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Indian Music By Angel Grade 8B
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History of Indian Music
Many different varieties Classical music: Hindustani and Carnatic music Different types of genres
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HINDUSTANI Music
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Hindustani Music Started 1000 AD, developed in 13th and 14th century
Developed with Persian folk music Traditions established in India, Pakistan, and Bangladesh Was not influenced by Hindu music traditions Originated from the South India Enriched from Persian performance practices of the Mughals During Medieval age, Mughal era got famous
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Melody instruments of Hindustani Music
Bansuri > simple bamboo flute Bin (Rudra Veena)>small pump organ Santur>hammered dulcimer (Indian version) Sarangi>principal bowed instrument Sarod>fretless instruments Surbahar>deeper tone than sitar Sitar>long-necked plucked lute
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Bin Bansuri Sarod Sarangi Santur Sitar Sabahar
Harmonium
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Rhythm and Drone Instruments
Dholak>small barrel shaped drum Pakhawaj>barrel shaped double head drum Tabla>two drums, one left, one right Tanpura>long necked lute Swarpeti>note box, like harmonium without keyboard
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Dholak Tabla Swarpeti Pakhawaj Tanpura
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Carnatic Music
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Carnatic Music 15th century to 16th century
One of the gifts by the gods of Hindu mythology One of oldest form of music till today All melodic Main emphasis: written to sung, and play on instruments, meant to show in singing style Artists: MS Subbulakshmi, Ariyakudy Ramanuja Iyengar, Semmangudi Srinivasa Iyer, and TN Seshagopalan
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Artists of Carnatic Music
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Ariyakudy Ramanuja Iyengar
Born on 1890 Died on 1967
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MS Subbulakshmi Born on September 16th, 1916 Died at age of 88
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Semmangudi Srinivasa Iyer
July 25, 1908 – October 31, (the Halloween day)
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TN Seshagopalan September 5, 1948
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Ghazal Music
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Ghazal Music From the music of Pakistan
Poetic form: rhyming couplets and refrain Expression of pain, loss, separation, and beauty of love Started in the 6th century From Arabian Spread to South Asian 12th century Persian mystics and poets
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Example of Ghazal Poet Nemidanam che manzel bood shab Jayi ke mann boodam Be har soo raghse besmel bood shab Jayi ke man boodam Peripeykar negari sarv ghadi laleh rokhsari I winder what was the place where I was last night All around me were half- slaughtered victoms of love, tossing about in agony. There was a nymph-like beloved with cypress0 like form and tulip-like face, Ruthlessly playing havoc with the hears of the lovers
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Theme of Ghazal Music Subject: love, from unattainable love
Influenced the Islamic Mysticism Love: viewed as something that completes a human being Traditional Ghazal may not have element of sexual desire. Love may be directed to man/woman
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Qawwali Music
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Qawwali Popular in South Asia. Stretches more than 700 hundreds years
Popularity International exporsure from Nusrat Fteh Ali Khan Famous singers: Sabri Brothers, Bahauddin Qutbuddin, Aziz Mian
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The sabri Brother’s Qawwali Song – Saveray Saveray
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Resources http://www.33ff.com/flags/worldflags/India_flag. html
dustani_music sical_music singer-ms-subbulakshmi-has-died
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http://bharatjanani.com/nightingale-of-india-bharat- ratna-ms-subbulakshmi/
j9I/TBf8q4d9vYI/AAAAAAAAAoY/_OOtnigkLJE/s400 /Ariyakkudi+Ramanuja+Iyengar.jpg mangudi-srinivasa-iyer.html htm
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http://en.wikipedia.org/wiki/Semmangudi_Srinivasa_ Iyer
htm htm notes.htmll
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http://calcuttaglobalchat.net/calcuttablog/carnatic- music-raga-and-bhajans/
ts.htm bands/aziz-mian/53.htm
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