hemingway in Spain Festival of San Fermin in Pamplona in 1923, 1924 and 1925 Fascinated by bullfighting – juxtaposition of beauty and brutal warfare Third trip: Hemingway, his wife, Lady Duff Twysden (recently divorced), her ex-husband Pat Guthrie, and Harold Loeb, and others Made for an interesting week

9 Hemingway's Inspiration
Hemingway is attracted to Lady Duff Loeb recently spent a romantic getaway with her Hemingway is jealous Bullfighter Cayetano Ordonez also likes Duff and presents her with bull's ear Hemingway's fishing trip was spoiled due to polluted water. This week made perfect material for a novel!

10 The Sun Also Rises Published on October 22, 1926 5090 copies
$2.00 per copy Popularly received Called “Hemingway's greatest work” by his biographer

11 Key Themes/Ideas Aimlessness Male Insecurity
Gender Identity (Androgyny) Failure of Communication False Friendships Rebuilding a Community (or trying to) Nomads, Wandering Wounded Figures Power Imbalances

12 The Novel All page numbers come from this Scribner edition

13 Epigraph “You are all a lost generation.” - Stein Ecclesiastes:
World goes on, sun continues to rise no matter what happens on earth Hope for next generation or not because each generation will die.

14 BULLFIGHTING! The matador tries to entertain the crowd by showily wearing out a bull and, when it is tired enough, kills it. SU&feature=related

15 From the beginning... Novel started out as a short story entitled “Cayetano Ordonez” after a Spanish bullfighter Then it became Fiesta: A Novel Referencing the bullfights in Pamplona But the characters don't get there until towards the end of the novel Why important?

16 Bullfighting as Lens Look at World War I novel
Horrific effects of the violent war on people Bullfights = similar acts of violence (this time for entertainment) Help explain complex relationships in the aftermath of World War I Help explain the characters in The Sun Also Rises

17 Unloading of the Bulls (144)
First bull is unloaded and gores the first steer After violence, second steer can calm it down Other bulls become “one herd” (leaving out the wounded steer) Come together after a shared experience, just like the post-war Americans in Europe

18 THESIS For Jake Barnes and Lady Brett Ashley, new inadequate methods of living had to be created in an attempt to reform a community, either based on false distant friendships or destructive sexual closeness.

19 Watching the Bullfight (169)
Jake and Brett have different reactions Brett Sees how close they get to the bull Close is beautiful and dangerous Emotional Jake Points out the tricks of closeness Simulating danger in safety Dangerous to be too close Prefers fake emotional feeling

20 Failed Communication Do not talk about war or Jake's war wound
Suggested damages and impotence avoided in multiple conversations (Georgette, Bill) Common not to talk about serious topics “that's the sort of this that can't be spoken of” (120) Painful to get too close (Like the wounded steer who stays apart) Live in the safety of false emotion

21 False Emotion – Harris (134)
Jake has multiple “fake” relationships Jake and Bill meet Harris while fishing “You don't know what it's meant to me...” Really that intimate? “You know my name isn't Harris.” They didn't. Dodging Emotion Bill: “Wasn't that Harris nice” Jake: “I think he really did have a good time”

22 Lady Brett Ashley War injury: true love died of dysentery (46)
Marries Lord Ashley Cycle: constantly moving from man to man Comfort through distraction (like others' drinking) – intimacy with men Ends in destruction

23 Brett's Absence (202) Brett enjoys the closeness of the bullfighting (169) Gone during a scene of horror that might affect her opinion (202) Peasant gets stabbed with horn and dies Brett does not see the true danger in getting too close Brett is all about the fun but still “miserable” (32) Weekends in San Sebastian with Cohn but not happier

24 Brett's Relationships Same destruction as bull and peasant
None of the relationships end positively Cohn “ruined” (206) Becomes jealous and violent “He calls her Circe... he claims she turns men into pigs” (148) Pedro Romero – Brett gains perspective Bullfighting skills suffer “You know I'd have lived with him if I hadn't seen it was bad for him” (247)

25 Rebuilding Community No words can describe aftermath of World War I
Conversations fail in Hemingway's novel Attempts to rebuild community by Jake and Brett Characters must come to terms with permanent loss and isolation Both Jake and Brett have flawed attempts to form a community

26 Final Conversation (251) Brett: “Oh, Jake... we could have had such a damned good time together.” Jake: “Yes... isn't it pretty to think so?” Jake's self-awareness of the impossibility of connection and compromised intimacy Jake- tries to keep at a distance Brett- looks for close relationships Neither get successful relationships Failed due to the complexities of the war

27 Ending? End of novel = abrupt End of World War I = abrupt
Environment in novel = confusing Environment for survivors living together = confusing Book as representation of War

28 Why Bullfighting? Bullfighting can be seen as a miniature act of war
This act can be controlled This act has a definite ending This is something that becomes very significant for the characters and the novel itself Bullfighting scenes = lens to view characters dealing with proximity and complex relationships with others (even if it is impossible)


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