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The Romantic spirit Beowulf 1798, publication of the Lyrical Ballads

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Presentation on theme: "The Romantic spirit Beowulf 1798, publication of the Lyrical Ballads"— Presentation transcript:

1 The Romantic spirit Beowulf 1798, publication of the Lyrical Ballads
Performer - Culture & Literature Marina Spiazzi, Marina Tavella, Margaret Layton © 2012

2 Caspar David Friedrich, Wanderer Above the Sea of Fog, 1818
1. The word ‘Romantic’ The Romantic Age the period in which new ideas and attitudes arose in reaction to the dominant 18th-century ideals of order, calm, harmony, balance, rationality Caspar David Friedrich, Wanderer Above the Sea of Fog, 1818 Performer - Culture&Literature

3 2. Romanticism vs Enlightenment
Enlightened trends Emphasised reason and judgement. Focused on society as a whole. Followed authority. Interested in science and technology. Romantic trends Emphasised imagination and emotion. Valued individuals. Looked for freedom. Represented common people. Interested in the supernatural. Performer - Culture&Literature

4 3. English Romanticism English Romanticism The Romantics:
a revolt of the English imagination against the neoclassical reason. influenced by the French Revolution and the English Industrial Revolution. The Romantics: expressed a negative attitude towards the existing social or political conditions; placed the individual at the centre of art; argued that poetry should be free from all rules. Performer - Culture&Literature

5 John Constable, The white horse, 1819, New York, Frick Collection
4. The Romantics’ key ideas Focus on the beauties of nature, seen as a living being. Use of creative imagination. Exaltation of emotion over reason and senses over intellect. A new view of the artist as an individual creator. Fascination with the irrational, the past, the mysterious, the exotic. John Constable, The white horse, 1819, New York, Frick Collection Performer - Culture&Literature

6 5. The Romantic nature Opposed to reason.
A substitute for traditional religion. A vehicle for self-consciousness. A source of sensations. A provocation to a state of imagination and vision. An expressive language: natural images provide the poet with a way of thinking about human feelings and the self. J. M. Turner, Landscape with Distant River and Bay, c ; Musée du Louvre, Paris Performer - Culture&Literature

7 6. The Romantic imagination
A creative power superior to reason. Shaped the poets’ fleeting visions into concrete forms. A dynamic, active, rather than passive power. Allows human beings to ‘read’ nature as a system of symbols. J.M.W. Turner, Rain, Steam, and Speed – The Great Western Railway, 1844, London, The National Gallery Performer - Culture&Literature

8 7. The Lake poets Wordsworth and Coleridge were known as Lake Poets because they lived together in the last few years of the 18th century in the district of the great lakes in Northwestern England. In 1798, they published the Lyrical Ballads, the manifesto of English Romanticism. Performer - Culture&Literature

9 8. The manifesto of English Romanticism
The Preface to the Lyrical Ballads The poet Themes Language Linked to nature, emotions, feelings Interested in the lives of the humble Nature, memory, children Simple, common used to liberate imagination Performer - Culture&Literature

10 9. The second generation of Romantic poets
Percy B. Shelley, George Byron and John Keats died very young and away from home; experienced political disillusionment reflected in their poetry; were linked to individualism, escapism. Performer - Culture&Literature

11 10. The Romantics on nature
Wordsworth Coleridge Byron Shelley Keats a source of joy inspiration and knowledge a mother and a moral guide a universal force the representation of God’s will and love the companion of his loneliness the counterpart of his stormy feelings when it was violently upset a source of enjoyment and inspiration pervaded by a guiding power leading man to love the creative mind benefits from the beauty of the natural landscape a kind of muse to the poet’s artistic quest Performer - Culture&Literature

12 11. The Napoleonic Wars (1799-1815)
In the Napoleonic era: the British navy dominated the sea; the French army dominated the European continent; the great hero of the British navy was Admiral Horatio Nelson defeated the French-Spanish fleet off Cape Trafalgar on the Atlantic coast of southern Spain in 1805. Performer - Culture&Literature

13 11. The Napoleonic Wars (1799-1815)
The total defeat of Napoleon in at the battle of Waterloo in Belgium where the British troops, commanded by Arthur Wellesley, overcame the French. Their consequences the acquisition of the Cape of Good Hope, Trinidad, Singapore, Ceylon and Malta was of strategic interest; enormous financial costs; Britain was on the verge of starvation, bankruptcy and evolution. Performer - Culture&Literature

14 12. The Luddites Poverty Deteriorating working conditions Mechanical looms and spinners replacing skilled craftsmen led to outbursts of machine-breaking culminating in the ‘Luddites Riots’ of They caused so much alarm that the government made machine-breaking punishable by death. Performer - Culture&Literature

15 12. The Luddites In 1819, during a peaceful public meeting in Manchester, soldiers fired into a crowd and eleven people were killed  the so-called ‘Peterloo Massacre’. Performer - Culture&Literature

16 13. The Regency The period between 1811 and 1820: the Regency.
The Prince Regent, later to become George IV, acted as monarch during the illness of his father George III ( ). In 1830 William IV succeeded his brother and his short reign saw a new political awareness leading to the new age of reforms.   Performer - Culture&Literature


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