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Metamorphosis of Narcissus

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Presentation on theme: "Metamorphosis of Narcissus"— Presentation transcript:

1 Metamorphosis of Narcissus
Salvador Dali ENTER u

2 Salvador Dali BIOGRAPHY
Birth name - Salvador Dali Born – 1904 Died Nationality – Spanish Field - Painting, Illustration, Decorative Art, Sculptor, Film maker Movement – Surrealism Influenced mainly by Renaissance Artists, but knew of many modern movements. t BACK NEXT u

3 Click on images Salvador Dali t BACK NEXT u

4 Click on Headings COMPOSITION LINE COLOUR TONE SYMBOLISM TECHNIQUE
SUBJECT MATTER Persistence of Memory (1931) Click on Headings t BACK NEXT u

5 Has the artist used LINE in this painting and if so, how?
Include in your discussion- where line has been used to guide your eye to a specific area, or to lead you around the composition. Has line been used to create a sense of depth? e.g perspective. Persistence of Memory (1931) t BACK NEXT u

6 Describe the composition of this painting.
How important is the composition to the visual impact of the work? Persistence of Memory (1931) t BACK NEXT u

7 How has the artist used COLOUR?
Has the colour been used realistically, to express emotion or create mood? Persistence of Memory (1931) t BACK NEXT u

8 How has the artist used tone?
Does the use of tone only help to create form? Is tone used to create a particular mood or atmosphere? Persistence of Memory (1931) t BACK NEXT u

9 Does the artist use any symbolic imagery in the painting?
SYMBOLISM Does the artist use any symbolic imagery in the painting? If so, what is your interpretation of it? Persistence of Memory (1931) t BACK NEXT u

10 What techniques has the artist used to create this image?
Are they traditional, or unique to this artist? Persistence of Memory (1931) t BACK NEXT u

11 What is the subject matter of this painting?
Is it open to interpretation, or is it a clear narrative? Persistence of Memory (1931) t BACK NEXT u

12 The Hallucinogenic Torreador (1969)
COMPOSITION LINE COLOUR TONE SYMBOLISM TECHNIQUE SUBJECT MATTER The Hallucinogenic Torreador (1969) Click on Headings t BACK NEXT u

13 The Hallucinogenic Torreador (1969)
LINE Has the artist used LINE in this painting and if so, how? Include in your discussion- where line has been used to guide your eye to a specific area, or to lead you around the composition. Has line been used to create a sense of depth? e.g perspective. The Hallucinogenic Torreador (1969) t BACK NEXT u

14 The Hallucinogenic Torreador (1969)
COMPOSITION Describe the composition of this painting. How important is the composition to the visual impact of the work? The Hallucinogenic Torreador (1969) t BACK NEXT u

15 The Hallucinogenic Torreador (1969)
COLOUR How has the artist used COLOUR? Has the colour been used realistically, to express emotion or create mood? The Hallucinogenic Torreador (1969) t BACK NEXT u

16 The Hallucinogenic Torreador (1969)
TONE How has the artist used tone? Does the use of tone only help to create form? Is tone used to create a particular mood or atmosphere? The Hallucinogenic Torreador (1969) t BACK NEXT u

17 The Hallucinogenic Torreador (1969)
SYMBOLISM Does the artist use any symbolic imagery in the painting? If so, what is your interpretation of it? The Hallucinogenic Torreador (1969) t BACK NEXT u

18 The Hallucinogenic Torreador (1969)
TECHNIQUE What techniques has the artist used to create this image? Are they traditional, or unique to this artist? The Hallucinogenic Torreador (1969) t BACK NEXT u

19 The Hallucinogenic Torreador (1969)
SUBJECT MATTER What is the subject matter of this painting? Is it open to interpretation, or is it a clear narrative? The Hallucinogenic Torreador (1969) t BACK NEXT u

20 Christ of St John of the Cross (1951)
COMPOSITION LINE COLOUR TONE SYMBOLISM TECHNIQUE SUBJECT MATTER Christ of St John of the Cross (1951) Click on Headings t BACK NEXT u

21 Christ of St John of the Cross (1951)
LINE Has the artist used LINE in this painting and if so, how? Include in your discussion- where line has been used to guide your eye to a specific area, or to lead you around the composition. Has line been used to create a sense of depth? e.g perspective. Christ of St John of the Cross (1951) t BACK NEXT u

22 Christ of St John of the Cross (1951)
COMPOSITION Describe the composition of this painting. How important is the composition to the visual impact of the work? Christ of St John of the Cross (1951) t BACK NEXT u

23 Christ of St John of the Cross (1951)
COLOUR How has the artist used COLOUR? Has the colour been used realistically, to express emotion or create mood? Christ of St John of the Cross (1951) t BACK NEXT u

24 Christ of St John of the Cross (1951)
TONE How has the artist used tone? Does the use of tone only help to create form? Is tone used to create a particular mood or atmosphere? Christ of St John of the Cross (1951) t BACK NEXT u

25 Christ of St John of the Cross (1951)
SYMBOLISM Does the artist use any symbolic imagery in the painting? If so, what is your interpretation of it? Christ of St John of the Cross (1951) t BACK NEXT u

26 Christ of St John of the Cross (1951)
TECHNIQUE What techniques has the artist used to create this image? Are they traditional, or unique to this artist? Christ of St John of the Cross (1951) t BACK NEXT u

27 Christ of St John of the Cross (1951)
SUBJECT MATTER What is the subject matter of this painting? Is it open to interpretation, or is it a clear narrative? Christ of St John of the Cross (1951) t BACK NEXT u


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