1. How does this object and its claim to be art challenge or violate our ideas of what art is?
What ARE the “rules” of art?

2. Modernism: The Beginnings

3. Raphael, School of Athens, fresco from the Stanza della Segnatura, 1510-11
The picture as a “window to another world”

4. Modernity and Modernism
Modern Art time period is from around , movements from Realism to Abstract Expressionism
Markers of modernity: capitalism, industrial progress, democracy, technology, standard of living, urban culture, secularism, optimism, search for universals
Changes in the art market: major exhibitions (Academic Salon) and a huge market for prints, larger volume of anonymous purchases from the bourgeoisie (similar to Dutch Republic in the 17th century)

5. The Academy: Two typical academic paintings by William Bouguereau, Nymphs and Satyr 1873, The Birth of Venus, 1879

6. Avant-Garde
French military term meaning “advance guard” sometimes you will see “vanguard” which means the same thing
First used in 1825 in the artistic sense by Olinde Rodrigues
Not a style of art but an orientation towards innovation
Young, middle-class, urban, with art training but chafing against the restrictions of academic art
Realism is first avant-garde movement
Pablo Picasso, Les Demoiselles d’Avignon, 1907 (Cubism)

7. Louis Daguerre, Boulevard du Temple, 1838

8. Edouard Manet, Dejeuner sur l’Herbe, (Luncheon on the Grass) 1863

9. Renaissance versus modern subject matter
Honore Daumier,
The Third Class Carriage,

10. Claude Monet, Impressionism
-Focus on the eye and perceptions, not interpretations -Interest in light and color, momentary atmospheric conditions -Quick, unfinished look
-Image becomes abstract up close
-No narrative or traditional subject matter
-Modern life, ordinary life, nature, and the bourgeoisie are common subjects

12. Edvard Munch, The Scream, Expressionism and Symbolism Artist explores interior, subjective world Emotions trump objective reality in representations of colors, brushstrokes, etc.

13. Henri Matisse, Le Bonheur de Vivre (the Joy of Life), 1905-6
“Before a picture is a war horse, a female nude or some anecdote it is essentially a flat surface covered with colors assembled in a certain order. (Maurice Denis, Art et Critique 1890)”
Artist: Henri Matisse
Title: Le Bonheur de Vivre (The Joy of Life)
Medium: Oil on canvas
Size: 5'8½" X 7" 9¾" (1.74 X 2.38 m)
Date: 1905–6
Source/ Museum: The Barnes Foundation, Merion, Pennsylvania (BF 719)

14. Wassily Kandinsky, Sketch I for Composition VII, 1913 Non-objective painting (AKA abstract or non-representational)—color and shape conveys all of the content: no subject matter

15. Cezanne, Mont Sainte-Victoire, 1902-4

16. Picasso, Les Demoiselles D’Avignon, 1907, 2.43 x 2.33 m
Artist: Pablo Picasso
Title: Les Demoiselles D’Avignon (The Young Ladies of Avignon)
Medium: Oil on canvas
Size: 8' X 7'8" (2.43 X 2.33 m)
Date: 1907
Source/ Museum: The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest, ( )

17. Picasso, Still Life with Chair Caning

18. Picasso, Guitar, Sheet Music, and Wine Glass, 1912

19. Marcel Duchamp, Fountain, 1917
Artist: Marcel Duchamp
Title: Fountain
Medium: Porcelain plumbing fixture and enamel paint
Size: height 24⅝" (62.5 cm)
Date: 1917
Source/ Museum: Photograph by Alfred Stieglitz. Philadelphia Museum of Art. Louise and Walter Arensberg Collection (1998–74–1)