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English 1060 Shakespeare & The Merchant of Venice (1598)

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Presentation on theme: "English 1060 Shakespeare & The Merchant of Venice (1598)"— Presentation transcript:

1 English 1060 Shakespeare & The Merchant of Venice (1598)

2 Storytelling: The ancient art

3 Greek Theater

4 Medieval Mystery / Miracle Plays (1400s-1500s)
- Grew out of church skits about biblical narratives - Performed by amateurs, but sometimes touring actors - Performed in churchyards or public areas - Religious themes, but often rough humor or jokes - Their growth leads to ticketed, private, secular plays

5 The Globe (Replica). Theaters were first built in 1575.

6 An Elizabethan Theatre

7 An Elizabethan Audience
Typically 3 tiers Capacity Little artificial light Noisy and not always sober!

8 William Shakespeare Widely considered the greatest writer in the English language - Author of 38 plays and 154 sonnet poems - From Stratford-upon-Avon

9 - Son of an alderman and glove maker - Married Anne Hathaway at 18; three children; reputation as a playboy - Moved to London around Member of playing company; part owner of the Globe theater

10 Did he write his own plays
Did he write his own plays? - About 40 historical documents describing him, but mostly legal - Few medieval plays or stories were ‘invented.’ Most had traditional origins Walt Disney did not “write” Snow White, Cinderella, or Beauty & the Beast

11 Shakespeare’s 14th great-niece, Suzana Shakespeare (February 2014)
Shakespeare’s 14th great-niece, Suzana Shakespeare (February 2014). They live in Stratford.

12 1. Where did the story come from
1. Where did the story come from? - MofV is partly adapted from the Italian 14th-century tale Il Pecorone by Fiorentino

13 2. Who is the ‘merchant’. - The merchant is Antonio
2. Who is the ‘merchant’? - The merchant is Antonio. We know because the title page refers to Shylock as someone else - Did Shakespeare make an error? Antonio isn’t central to the play

14 3. What is the play basically about
3. What is the play basically about? - 16th century Europe is a time of transition between a medieval economy based on customary obligations and a modern one based on capitalism and contracts - Shakespeare the businessman - Is everyone in the play trapped by money? What does it say about marriage that Portia is essentially a “venture” requiring investment?

15 4. How is it a comedy? - It has a happy ending - People choose their spouses - The women are in charge (Portia) - It’s set in a faraway fantasy place - They’re Italians! No one expects them to keep their promises! Lead jokes (III.ii.64); Gobbo’s pranks and jokes (III.v); Gratiano (III.ii.220); the doctor “Sleeping” with Portia (V.i)

16 Remember that the “women” in the play were male actors playing women.
5. What are the rings about? - The women’s dominance of men - The men are full of promises that have no value? - Are the rings valuable for the gold or for their symbolism? - Sexual double meanings: keeping Nerissa’s “ring” safe (V.i.315) Remember that the “women” in the play were male actors playing women.

17 Bassanio would sacrifice his wife for Antonio’s life (IV.i.273)
ANTONIO: Commend me to your honorable wife: Tell her the process of Antonio's end, Say how I loved you, speak me fair in death; And, when the tale is told, bid her be judge Whether Bassanio had not once a love. BASSANIO: But life itself, my wife, and all the world Are not with me esteemed above thy life; I would lose all, ay, sacrifice them all Here to this devil, to deliver you. (IV,i) 6. Are Antonio and Bassanio homosexual? - In the ancient world, friendship is higher than romantic love - Medieval expressions of male emotion were more acceptable, especially in southern Europe - The medieval ‘spectrum’ of sexuality Bassanio would sacrifice his wife for Antonio’s life (IV.i.273)

18 Is Jessica justified in what she does?
7. Jessica’s betrayal of her father seems unbelievable. - She’s a Jew, and she’s an Italian, not an English Christian; the normal social rules don’t apply - It’s a comedy, even if it’s a dark one Is Jessica justified in what she does?

19 Shylock’s speech: https://www.youtube.com/watch?v=th7euZ30wDE
8. Why is Shylock treated so badly? (the problem of the play) Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? Shylock’s speech:

20 - Edward I expelled the Jews in 1290; they were fantasy monsters
- Edward I expelled the Jews in 1290; they were fantasy monsters. Almost no one in the audience, including Shakespeare, probably ever met one - European guilt over the long, shameful history of Jewish treatment - Historical reasons for the Jews being moneylenders

21 But----? - Shylock deserves what he gets for caring only about contracts and money (and preferring Jessica dead) - He is punished by having the same rules of literal justice imposed on him that he demands - Is Shakespeare saying that Shylock actually receives Christian mercy? - His conversion would also have been seen as undeserved grace, saving his soul Court scene:

22 But----? - If Shylock is a jerk who deserves what he gets, isn’t the play still anti-Semitic for creating his character as a jerk who deserves what he gets? - Are the Christians in the play necessarily always better people? Does it seem like Shylock is on trial? - What is Shakespeare’s meaning in this, if so?

23 - Shakespeare is sophisticated enough to ‘humanize’ him to make him realistic (he probably didn’t wear a mask in the play) Remember that the Al Pacino movie is probably much more sympathetic to Shylock than Shakespeare would have been.

24 Or not. Remember that the play was probably in its time seen as a romantic comedy with maybe a hint of social edginess. Scholars still don’t agree on Shylock. Maybe this is Shakespeare’s talent: to make a character interesting enough to argue over. Questions?


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