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Renaissance & Reformation, 1350 – 1600 The Renaissance
Objective: Social, political, economic, and cultural changes associated with the Renaissance. Renaissance & Reformation, 1350 – 1600 The Renaissance
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The Renaissance: “rebirth” of interest in the Classics; began in Italy
Recovery from plague & decline in Church power New view of human beings: humanism
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Italy: independent city-states
Florence: birthplace of Renaissance, early 1400s, the Medici family Milan: crossroads of trade routes Venice: jewel of the Renaissance, late 1500s; trade link Europe & Asia
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Renaissance Italy, 1500
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Humanism: secular (worldly) rather than spiritual
Emphasis on individual ability Education could dramatically change people Liberal studies or liberal arts were the core of humanist schools
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Humanism
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Johannes Gutenberg: “invented” printing press, 1440
Revolutionary printing method with moveable metal type Hastened spread of humanist learning
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The Impact of Printing Johannes Gutenberg’s Bible, printed about 1455, was the first European book produced from movable type.
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Gutenberg Bible
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Vernacular literature: everyday or local language
Petrarch: father of Italian Renaissance humanism; sonnets Dante: The Divine Comedy, journey from hell through purgatory to heaven Geoffrey Chaucer: The Canterbury Tales Machiavelli: The Prince, abandoned morality as basis for political activity Petrarch – Italian Humanist 1304 – 1374
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Dante’s Divine Comedy, c. 1310
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Geoffrey Chaucer, 1343 – 1400
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Niccolò Machiavelli, 1469 – 1527
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Italian Renaissance: art showed emotions & life like sculptures
Painters: new techniques in painting, more realistic Filippo Brunelleschi: architect, dome for Cathedral of Florence Masters of the High Renaissance: three artistic giants Leonardo da Vinci: Mona Lisa & The Last Supper Rafael: numerous Madonnas; frescoes; School of Athens Michelangelo: La Pieta & Sistine Chapel ceiling
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Filippo Brunelleschi, 1377 – 1446
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The Duomo, Florence
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Leonardo da Vinci
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Da Vinci’s Mona Lisa
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Da Vinci’s Last Supper
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The Last Supper
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Rafael
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School of Athens by Rafael, 1510
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Michelangelo
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La Pieta by Michelangelo
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The Creation of Adam, the Sistine Chapel
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Artists of the Renaissance
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Northern Renaissance Adapted Italian ideas to suit needs & traditions
Looked more to Middle Ages than to Rome & Greece Jan & Hubert van Eyck: Flemish painters & brothers Developed the technique of painting in oils Painted scenes from the Bible & everyday life
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Madonna by Jan van Eyck, 1436
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Northern Renaissance cont….
Albrecht Durer: German, combined detail with Italian theories Writers Erasmus: The Praise of Folly attacked abuses The Elizabethan Age & William Shakespeare
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Albrecht Durer, 1471 – 1528
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Erasmus, 1466 – 1536
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The Praise of Folly, 1509
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“Age of Shakespeare” / “Elizabethan Era”
1623 Engraving Chandos Portrait Cobbe Portrait “Age of Shakespeare” / “Elizabethan Era”
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