1. Linocuts & Block Printing

2. History
Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper.
Block printing started as the most basic form of printing to copy books and texts
Later it became a decorative and art form

3. History
Linocut is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for the relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed.

4. Vocabulary
Linocut – a design carved in relief into a block of linoleum
Additive Art – adding materials to the surface of something to create art (Example: painting)
Subtractive Art – taking away parts of an object or surface to create art (Example: carving)
Reduction Linocut - An art process where an artist works in reverse to apply layers of color to build an image from the bottom up. Once an area of colour has been printed it must be carved away to allow it to show through when the next, darker colour is printed over the top. This calls for extreme accuracy in laying the same piece of paper on the lino block for each colour. It also means that the artist cannot go back to a previous colour because that part of the lino block has been carved away.

5. Vocab 2
Relief - sculpture consisting of shapes carved on a surface so as to stand out from the surrounding background
Motif – A single or repeated design.
Brayer – a hand roller used in printmaking techniques to spread ink or to offset an image from a plate to paper
To Ink – the process of using a brayer to apply ink to a print block or plate
Plate –a printable surface on which a relief carving has been made, another word for a lino block
To Pull a Print – the act of transferring an inked plate’s image onto paper, stamping

6. Vocab 3
Print – The image made after the inked plate has been transferred to the paper.
Proof – A test print to check the progress of the inked plate.
 Register – To line up.
 Edition – A series of final prints
 Final – The last print on the paper.
Monochromatic – The use of one color, plus they shadows and highlights
Posterize – Using Photoshop to reduce a picture to just a few colors/shapes

7. Technique

8. Roll out ink with a brayer

9. Use brayer to lightly ink the plate

10. Makes the negative or reverse image…

13. Simple Linocut

15. Colors!

16. Reduction Linocut
Creating an image by removing one layer at a time to reveal the colors below

21. From the Artist:
This three-colour horned owl asking, "Who?" is unusual for me. I rarely make reduction prints. I printed this edition of only 5 prints on a press in a series of steps. First, I printed a flat yellow rectangle. Then, I carved away the areas of the lino which I wished to be yellow, like the eyes. I printed the red layer. I carved away more orangey feathers and the text, "Who?" - in reverse, of course. ;) Lastly, I printed the top, black layer of this nocturnal creature.
-Ele Willoughby

36. How to do it… First, take your picture and posterize it in Photoshop…
Identify 4 layers:
White
Light Grey
Dark Grey
Black

37. Second, transfer the drawing to your stamp…

38. Third, outline the pencil marks in sharpie marker
Then use a blade to cut out anywhere in your plate that needs to stay WHITE

39. Next, mis your lightest color (I am using light green)
Load your brayer and ink your plate with a medium amount of ink
Too much and it will squish everywhere
Too little and it will look patchy

40. Register your print on your paper
Use a CLEAN brayer to press the plate into the paper evenly

41. Gently pull up your stamp (with clean hands
Gently pull up your stamp (with clean hands!) and you have pulled your first layer!

42. Clean your stamp and then use a blade to cut away the part of the picture that needs to STAY LIGHT GREY (in my case – light green)

43. Mix white and your color to make a “dark grey” (I made medium green)
Use your brayer to ink you plate, register your plate and pull a second print on top of the first layer of paint… see the difference?

44. Cut away the places that you want to stay dark grey (medium green).
It will start to look creepy!
Use your full strength color (I used just green… no white mixed in!)

45. 2 Layers
3 Layers