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The Nature of Drama Chapter 1.

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1 The Nature of Drama Chapter 1

2 What is Drama Definition: a story that is enacted in real space and time by live actors for a live audience. Based on Greek word dran, meaning “to do” Earliest copies from 5th century in ancient Greece For festivals for Dionysus (God of wine and fertility) Competition each year to see who would win with best play Most Greek conventions within theater are still followed today Despite the genre, all plays originally emulated plots similar within literature we see today So what makes it so different?

3 What Separates Drama from other Literature?
It is written to be performed, not read. It has a tremendous source of power if done correctly. It normally presents actions: 1. Conveyed through actors Costumes Impact is direct, immediate, and heightened by actor’s skills Limitations of thought process were seen until conventions of: Dialogue- conversations between characters on stage Monologues- Long speeches by individual characters Soliloquy- characters are presented as speaking to themselves Aside- characters turn from the persons with whom they are conversing to speak directly to the audience or to one character.

4 What Separates Drama from other Literature?
2. Performed On stage (thrust, in the round, proscenium arch) Forcefully commands spectators attention (controlled lighting, sounds, seating, distractions, speed) Not only dependent on power of words Scene Design Lighting Props Stage directions

5 What Separates Drama from other Literature?
3. Performed before an audience spectator = “to view” and audience “to hear”  Actors and playwrights can feed off of audience response The experience created is communal and its impact is intensified. Spectator’s responses are influenced by other spectators many times “One of the special qualities of theater is that when we respond, we respond as a group.” – Robert Anderson Do you agree? Does an audience affect one’s performance?

6 Tragedy Always includes tragic hero who is a man of noble and moral stature Greatness about him, not ordinary but one of outstanding quality. He is good though not perfect and his fall results from “an act of injustice” The hero always has a downfall which is a result of result of his/her own free choice, not accident. This personal failing is known as the tragic flaw Greatness + flaw = pity This misfortune is not usually wholly deserved. Punishment often exceeds the crime Hard to say “He got what was coming to him.” The tragic fall is not pure loss This is where “discovery” usually takes over Though solemn emotions are aroused (pity and fear), if done correctly more positive emotions are evoked (compassion and awe) Should not leave depressed but rather contemplative!

7 Comedy A play that ends happily
Contains own typical conflicts and plot patterns Boy meets girl, boy loses girl, boy wins girl etc. (visa versa with gender) Central characters do not have to be noble or righteous Conflicts usually hinge on a problem of the heart (internal) Thwarted courtship, romantic misunderstanding. Although resolved happily, always comical complications Melodrama: like tragedy attempts to arouse feelings of fear and pity, but it does so ordinarily through cruder means. Farce: like a comedy it is aimed at rousing explosive laughter, but again by cruder means. As you like it

8 Tragedy vs. Comedy Pity and fear Human possibility
High plausibility in plot Emphasize uniqueness Judge on moral standards Human greatness (nobility) Human freedom External conflicts Ends contemplative Pleasure and absurdity Human ridiculousness Low plausibility in plot Emphasize commonness Judge of social standards Human weakness (anybody) Human limitations Internal conflicts Ends happy Both focus on personal issues Emphasis on psychological development of characters Modern theater has tried to change these standards for both genres as times

9 William Shakespeare We know very little about Shakespeare compared to other authors However, there is more material on Shakespeare than any other author Baptized on April 1564 (Public Records) therefore born most likely a couple days before Birthday is celebrated on April 23rd but only because he also died on this date in 1616 Father was merchant (John) and a man of some importance in the town Serving as alderman and high bailiff (aka mayor) Attended Stratford Grammar school where he was schooled in Latin and Greek/Roman myths Married in 1582 to Anne Hathaway (8 years older) 1583 had their first child (Sussanna) 1585 twins (Hamnet and Judith) 1592 he falls of the face of the world (most likely went to London to seek his fortune) Rival was Robert Green who warned other playwrights from doing what Shakespeare did (acting  writing plays) Actors were looked down upon and lumped together with “vagabonds” and “rogues” Julius Caesar was most likely written in 1599 after a Swiss traveler commended the Globe Died at 52 and buried in Holy Trinity Church


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