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Thomas Stearns Eliot
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Life of T. S. Eliot Born in St. Louis, Missouri in 1888 in a traditional Calvinist family Paternal grandfather founder of Washington University and founder of Unitarianism Undergraduate ( ) at Harvard; graduate ( ) work at Harvard under the supervision of George Santayana and Irving Babbitt; Oxford ( ) Beginning writing poetry as a college student
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Life of T. S. Eliot Greatly influenced in 1908 by British metaphysical poetry like that of John Donne in the 17th century (its irony, witty metaphors); by French symbolists like Jules LaForgue and Charles Pierre Baudelaire (their indirect, implicit symbols as in The Love Song of J. Alfred Prufrock) Works before 1909 basically victorian (Genteel tradition)
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Life of T. S. Eliot Settlement in London in 1915
1915, The Love Song of J. Alfred Prufrock Waste Land published on Criterion Eliot edited, proofread by Ezra Pound A British citizen in 1927 and beginning writing poems about religions, different from earlier poems about the decadence of western spirit and culture
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Important Poetic Works
The Waste Land (1922) Prufrock and Other Observations (1917) Poems (1920) Ash-Wednesday (1930) The Four Quartets ( ), philosophical and religious meditative poems Murder in the Cathedral (1935)
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T. S. Eliot’s Literary Criticism
Tradition and the Individual Talent (1917): anti-romantic; poetry and earlier poetic works Selected Essays: (1932) The Use of Poetry and the Use of Criticism (1933) On Poets and Poetry (1957) Objective correlative New Criticism (analysis of each poem for imagery, allusion, ambiguity)
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Eliot’s Literary Features
Symbolism: ordinary objects, events, etc. having symbolic significance Mysterious in content; distorted spiritual world in western world after WWI Rich in (biblical, literary, cultural, humanistic, archeological) allusions No fixed poetic form and meter Changing language style: spoken, written, simple, complicated Lyric or satirical or critical
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