1. KK.8
Playing Karawitan in Structure Lagu Gendhing Ladrang garap kendhang kalih and kendhang setunggal irama tanggung and dadi
Playing repertoar Gendhing Ladrang garap kendhang kalih and kendhang setunggal irama tanggung and dadi

2. 8.1 Understanding Structure gendhing Ladrang
Ladrang is kind of gending that every one gongan coast of :
32 sabetan
8 gatra
16 strokes of kempyang
Structure / scheme gending ladrang :
  
x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x.
  
x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x xg.
8 kali pukulan kethuk
4 kali pukulan kenong
3 kali pukulan kempul
Seni Kerajinan dan Pariwisata

3. Seni Kerajinan dan Pariwisata
8.2 Rules of Irama
Gending ladrang used two kind of irama that is :
a. Irama tanggung ( ½ ), start after gong buka, till the 3rd gatra in the first gongan.
b. Irama dadi ( ¼ ), start from the 4th gatra in the first gongan till suwuk.
Buka : y gy
Umpak : x2x1x2x3x x x x2x1x2xyx x x x3x3x.x. x6x5x3x2x
Ir. tanggung ir. dadi dst
xx5x6x5x3x x x x2x1x2xyx x x x2x1x2x3x x x x2x1x2xgxyx
Seni Kerajinan dan Pariwisata

4. 8.3 Playing tecnique tabuhan and garap of each ricikan.
Titilaras ladrang Wilujeng laras slendro pathet manyura
Buka y gy
Umpak _ ny p n2
5 6 5 p ny p gy _
Ngelik ! 5 ! n p! n2
6 6 . p. ! 5 ! n6 ! ! 3 p gy _
Seni Kerajinan dan Pariwisata

5. 8.3.2 Notation of kendangan ladrang
next
Notation of kendangan ladrang
Notation kendang kalih ladrang
a. Buka xxIx x x xIx x x x xPx x x xB xOx xOx xBx xPx x xOx xOx xBx xgP
b. Changes from irama tanggung to irama dadi
xOx xOx xBx xPx x xOx xOx xBx xP xOx xOx xBx xPx x xOx xOx xBx xnP
xOx xOx xBx xPx x xOx xOx xBx xP xOxPxOxBxOxKxOxPx xOxBxOxKxIxPxOxnB
c. Irama dadi
< _ xOxPxOxBxOxOxOxPx xOxOxPxBxOxOxOxI xOxPxOxPxOxPxOxBx xOxPxOxOxPxBxOxnP
xOxOxPxBxOxPxBxOx xPxBxPxOxBxOxPxB xOxKxOxKxOxKxOxPx xOxOxPxBxOxPxOxxgB
xOxKxOxKxOxKxOxKx xOxKxOxKxOxKxOxP xOxPxOxKxOxPxOxBx xOxKxOxKxOxKxOxnK
xOxKxOxPxOxKxOxPx xOxKxPxBxOxKxOxP xOxKxOxKxOxKxOxPx xOxBxOxKxIxPxOxnB _

6. next D. Kendangan ngelik
XxOxXxPxBxPxOxBxOxPx xOxOxPxBxOxPxBxO xPxBxPxOxBxOxPxBx xOxKxOxKxOxBxOxnP
xOxOxPxBxOxPxBxOx xPxXXxPxOxPxOxBxOxP xOxKxOxKxOxKxOxPx xOxBxOxKxIxPxOxnB _<
E. Suwuk >
> xOxPxOxBxOxKxOxPx xOxBxOxKxIxPxOxnB
xOxPxOxBxOxOxOxPx xOxOxPxBxOxOxOxI xOxPxOxPxOxPxOxBx xOxPxOxIxIxBxOxnP
xOxIxIxBxOxPxOxIx xIxBxOxPxOxOxOxB xKxKxKxOxKxKxKxPx xKxKxKxOxKxOxKxgO

7. next 8.3.2.2. Notation kendang setunggal ladrang slendro
A./Buka B xOx x x x xOx x x x xOx x x x xgO
B. _ xOx x x x xBx x x x xOx x x x xB xOx x x x xBx x x x xOx x x x xnP
xOx x x x xPx x x x xOx x x x xpP xPx x x x xOx x x x xPx x x x xnO
xBx x x x xOx x x x xBx x x x xpP xOx x x x xBx x x x xPx x x x xnO
xPx x x x xBx x x x xPx x x x xpO xBx x x x xPx x x x xOx x x x xgO _
C. Suwuk :
xOx x x x xBx x x x xOx x x x xB xOx x x x xBx x x x xOx x x x xnP
xOx x x x xPx x x x xOx x x x xpP xBx x x x xPx x x x xOx x x x xnB
xPx x x x xOx x x x xBx x x x xpP xOx xOx x xOx xBx x xOx xPx x xjxjxjIxBxjnKxO
xOx xOx x xOx xPx x xOx xOx x xOx xpB xKxKxKxOx xKxKxKxOx xKxKxKxOx xKxOxKxgO

8. next
Bonang barung and Bonang Penerus
Tecnique tabuhan bonang in gending ladrang :
a. Mipil that is menabuh two diferrent tones one by one used keft and right hands. Tones that played are tone in ding with dong of each gatra. example :
z2x x x x x x x c z2x x x x x x x c3 balungan
< mipil lamba
< mipil rangkep
< mipil rkp nikeli

9. z3x x x x x x x c3 z.x x x x x x x c. balungan
next
b. Gembyang, that is left and right hand strokes same tone in one oktaf interval (y- - 6, e – 3)
those tecnique applied when there is a twin tone or more empty tone. example :
z3x x x x x x x c z.x x x x x x x c. balungan
e e xx e x < gembyang lamba
e e
e e xx3 . e x e e xx3 . e x3 . . < gembyang rangkep
e e e e
eexx3.ex3..eexx3.ex3.. eexx3.ex3..eexx3.ex3.. < gby rangkep nikeli
e e e e e e e e

10. next
Saron penerus
Tecnique to play is nacah that is stroked as the tempo that used ( irama tanggung one balungan played twice strokes, irama dadi one balungan played four strokes). example :
y balungan
y y nacah lamba
y y y22y nacah rangkep

11. next
Ricikan Balungan
that include in ricikan balungan are slenthem, demung and saron barung. Way to play is mbalung, that us strokes same as the notation.
slenthem demung saron barung

12. next
8.3.6 Ricikan Struktural
that include ricikan structure are :
kethuk / kempyang,
kenong,
kempul dan gong.
way to play is as same as the strokes sign.

13. 8.4 Playing repertoar Gendhing Ladrang garap kendhang dua kendhang satu irama tanggung and dadi
Titilaras ladrang Wilujeng laras slendro pathet manyura
Buka y gy
Umpak _ ny p n2
5 6 5 p ny p gy _
Ngelik ! 5 ! n p! n2
6 6 . p. ! 5 ! n6 ! ! 3 p gy _

14. Seni Kerajinan dan Pariwisata
Rules of play
WILUJENG, Ladrang, laras pelog pathet barang
Senggrengan rebab laras pelog pathet barang
Buka Rebab
To the umpak part done twice
first ngelik
Back to umpak done once
2nd ngelik
3rd ngelik ( part of suwuk )
Pathetan pelog barang jugag
Seni Kerajinan dan Pariwisata

15. Seni Kerajinan dan Pariwisata
GONJANG-GANJING, Ladrang laras slendro pathet sanga.
Buka : y.gt
Umpak: [ y.nt .2.p5 .2.n1
.2.p1 .2.n1 .2.p1 .y.gt ]
Apabila akan ngelik:
Ngelik: .6.n5 .!.p6 .5.n6
.5.p6 .3.n5 .2.p1 .y.gt ]
Seni Kerajinan dan Pariwisata

16. Seni Kerajinan dan Pariwisata
GONJANG-GANJING, Ladrang laras slendro pathet sanga
Senggrengan rebab laras slendro pathet sanga
Buka : rebab
To the umpak part done twice
first ngelik
Back to umpak done twice
2nd ngelik
3rd ngelik
Back to umpak done once suwuk
( suwuk at the first umpak)
.Pathetan slendro sanga jugag
Seni Kerajinan dan Pariwisata

17. Good Luck